• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Archives for July 2021

Jeff Ostrowski · July 19, 2021

PDF Download • The “1965 Missal” (1,785 pages)

“Truly Perplexing” • Pope Francis’ Motu Proprio

Jeff Ostrowski · July 18, 2021

Restricting the Extraordinary Form? • Cardinal Ratzinger’s Video Interview

“We are today not another Church as 500 years ago; it’s always the same Church.” —Cardinal Ratzinger on EWTN

Jeff Ostrowski · July 17, 2021

Important Reminder from Pope Saint John XXIII

People are talking about “liturgy wars” again…

Jeff Ostrowski · July 17, 2021

“Let Us Take Courage!” • In Spite of Today’s News

“Serve God in that charity and love which cast out fear; such love does not regard merit.” —Saint Bernard

Jeff Ostrowski · July 13, 2021

Hymn Lyrics Which Don’t Fit

If we grow up singing hymns, we’re incapable of judging them—because we’re “too close” to them. People who know and love “Abide with me, fast falls the eventide” probably never realized the first word is one of the most egregious examples of incorrect accentuation. (The correct accent for “abide” is on the second syllable, not […]

Jeff Ostrowski · July 12, 2021

12 July 2021 • FEEDBACK

A reader from Chicago writes: “Your work is exemplary, and these past 15 months have put into clear focus for me just how important Corpus Christi Watershed is as an evangelizing voice in the Church. During this pandemic, we have moved away from the ‘big publisher’ psalters, employing nearly exclusively your settings, which (in my […]

Richard J. Clark · July 9, 2021

Four Eucharistic Motets for the Year of the Eucharist

Forced abstinence from the Eucharist in 2020 heightened for many the appreciation of the sacraments that one can take for granted.

Jeff Ostrowski · July 8, 2021

PT Barnum, Henri Herz, + 1,000 candles

In the annals of pianism, there were some fakers: Vladimir de Pachmann, Ignacy Jan Paderewski, Leopold de Meyer, and Henri Herz. A hilarious story is told by Harold C. Schonberg about Henri Herz, his manager (Bernard Ullman), and 1,000 candles. I think you will enjoy reading it.

Jeff Ostrowski · July 7, 2021

7 July 2021 • “Getting Soft at the End”

We tried something last Sunday. On the final stanza of this Eucharistic hymn, we got softer. I’d love to know your thoughts—does it sound good, or contrived?

Jeff Ostrowski · July 7, 2021

[Live Rec.] • “Do You Know This Eucharistic Hymn?”

Including seven (7) examples of musical diversity.

Follow the Discussion on Facebook

Jeff Ostrowski · July 4, 2021

We Urgently Require Funds! • Can You Give $5.00 Per Month?

An urgent letter from the president … please read this!

Jeff Ostrowski · July 3, 2021

PDF Download • “Polyphonic Creed Extension” (Perfect Canon Between Soprano & Alto)

This fabulous technique is common in Germanic countries…

Follow the Discussion on Facebook

Dr. Lucas Tappan · July 3, 2021

A “Must Read” for Choir School Enthusiasts

I also feel this is the reason that many church musicians in England don’t matriculate into doctoral programs—their choir schools imparted more than a doctoral program could ever give.

Follow the Discussion on Facebook

Jeff Ostrowski · July 2, 2021

Free Online Movie! • “Scarlet and the Black” (1983)

Telling the true story of Monsignor Hugh O’Flaherty, a Catholic priest who saved thousands of lives during WW2.

Follow the Discussion on Facebook

  • « Go to Previous Page
  • Page 1
  • Page 2

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.

— Paul Hume (1956)

Recent Posts

  • 💰 Are Church Musicians Paid Too Little?
  • PDF Download • “In Paradisum” in English
  • “O Antiphons” Elevated?
  • PDF • “Music List” (Sunday, 28 December)
  • Should Catholics Sing Protestant Christmas Carols?

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.