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Views from the Choir Loft

Archives for July 2021

Jeff Ostrowski · July 19, 2021

PDF Download • The “1965 Missal” (1,785 pages)

“Truly Perplexing” • Pope Francis’ Motu Proprio

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Jeff Ostrowski · July 18, 2021

Restricting the Extraordinary Form? • Cardinal Ratzinger’s Video Interview

“We are today not another Church as 500 years ago; it’s always the same Church.” —Cardinal Ratzinger on EWTN

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Jeff Ostrowski · July 17, 2021

Important Reminder from Pope Saint John XXIII

People are talking about “liturgy wars” again…

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Jeff Ostrowski · July 17, 2021

“Let Us Take Courage!” • In Spite of Today’s News

“Serve God in that charity and love which cast out fear; such love does not regard merit.” —Saint Bernard

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Corpus Christi Watershed · July 15, 2021

1850 ROMAN CATHOLIC das katholische Kirchenlied (August von Haxthausen collected) Paderborn by Ferdinand Schöningh

1850 ROMAN CATHOLIC das katholische Kirchenlied (August von Haxthausen collected) Paderborn by Ferdinand Schöningh

Corpus Christi Watershed · July 15, 2021

Adore Te Orgelbuch (1886)

Inhalt Adventslieder 1–9, 125 Weihnachtslieder 10–25 Jesuslieder (Name Jesu) 26–35 Sexagesimä bis Aschermittwoch 26–35, 69–73, 84–88 Fastenlieder 36–55, 143–150 Leiden Jesu 36–51 Mariä Mitleiden 52–55 Busslieder 143–150 Osterlieder 56–67 Kreuzwoche, Wallfahrten u. s. w. 68–74, 85, 144 Himmelfahrt 75–77 Pfingsten (Predigtlieder) 78–83 Dreifaltigkeit 84–88 Fronleichnam (Sakramentslieder) 27–35, 89–99 Herz-Jesu-Lieder 100–102 Marienlieder, allgemeine 103–119 Marienfeste: Mariä […]

Corpus Christi Watershed · July 14, 2021

1952 (Msgr Max Tremmel) Kapellmeister at Passau Cathedral

1952 PASSAU (TREMMEL) — MESSLIEDER I. Messlieder-Reihe 1. Reihe: Deutsche Choralmesse 1. Zum Kyrie — Kyrie eleison  p. 20 2. Zum Gloria — Ehre sei Gott in der Höhe  p. 20 3. Zum Credo — Ich glaube an den einen Gott (Credo in unum Deum)  p. 22 4. Zum Sanctus — Heilig, heilig, heilig ist Gott der Herr […]

Jeff Ostrowski · July 14, 2021

Vinzenz Goller Orgelbuch (1952) — Mit Max Springer

VINZENZ GOLLER ORGELBUCH (1952) — MIT MAX SPRINGER 106. Alleluja laßt uns singen  p. 110 22. Alles meinem Gott zu Ehren  p. 22 40. Allmächtiger, vor dir im Staube  p. 43 24. Anbetung, Dank und Ehre  p. 25 265. Auf zum Schwur  p. 265 51. Aus der Tiefe rufen wir zu dir  p. 115 8. Aus des Elends tiefstem Grund  p. 16 […]

Corpus Christi Watershed · July 14, 2021

1950 Hymn Book Accompaniment (Archdiocese of Munich and Freising)

1950 MUNICH & FREISING ORGELBUCH HEILIGES OPFER — Meßgesänge — The Holy Sacrifice — Mass Chants I. Reihe (im Gebetsteil) — First Set (in the prayer section) 1. Eingang: Zu dir, o Gott, erheben wir (E)  p. 7 2. Gloria: Gott in der Höh sei Preis und Ehr (E)  p. 8 3. Opferbereitung: Du hast, o Herr, […]

Jeff Ostrowski · July 13, 2021

Hymn Lyrics Which Don’t Fit

If we grow up singing hymns, we’re incapable of judging them—because we’re “too close” to them. People who know and love “Abide with me, fast falls the eventide” probably never realized the first word is one of the most egregious examples of incorrect accentuation. (The correct accent for “abide” is on the second syllable, not […]

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Corpus Christi Watershed · July 13, 2021

1952 BERLIN Józef Kromolicki (Musica Sacra editor) studied with Haberl WITH Msgr. Dr. Karl Forster

ORGELBEGLEITUNG zum Gesangbuch für das Bistum Berlin Bischöfliches Ordinariat Berlin, 1952 · Msgr. Dr. Karl Forster · Dr. Joseph Kromolicki · Wilhelm Bäumer · Nos. 1–264 First-stanza text transcribed from the scan; where the book prints only later-stanza incipits it gives a stanza count (e.g. “6 Str.”), reproduced here. Nos. 1–4a are the liturgical Latin […]

Jeff Ostrowski · July 12, 2021

12 July 2021 • FEEDBACK

A reader from Chicago writes: “Your work is exemplary, and these past 15 months have put into clear focus for me just how important Corpus Christi Watershed is as an evangelizing voice in the Church. During this pandemic, we have moved away from the ‘big publisher’ psalters, employing nearly exclusively your settings, which (in my […]

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Jeff Ostrowski · July 12, 2021

1952 (Augsburg Diocese) LAUDATE by Karl Lampart Bavarian Organist (d 1974)

ORGELBUCH ZUM LAUDATE Augsburg Diocese, 1952 · Karl Lampart (d. 1974) · Nos. 1–212 PART I — Hymns 1–112 Der Tag des Christen — Morgenlieder 1. Alles meinem Gott zu Ehren W: Herolds Choralmelodien 1808 · T: 1. Str. Duderstadt 1724 ff., Düsseldorf 1759 1. Alles meinem Gott zu Ehren, in der Arbeit, in der […]

Richard J. Clark · July 9, 2021

Four Eucharistic Motets for the Year of the Eucharist

Forced abstinence from the Eucharist in 2020 heightened for many the appreciation of the sacraments that one can take for granted.

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Jeff Ostrowski · July 8, 2021

PT Barnum, Henri Herz, + 1,000 candles

In the annals of pianism, there were some fakers: Vladimir de Pachmann, Ignacy Jan Paderewski, Leopold de Meyer, and Henri Herz. A hilarious story is told by Harold C. Schonberg about Henri Herz, his manager (Bernard Ullman), and 1,000 candles. I think you will enjoy reading it.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Our Father” (1 page)
    Dutch organist, teacher, and conductor HERMAN STRATEGIER (d. 1988) studied under Hendrik Andriessen. He composed this unison setting with organ accompaniment for the LORD’S PRAYER (“Our Father”) which a children’s choir would find both within reach and worthy of the effort. The whole thing fits neatly on a single page. Strategier eventually became organist of Saint Catherine’s Cathedral in Utrecht. He also taught at the “Dutch Institute for Catholic Church Music” (Nederlands Instituut voor Katholieke Kerkmuziek).
    —Jeff Ostrowski
    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski
    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“In the 17th century came the crushing blow which destroyed the beauty of all Breviary hymns. Pope Urban VIII (d. 1644) was a Humanist. In a fatal moment he saw that the hymns do not all conform to the rules of classical prosody.”

— Fr. Adrian Fortescue (d. 1923)

Recent Posts

  • The Vanishing Art of Knowing Hymns • We Seek a Hymn “Expert” (Not Just a Hymn “Enthusiast”)
  • Preface of Saint Joseph (added by the pope)
  • PDF Download • “Our Father” (1 page)
  • Composer Isabella Quintana: “Christ my teacher, Christ my healer, Christ my Savior.” • (Guest Article)
  • PDF • “Organ Interlude” (Manuals Only)

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