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Views from the Choir Loft

PDF Download • “Saint Ralph Sherwin Mass”

Jeff Ostrowski · June 11, 2020

ROUGHOUT my life, I have experienced something to which many artists can relate: I tend to loathe my compositions once I have “moved on” to other things. Readers may remember that about five years ago I basically stopped composing because of a “revelation” I received apropos the music of Father Francisco Guerrero. I realized Guerrero was composing on a completely different level; and this came out of his years of listening to choirs (since he was a small boy) and carefully studying music with his teacher, Father Cristóbal de Morales. I repeat: His music is on a completely different level. So I stopped composing. But a few days ago, I received a telephone call from one of the most famous choirmasters alive today. (He is not from the United States, by the way.) This person told me repeatedly how much my compositions meant to him. Indeed, he insisted on singing many of them over the phone! His kind words meant the world to me. The end result? I’m considering composing again, perhaps even before the year ends.

In the meantime, I will be releasing five (5) Mass settings which I composed about ten years ago. We begin with the “Mass in honor of Saint Ralph Sherwin.”

*  PDF Download • ORGAN ACCOMPANIMENTS
—Organ Accompaniment for the “Our Father” is included.

*  PDF Printable • Modern Notation Booklet
—Make sure to select “double sided” when you print this.

*  PDF Printable • Gregorian Notation Booklet
—Make sure to select “double sided” when you print this.

Let me be honest: I am not pleased with the quality of the rehearsal videos, but some might find them useful:

*  Rehearsal Video • “Kyrie Eleison” (St. Sherwin)

*  Rehearsal Video • “Lord, have mercy” (St. Sherwin)

*  Rehearsal Video • “Glory to God” (St. Sherwin)

*  Rehearsal Video • “Holy, Holy, Holy” (St. Sherwin)

*  Rehearsal Video • “Mystery of Faith” (St. Sherwin)

*  Rehearsal Video • “Great Amen” (St. Sherwin)

*  Rehearsal Video • “Lamb of God” (St. Sherwin)

Mæstro Gregory Glenn, one of greatest Catholic choirmasters in America, has said: “The Saint Ralph Sherwin Gloria is a remarkably prayerful musical setting of the text that is sure to serve our worship for years to come—well worth the investment of time to teach your parish community.”

 

Artwork taken from the The 12th Century Missal of Limoges.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Cantor Plus Organist, Pieces For Small Choirs, Roman Missal Third Edition Last Updated: January 11, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The training in singing, to sing in a chorus, is not only an exercise of external listening and of the voice; it is also training for interior listening, listening with the heart, an exercise in training for life and for peace.”

— Pope Benedict XVI

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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