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Views from the Choir Loft

Archives for July 2021

Jeff Ostrowski · July 19, 2021

PDF Download • The “1965 Missal” (1,785 pages)

“Truly Perplexing” • Pope Francis’ Motu Proprio

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Jeff Ostrowski · July 18, 2021

Restricting the Extraordinary Form? • Cardinal Ratzinger’s Video Interview

“We are today not another Church as 500 years ago; it’s always the same Church.” —Cardinal Ratzinger on EWTN

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Jeff Ostrowski · July 17, 2021

Important Reminder from Pope Saint John XXIII

People are talking about “liturgy wars” again…

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Jeff Ostrowski · July 17, 2021

“Let Us Take Courage!” • In Spite of Today’s News

“Serve God in that charity and love which cast out fear; such love does not regard merit.” —Saint Bernard

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Corpus Christi Watershed · July 15, 2021

1850 ROMAN CATHOLIC das katholische Kirchenlied (August von Haxthausen collected) Paderborn by Ferdinand Schöningh

1850 ROMAN CATHOLIC das katholische Kirchenlied (August von Haxthausen collected) Paderborn by Ferdinand Schöningh

Corpus Christi Watershed · July 15, 2021

Adore Te Orgelbuch (1886)

Inhalt Adventslieder 1–9, 125 Weihnachtslieder 10–25 Jesuslieder (Name Jesu) 26–35 Sexagesimä bis Aschermittwoch 26–35, 69–73, 84–88 Fastenlieder 36–55, 143–150 Leiden Jesu 36–51 Mariä Mitleiden 52–55 Busslieder 143–150 Osterlieder 56–67 Kreuzwoche, Wallfahrten u. s. w. 68–74, 85, 144 Himmelfahrt 75–77 Pfingsten (Predigtlieder) 78–83 Dreifaltigkeit 84–88 Fronleichnam (Sakramentslieder) 27–35, 89–99 Herz-Jesu-Lieder 100–102 Marienlieder, allgemeine 103–119 Marienfeste: Mariä […]

Corpus Christi Watershed · July 14, 2021

1952 (Msgr Max Tremmel) Kapellmeister at Passau Cathedral

1952 PASSAU (TREMMEL) — MESSLIEDER I. Messlieder-Reihe 1. Reihe: Deutsche Choralmesse 1. Zum Kyrie — Kyrie eleison  p. 20 2. Zum Gloria — Ehre sei Gott in der Höhe  p. 20 3. Zum Credo — Ich glaube an den einen Gott (Credo in unum Deum)  p. 22 4. Zum Sanctus — Heilig, heilig, heilig ist Gott der Herr […]

Jeff Ostrowski · July 14, 2021

Vinzenz Goller Orgelbuch (1952) — Mit Max Springer

VINZENZ GOLLER ORGELBUCH (1952) — MIT MAX SPRINGER 106. Alleluja laßt uns singen  p. 110 22. Alles meinem Gott zu Ehren  p. 22 40. Allmächtiger, vor dir im Staube  p. 43 24. Anbetung, Dank und Ehre  p. 25 265. Auf zum Schwur  p. 265 51. Aus der Tiefe rufen wir zu dir  p. 115 8. Aus des Elends tiefstem Grund  p. 16 […]

Corpus Christi Watershed · July 14, 2021

1950 Hymn Book Accompaniment (Archdiocese of Munich and Freising)

1950 MUNICH & FREISING ORGELBUCH HEILIGES OPFER — Meßgesänge — The Holy Sacrifice — Mass Chants I. Reihe (im Gebetsteil) — First Set (in the prayer section) 1. Eingang: Zu dir, o Gott, erheben wir (E)  p. 7 2. Gloria: Gott in der Höh sei Preis und Ehr (E)  p. 8 3. Opferbereitung: Du hast, o Herr, […]

Jeff Ostrowski · July 13, 2021

Hymn Lyrics Which Don’t Fit

If we grow up singing hymns, we’re incapable of judging them—because we’re “too close” to them. People who know and love “Abide with me, fast falls the eventide” probably never realized the first word is one of the most egregious examples of incorrect accentuation. (The correct accent for “abide” is on the second syllable, not […]

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Corpus Christi Watershed · July 13, 2021

1952 BERLIN Józef Kromolicki (Musica Sacra editor) studied with Haberl

ORGELBEGLEITUNG zum Gesangbuch für das Bistum Berlin Bischöfliches Ordinariat Berlin, 1952 · Msgr. Dr. Karl Forster · Dr. Joseph Kromolicki · Wilhelm Bäumer · Nos. 1–264 First-stanza text transcribed from the scan; where the book prints only later-stanza incipits it gives a stanza count (e.g. “6 Str.”), reproduced here. Nos. 1–4a are the liturgical Latin […]

Jeff Ostrowski · July 12, 2021

12 July 2021 • FEEDBACK

A reader from Chicago writes: “Your work is exemplary, and these past 15 months have put into clear focus for me just how important Corpus Christi Watershed is as an evangelizing voice in the Church. During this pandemic, we have moved away from the ‘big publisher’ psalters, employing nearly exclusively your settings, which (in my […]

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Jeff Ostrowski · July 12, 2021

1952 (Augsburg Diocese) LAUDATE by Karl Lampart Bavarian Organist (d 1974)

ORGELBUCH ZUM LAUDATE Augsburg Diocese, 1952 · Karl Lampart (d. 1974) · Nos. 1–212 PART I — Hymns 1–112 Der Tag des Christen — Morgenlieder 1. Alles meinem Gott zu Ehren W: Herolds Choralmelodien 1808 · T: 1. Str. Duderstadt 1724 ff., Düsseldorf 1759 1. Alles meinem Gott zu Ehren, in der Arbeit, in der […]

Richard J. Clark · July 9, 2021

Four Eucharistic Motets for the Year of the Eucharist

Forced abstinence from the Eucharist in 2020 heightened for many the appreciation of the sacraments that one can take for granted.

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Jeff Ostrowski · July 8, 2021

PT Barnum, Henri Herz, + 1,000 candles

In the annals of pianism, there were some fakers: Vladimir de Pachmann, Ignacy Jan Paderewski, Leopold de Meyer, and Henri Herz. A hilarious story is told by Harold C. Schonberg about Henri Herz, his manager (Bernard Ullman), and 1,000 candles. I think you will enjoy reading it.

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Corpus Christi Watershed

President’s Corner

    Insane Baroque-Era Dissonance!
    The sumptuous melody called “JESU LEIDEN PEIN UND TOD” appears no fewer than three times in the Brébeuf Catholic Hymnal and is harmonized with standard Common Practice Era SATB voice leading and harmonies (which is only natural). However, one who takes the time to examine what Sebastian Bach did with that tune will encounter an incredibly dissonant sound. As far as I’m concerned, there is no more dissonant sound—in the entire Baroque era—than what I highlighted in yellow on that excerpt. Please let me know if you disagree.
    —Jeff Ostrowski
    “Reminder” — Month of July (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Music List • (15th Sund. Ordinary Time)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the 15th Sunday in Ordinary Time (Year A), which is 12 July 2026. Please feel free to download it as a PDF file if that appeals to you. The hymns chosen are some of the most ‘traditional’ I have chosen (and were chosen by our pastor). The ENTRANCE CHANT radiates pure bliss, overflowing with joy.
    —Jeff Ostrowski

Quick Thoughts

    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski

Random Quote

“One of his most cherished wishes was to promote congregational singing wherever possible, for he held it to be most instructive for people of all classes and a powerful means of arousing an intelligent interest in the beauties of our sacred liturgy, especially in regard to the holy Sacrifice of the Mass. He loved to dwell in this respect upon the remarkable results achieved in parishes where the congregation had been taught to sing correctly the different portions of the Mass in plain chant.”

— Cardinal Merry del Val, speaking of Cardinal Sarto

Recent Posts

  • Insane Baroque-Era Dissonance!
  • Explanation of Gregorian Chant • “Using Words Mama Can Understand”
  • “Reminder” — Month of July (2026)
  • “Reader Feedback” • 9 July 2026
  • PDF Downloads • “16 Gorgeous SAB Motets”

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