• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

  • Our Team
    • Views from the Choir Loft • “Our Team”
    • Our Editorial Policy
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Lalemant Polyphonic
    • Saint Antoine Daniel KYRIALE
    • Father Enemond Massé Manuscripts
  • Miscellaneous
    • Site Map
    • Emporium Kevin Allen
    • Roman Missal, 3rd Edition
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • Gradual by Pothier’s Protégé
    • Mass in Honor of Saint Noël Chabanel
  • Donate
Views from the Choir Loft

PDF • “Additional Versions of the Credo” (1934)

Jeff Ostrowski · February 28, 2019

85283 Credo VII • Gregorian Chant OST PEOPLE would probably presume that the Ordinary of the Mass is more ancient than the Proprium Missae (“propers”), especially the Greek KYRIE. Such a mistake is understandable, but it’s still wrong. The Propers are the most ancient part of the Mass, and the Ordinary is rather late by comparison. Moreover, the addition of the CREDO is extremely late, and even to this day the Creed is said only on special feasts. In recognition of this fact, musical settings of the Creed are kept in a completely different location than the rest of the Kyriale.

If you examine the Campion Missal, you will see that both CREDO V and CREDO VI were included, even though not that many people sing them. The Saint Antoine Daniel website includes a marvelous setting called Credo VII, along with an organ accompaniment.

But this morning, I received a surprise in my inbox from a reader!

Versions of the CREDO I had never seen before:

    * *  PDF Download • Supplement to the Kyriale (1934)

The file appears to be one of the numerous “supplemental inserts” included at the back of the Solesmes books. Readers will recall me speaking of how fascinating some of these are, especially the ones added to the Reims-Cambrais edition of the Graduale.

One of the versions appears to be based upon CREDO I, which would be only natural since this was the sole version people sang for centuries:

85281 comparison CREDO versions


Contained in that PDF are a whole bunch more versions of the Kyriale I have never seen before. We owe a debt of gratitude to whoever scanned this!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 12, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

Quick Thoughts

    [Quiz] • “Do You Know Your Hymns?”
    In case you missed it, many readers have enjoyed taking this little Quiz On Hymns. In the context of that article, I included a sensational quote about the Holy Mass by Monsignor Ronald Knox. Moreover, I talk about how Abraham Lincoln's mother died, as well as a fabulous Eucharistic hymn by the Archbishop of Canterbury.
    —Jeff Ostrowski
    William Byrd • Simple “Agnus Dei” Canon
    Time flies! Back in July, I posted a PDF setting of a perfect canon by William Byrd (d. 1623) arranged as an AGNUS DEI for three voices. Last Sunday, we sang that arrangement with our volunteer choir. To hear a ‘live’ recording of it, click here (Mp3). In my humble opinion, this would be a perfect piece for a choir just beginning to experiment with polyphony.
    —Jeff Ostrowski
    “Glory To God” • (For Choir + Congregation)
    I wish to thank everyone for the nice comments I received vis-à-vis my Glory To God setting for Choir & Congregation. A gentleman with a musical doctorate from Indiana University wrote: “Love this setting so much. And I will pray, as you asked, for your return to composition more fully. You are very very good.” A female choir director wrote: “I love your harmonizations, your musicality, and the wonderful interplay you have with dissonance and consonance in your music. So fun to listen to, and great for intellect, heart, and soul!” A young woman from California wrote: “Thank you for releasing your new Glory To God in honor of Saint Noel Chabanel. I'm enjoying reading through the various parts and listening to your recordings.”
    —Jeff Ostrowski

Random Quote

Legitimate and necessary concern for current realities in the concrete lives of people cannot make us forget the true nature of the liturgical actions. It is clear that the Mass is not the time to “celebrate” human dignity or purely terrestrial claims or hopes. It is rather the sacrifice which renders Christ really present in the sacrament.

— Pope Saint John Paul II (20 March 1990)

Recent Posts

  • [Quiz] • “Do You Know Your Hymns?”
  • Eight (8) Responsorial Psalm Options • On turning the Missalette into a little “god”
  • Gregorian Rhythm Wars • “Nuances of Nuances” (28 Sep 2023)
  • William Byrd • Simple “Agnus Dei” Canon
  • Active Participation or Not?

Subscribe

Subscribe

* indicates required

Copyright © 2023 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.