“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)
Music is a language, but it does not supplant our own. Rather, it enlivens our words so that they can penetrate the soul with the fullness of their meaning—and enlighten our eyes in any circumstance.
Words of Hope from Gerard Manley Hopkins
Including O SALUTARIS (“O Saving Victim Opening Wide”) and TANTUM ERGO (“Down in Adoration Falling”) in Latin and English.
To sing at Mass though, you need more than just being able to finish together.
Ever thought of changing the way you play a hymn without needing to have studies advanced theory and harmonization techniques? Here are two ways of changing the way you are playing a hymn without changing the harmony or re-voicing it.
Some very brief comments on the lessons we might learn during this pandemic for the future of liturgical music.
My brain can’t accept the approach chosen by this “Graduale”…
It stands to reason that if someone wants to sell a lot of books, he should put something in there that people want to buy.
Father Lawrence Lew, OP, is perhaps the world’s greatest photographer.
I’ve really been enjoying singing from the Père Daniel Kyriale (126 pages), which is a fabulous little book. I had no idea it would turn out so nicely—incredibly useful, and the printing is super crisp. I noticed something quite strange the other day: Kyrie X (an extremely ancient chant) contains a skip of a seventh. […]
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Michelangelo, without training and in wont of the best paints and plaster, would have struggled to paint the ceiling of the Sistine Chapel.
The way to “repeat” Alleluia during Eastertide confuses many people.
You can form a stronger connection with your choir even while rehearsals are suspended. All it takes is one simple thing that you probably already have.
This hymn by Caelius Sedulius (Christian Poet from the 5th century) has been translated into English by a Catholic priest.
