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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Watershed in 2019

Veronica Moreno · December 31, 2019

Article Categories
Liturgical Choices Catholic Beauty
Music Life Music
Brébeuf Hymnal Music Pieces

Liturgical Choices

“Church Music Manifesto” (2019) —
Mass should be a peaceful experience for the congregation, not an opportunity to be harassed.

Where do we go from here? —
We need to break away from simply providing music for the next Sunday’s Masses.

The Cantor and Congregational Singing —
I wonder if we haven’t lost sight of the cantor’s original purpose of fostering congregational singing…

Dominican Priest Calls Gregorian Chant “Infantile” —
Fr. Gerard Lessard is upset that millennials “seem to be mainly interested in returning to Gregorian chant and organ music of the distant past.”

(1988) • Cardinal Ratzinger Addresses Chilean Bishops —
“The grandeur of the liturgy rests upon…rendering tangible the Totally Other, whom we are not capable of summoning.”

Bishop Barron Vs. Hymn by Marty Haugen (2018) —
“Heaven is not light-years away; that’s a silly way to think about it.” —Most Rev’d Robert Barron

Just Released! • 2019 Pastoral Letter on Sacred Music (Archbishop Sample) —
“Every pastor and music director has a serious responsibility to read and become familiar with the ‘Constitution on the Sacred Liturgy…” —Archbishop Sample

Strive for Greatness! —
Stop trying to make everything easy, and therefore unimportant.

An Outrageous “Paradox” I Cannot Accept —
I’m not someone who believes everything was perfect before Vatican II—but calling the EF “worldly” compared to the OF is just silly.

Breaking! • Father Edwin C. Dwyer Development? —
Did Bishop A. Hurley have a change of heart?

Catholic Beauty

Formed in Beauty Lectures —
Videos have been posted from the 2017 & 2018 conferences of the Catholic Art Guild

Fr. Peter Gee • My First Chant Teacher —
Is it just me, or does England have extremely beautiful churches?

The Gratuity of Beauty —
Thoughts on the Feast of the Dedication of the Lateran Basilica

Sacred Architecture and Brexit —
A connecting link in the form of Gothic cathedrals

New Stained Glass Windows of Military Saints —
Recently installed at the pastoral center of the Archdiocese for the Military Services, USA

Holy Souls in Purgatory • 15th-Century Missal Illumination —
Detail from the Missal of Eberhard von Greiffenklau

Music Life

“Your Choirmaster” • What Nobody Realizes —
Do you see the part where it specifically asks for humiliation?

If You Want to Catch All the Youth —
The “Schools Singing Programme” currently serves 4,000 children each year, many from the most economically depressed areas in England…

Colin Mawby (1936-2019) —
We commend his soul to the mercy of our Heavenly Father.

Are Choirmasters Allowed To Have A Bad Day? —
By 1941, Horowitz had been playing Rachmaninov’s 3rd Concerto for 23 years…

New Resource! • Chant Videos for Treble Voices —
A new website seeks to record the full Gregorian propers each week using a treble voice.

Fourth-Century Advice for Choir Directors —
A passage from Nicetas of Remesiana remains eminently applicable today.

“Homeschoolers, learn an Advent hymn!” —
As we navigate through this season, the secular world bombards us with decorated Christmas trees, “holiday music” on every station, and house after house drenched in festive lights…

Fr. Wasilewski: “Evil” to Remove Pachamama Idols —
His argument about “theft”—such as removing pornography from a church where children might see it—is incorrect and dangerous.

Music

Liturgica • Interview with Chris Mueller on the Release of New CD —
Mueller discusses his recently released recording of original compositions and Renaissance masterworks

“Woman of No Distinction” World Premiere —
What makes this work unique is its perspective: written entirely from the point of view of the Samaritan woman.

New England Catholic Choral Festival & Mass • 2019 —
It’s never just about the music. It’s about formation and transformation.

Music Leads Us to Heaven —
Franz Schubert’s famous art song, “An die Musik”

Trappist Monks in Hong Kong Chanting —
Monks in Hong Kong chanting parts of the Missa “Cum Jubilo”…

Marcel Dupré • “Live” Recording (2 Feb 1964) —
A recording of Bach’s A-minor Prelude & Fugue made by the master at age 78.

The Brébeuf Hymnal

Update! • Accompaniments for the Brébeuf Hymnal —
Oh, if only…if only you knew what’s going on behind the scenes!

“How To Use The Brébeuf Hymnal” (Video) —
Yay! Short tutorial videos eradicate confusion!

Video • What Are Common Hymn Melodies? —
Short demonstrations by a volunteer parish choir!

“Missa de Angelis” • But in Iroquoian! (1865) —
Many people don’t realize that gorgeous plainsong books were printed in the 19th century…but they were not in Latin.

“Mister Eye” • Do You Mind Him? —
What do you think of “eye rhymes” in hymnody?

When Hymn Names Don’t Match —
I submit to you that calling the same tune by multiple names in the same hymnal is unacceptable.

Music Pieces

Hymn • “A Solis Ortus Cardine” (In English) —
The Church’s greatest hymn? Many believe it’s this one

PDF Accompaniment • “Jesu Redemptor Omnium” —
You can compare my accompaniment to that of Achille P. Bragers.

Video • “Hark! The Herald Angels Sing” —
Older Catholic hymnals did funny things with this melody.

Announcement of Easter & the Moveable Feasts • 2020 —
Free download of The Announcement of Easter and the Moveable Feasts for 2020

Fantastic! • “Somber Yet Powerful” Advent Hymn —
It’s impossible to incorporate all the awesome Advent hymns; the season is too short.

PDF • “Veni Veni Emmanuel” (2 Voices + Organ) —
Download this PDF score—free to all—and sing during Advent!

PDF Download • “Erunt Signa In Sole” (Advent) —
“One of the challenges of a small choir is having enough singers to pull off any kind of polyphony. ” —Andrea Leal

PDF Download • A Eucharistic Piece My Choir Loves —
Including a “preview” of the forthcoming Brébeuf Hymnal SATB Choral Supplement.

PDF • “Additional Versions of the Credo” (1934) —
This morning, fascinating versions of the Credo arrived in my inbox—versions I had never seen!

PDF Download • “Chant Service Book” (208 pages) —
An extremely rare book from 1941, containing all your favorite Gregorian chants!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 9, 2020

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

It is necessary to address Bishop Trautman’s statement that “recent directives of the Congregation aimed at ICEL’s work appear to require a word-for-word, syntax-for-syntax correspondence between the Latin and the English texts.” I am happy to clarify that this certainly is not the intention of the Congregation, since the successful translation of the liturgical texts cannot be achieved by such a wooden mechanism.

— Jorge Cardinal Medina Estévez (13 May 2000)

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