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Views from the Choir Loft

Archives for February 2022

Jeff Ostrowski · February 27, 2022

PDF Download • Quinquagesima Vespers

I created a booklet for my choir. (The congregation already has their own booklet). This booklet is for Quinquagesima Vespers, and you can download it if you desire. Print on “double sided” and the booklet will come out correctly. The polyphonic Magnificat is not included in that booklet, since the choir members have it in […]

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Jeff Ostrowski · February 26, 2022

FEEDBACK • 25 February 2022

We love receiving mail from our readers. Here are two messages we received today from two different music directors in Canada: (1) “We are a small Schola in Yukon, Canada and love your practice videos repertoire.” (2) “Thank you so much for the indispensable work that you are doing to rebuild the musical life of […]

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Jeff Ostrowski · February 26, 2022

PDF Download • Missa Philomena (Philippe Verdelot)

This music is from a much earlier period; and you can tell.

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Jeff Ostrowski · February 26, 2022

“Common” Hymn Tunes? • Another Example

The first text is for the “pre-Lent” season…

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Jeff Ostrowski · February 24, 2022

Cardinal Cupich’s Diocese • “What Mass Looks Like”

The “primary cross” for most young men has to do with temptations against the 6th Commandment.

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Jeff Ostrowski · February 22, 2022

PDF Download • No More OCP “Breaking Bread”

This powerful response—by a Catholic priest—is without question one of the most fascinating things I’ve ever read.

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Jeff Ostrowski · February 19, 2022

A Fugue that “explains” itself

One of my choir members sent me this Ontological Fugue. If you can get past the performance—which is terrible (perhaps on purpose)—you will learn an awful lot about fugues. In my opinion, whoever created that score is a genius! It would be awesome to know from a professional theorist, such as Charles Weaver, whether they […]

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Jeff Ostrowski · February 18, 2022

Eucharistic Hymn • By a Jesuit Martyr Priest

English has words whose meanings directly contradict each other (such as “cleave” or “sanction”).

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Jeff Ostrowski · February 16, 2022

Sound superb! … with just 2 minutes of rehearsal

I’m someone who harbors an irrational fear of anything I’m not familiar with.

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Jeff Ostrowski · February 13, 2022

“Alleluia” • Gone For Good?

Two days ago, Bishop Ronald Fabbro of London (Ontario) released a rigid decree. Much could be said, but let’s take just one item. Bishop Fabbro demands that everyone adhere to “the celebration of Mass as found in the new Roman Missal (2011).” Then, in the very next sentence, he rigidly demands that all priests celebrate […]

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Jeff Ostrowski · February 12, 2022

Attention! • “15,283 Signatures … More Needed”

I’m generally against online petitions, but here’s the thing…

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Jeff Ostrowski · February 11, 2022

Breaking! • Bishop Lobsinger Forbids Spanish and French (for Confession & Last Rites)

Spanish may no longer be used (starting 3/6/2022) for the Sacrament of Confession or the Last Rites.

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Corpus Christi Watershed · February 9, 2022

“A New Era Of Church Music”

Also included are three (3) versions of the Stations of the Cross, by Fulton J. Sheen, Cardinal Ratzinger, and Alphonsus Liguori.

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Jeff Ostrowski · February 8, 2022

Ruth Slenczynska & “Traditionis Custodes”

Bishop Arthur Roche recently sent out puzzling instructions which encourage “Ordinary Form” Catholics to ostracize and belittle those who prefer the Traditional Mass.

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Jeff Ostrowski · February 7, 2022

Fr. Fortescue • “Sequences”

Originally, the Sequence began as farcing of the long neum at the end of the ALLELUIA (the “jubilus”), as did the alleluiatic verse. This does not mean that all the notes of our sequences were originally neums of a jubilus; but once the idea was admitted, numberless sequences were composed and added at this point. […]

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Our Father” (1 page)
    Dutch organist, teacher, and conductor HERMAN STRATEGIER (d. 1988) studied under Hendrik Andriessen. He composed this unison setting with organ accompaniment for the LORD’S PRAYER (“Our Father”) which a children’s choir would find both within reach and worthy of the effort. The whole thing fits neatly on a single page. Strategier eventually became organist of Saint Catherine’s Cathedral in Utrecht. He also taught at the “Dutch Institute for Catholic Church Music” (Nederlands Instituut voor Katholieke Kerkmuziek).
    —Jeff Ostrowski
    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski
    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“The Church, which so long had preserved Latin consciously as a bond of unity, had quite suddenly decided to discard it as a useless encumbrance. With this rejection, and as an almost inevitable consequence, went out the window also the whole magnificent musical heritage of the Church. For when you change your language you also change your song. The Jewish exiles hanging their harps beside the waters of Babylon, so long ago, made that discovery.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (26 October 1973)

Recent Posts

  • Preface of Saint Joseph (added by the pope)
  • PDF Download • “Our Father” (1 page)
  • Composer Isabella Quintana: “Christ my teacher, Christ my healer, Christ my Savior.” • (Guest Article)
  • PDF • “Organ Interlude” (Manuals Only)
  • PDF Download • Roman Catholic Hymnal (1953) with Lyrics in Dutch! — 71 pages

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