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Tournemire’s L’Orgue Mystique is an indispensable resource—especially for organists who are feeling “stuck” in their improvisation.
Including an update on the Sacred Music Symposium.
Hymns by Monsignor Knox often make reference to “the friendless”—have you ever been without a friend?
We’ve decided to try an experiment, with assistance from one of my favorite composers: Giovanni Maria Nanino (d. 1607).
How exactly does the “Choral Supplement” look in real life?
Announcing an opportunity for graduate-level summer study in sacred music.
Did you realize there are two versions of this famous hymn?
M.B. wrote to us: “Dear Corpus Christi Watershed: please keep posting beautiful hymns! You have no idea just how helpful it is to me! God bless the work and efforts that you pour into making the liturgy more beautiful for God’s glory!”
Now that choirs are beginning to come back…
The Pentecost Sequence harmonized by Father Green, Father Jones, Dom Gregory Murray, Max Springer, Achille P. Bragers, and more!
If you look in the 1952 Australian Hymnal by Father Percy Jones called The Saint Pius X Hymnal, you will see that they substitute “Confirma Hoc” from Confirmation with the Offertory antiphon on Pentecost Sunday. Thoughts? Was that cheating?
My friend L.F. has informed me that the editors of the 1965 Missale Romanum seem to have deliberately deleted the part about “raising the children in the Catholic Faith.” Do you agree? See for yourself. How would you translate that passage into English? Please email me at: jeff@ccwatershed.org
Teaching sight-singing is important, but let’s not forget that it’s a means to an end.
From one of my composition teachers…
I wanted to become a Franciscan priest, and became one. But I certainly landed in places and assignments I never dreamed of being in.
