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Views from the Choir Loft

Eucharistic Hymn • By a Jesuit Martyr Priest

Jeff Ostrowski · February 18, 2022

OME PEOPLE love to argue, and never concede anything. They go to sleep each night believing nobody can match their intellectual prowess. These arrogant men—who were never properly educated (from Latin, meaning “to lead out”)—frequently embrace a fatal error: viz. that each word in English has just one definition. As a matter of fact, many English words have multiple meanings. There are even words whose meanings directly contradict each other (such as “cleave” or “sanction”), but context will guide the reader. One of my favorite words is MEAN, which has at least eight different meanings.1

Wrong About Hymns: Sometimes we encounter cantankerous people who insist that hymn lyrics should be inordinately archaic and impossible for 99% of the congregation to understand. They justify their position by saying: “If people don’t understand archaic speech, they’re imbeciles.” We have discussed this in the past, and I won’t repeat everything I’ve already said. Do I have solution? I would suggest that—generally speaking—hymns should be intelligible to an “average” person. On the other hand, if an unfamiliar word is used, that’s okay. After all, learning new words is both good and healthy. These days, one need not go home to consult the dictionary since everyone carries a “smart phone” containing more data than 100,000 dictionaries.

For Every Rule… For every rule, there is an exception. The Brébeuf hymnal does contain some hymns which use archaic language. If you have a priest who absolutely hates archaic language, it would be better to choose other selections (and the Brébeuf hymnal has a billion). The following is a Eucharistic hymn by Father Robert Southwell, a Jesuit who suffered brutal martyrdom at the hands of the Anglicans:

His Words Matter: Only a very foolish person would change or “modernize” the words of Saint Robert Southwell, whose lengthy hymn is a brilliant treatise on Transubstantiation. We must remember that the Anglicans were vehemently opposed to Catholic doctrines, especially the invocation of the Blessed Virgin Mary and (in particular) the doctrine of Transubstantiation. After the time of King Henry VIII—in both England and its American Colonies—religious oaths were required to hold a rank in the military or government. For example, the oath George Washington signed read as follows:

“I [……] do declare that
there is no Transubstantiation
in the sacrament of the Lord’s supper
or in the Elements of bread and wine
at or after the consecration thereof
by any person whatsoever.”

By signing this oath, George Washington was assuring the Anglican government he was not Catholic. If you want to learn more, Google “Anglican Test Act.”


NOTES FROM THIS ARTICLE:

1   Perhaps some of our readers have experimented with “mean tone” organs.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: archaic hymn lyrics, Eucharistic Hymn SATB, The Catholic Hymnal, The Holy Eucharist Last Updated: February 21, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

These prayers were not peculiar to Good Friday in the early ages (they were said on Spy Wednesday as late as the eighth century); their retention here, it is thought, was inspired by the idea that the Church should pray for all classes of men on the day that Christ died for all. Duchesne is of opinion that the “Oremus” now said in every Mass before the Offertory—which is not a prayer—remains to show where this old series of prayers was once said in all Masses.

— Catholic Encyclopedia (1909)

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