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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

New England Catholic Choral Festival & Mass • 2019

Richard J. Clark · January 11, 2019

T’S NEVER just about the music. Singing liturgical music from the great rich heritage of our Roman Catholic faith is about something else: nurturing faith through the Sacred Liturgy.

If you are not familiar with the American Federation Pueri Cantores choir festivals, I urge you to explore this opportunity which is open to any young singers. Girls and boys (grades 4-12) are welcome to sing in the New England Choral Festival and Mass. This festival is not reserved for an exclusive club of singers. Rather it is wide open to those hoping to learn more about our rich heritage of Roman Catholic sacred music from Gregorian Chant to sacred music of the present day. The festival culminates with hundreds of students combining as one choir singing for the Mass. This takes place in a nurturing, positive, and joyful environment!

As the rehearsal accompanist and organist for last year’s Festival in Boston, I can attest to this wonderfully positive environment. (As an adult, even I greatly enjoyed it and could learn from it!) Cardinal Seán Patrick O’Malley was last year’s celebrant and homilist which added to a marvelously faith filled experience. (My hope is to host the 2020 New England Festival at the newly renovated Cathedral of the Holy Cross. Stay tuned.)

HIS YEAR’S New England Festival will take place Saturday, April 6, 2019 from 11am culminating with Mass at 5:15 pm • St. Mary’s Church, 12 William St., Newport, RI 02840. The church is gorgeous, and interestingly is the site of the wedding of President John F. Kennedy and Jacqueline Kennedy.

• Download information, Schedule, registration, repertoire, etc. here:
• PDF Download • New England Catholic Youth Choral Festival and Mass • 2019.

• You can also download the Public Domain music for the festival here. Recordings made available to make this process much easier.

WHY PARTICIPATE?

“Participation in Pueri Cantores can be a formational and transformational experience through the Liturgy for both choristers and conductors.” (Pueri Cantores website)

• Offer your singers a combined worship experience with Catholic school and parish youth choirs from all around the region and network with your conductor colleagues

• Teach accessible, historically balanced repertoire from the great treasury of Catholic sacred music that can be incorporated into your choir’s repertoire

• Receive advanced conducting training from one of the leading Catholic conductors in the nation

• School conductors whose choirs participate will be offered 8 Professional Development Credits by AFPC, corporate partner of the National Catholic Educational Association (NCEA)

I urge all educators, conductors, and parents to consider taking part in this one-day experience. Its joy may resonate for years to come.

HIS YEAR’S clinician will be Dr. Steven R. Seigart, conductor, organist, and composer based in the NYC area. An extraordinary talent, he is currently the Director of Music at The Church of Saint Joseph in Bronxville, NY, where he directs five choirs, founded the period-instrument Orchestra of Saint Joseph, and oversees the St. Joseph Concert Series.

We hope to see you there!

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: American Federation Pueri Cantores Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Abbat Pothier’s great accomplishment is having returned to the Catholic world—along with the traditional melody—the traditional way of performing it. The foundations laid by this providential man have been accepted by all those who practice Gregorian chant.”

— Dr. Peter Wagner (Commissionis Pontificiæ Gregorianæ Membrum)

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