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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Saint Ralph Sherwin Mass”

Jeff Ostrowski · June 11, 2020

ROUGHOUT my life, I have experienced something to which many artists can relate: I tend to loathe my compositions once I have “moved on” to other things. Readers may remember that about five years ago I basically stopped composing because of a “revelation” I received apropos the music of Father Francisco Guerrero. I realized Guerrero was composing on a completely different level; and this came out of his years of listening to choirs (since he was a small boy) and carefully studying music with his teacher, Father Cristóbal de Morales. I repeat: His music is on a completely different level. So I stopped composing. But a few days ago, I received a telephone call from one of the most famous choirmasters alive today. (He is not from the United States, by the way.) This person told me repeatedly how much my compositions meant to him. Indeed, he insisted on singing many of them over the phone! His kind words meant the world to me. The end result? I’m considering composing again, perhaps even before the year ends.

In the meantime, I will be releasing five (5) Mass settings which I composed about ten years ago. We begin with the “Mass in honor of Saint Ralph Sherwin.”

*  PDF Download • ORGAN ACCOMPANIMENTS
—Organ Accompaniment for the “Our Father” is included.

*  PDF Printable • Modern Notation Booklet
—Make sure to select “double sided” when you print this.

*  PDF Printable • Gregorian Notation Booklet
—Make sure to select “double sided” when you print this.

Let me be honest: I am not pleased with the quality of the rehearsal videos, but some might find them useful:

*  Rehearsal Video • “Kyrie Eleison” (St. Sherwin)

*  Rehearsal Video • “Lord, have mercy” (St. Sherwin)

*  Rehearsal Video • “Glory to God” (St. Sherwin)

*  Rehearsal Video • “Holy, Holy, Holy” (St. Sherwin)

*  Rehearsal Video • “Mystery of Faith” (St. Sherwin)

*  Rehearsal Video • “Great Amen” (St. Sherwin)

*  Rehearsal Video • “Lamb of God” (St. Sherwin)

Mæstro Gregory Glenn, one of greatest Catholic choirmasters in America, has said: “The Saint Ralph Sherwin Gloria is a remarkably prayerful musical setting of the text that is sure to serve our worship for years to come—well worth the investment of time to teach your parish community.”

 

Artwork taken from the The 12th Century Missal of Limoges.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Cantor Plus Organist, Pieces For Small Choirs, Roman Missal Third Edition Last Updated: January 11, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Oh, the happy choir director who is hired to start work on a brand new choir, or who walks into his first rehearsal a total stranger to the existing group—what a fortunate man he is! The new choir director who is a former member of the choir, or a member of the congregation, or the nephew of the alto soloist, or a former altar boy, or otherwise well acquainted with the choir, is in for a few headaches.”

— Paul Hume (1956)

Recent Posts

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  • PDF Download • Dom Murray Harmonies

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