Views from the Choir Loft

Archives for April 2018

Corpus Christi Watershed · April 30, 2018

(Transcript) • Archbishop Sample’s Sermon from the National Shrine Solemn Pontifical Mass

“I myself first discovered the Traditional Latin Mass as a college student.” —Most Rev’d Sample

Dr. Lucas Tappan · April 30, 2018

Choosing Choral Repertoire

Is it okay for choirmasters to program the same piece several Sundays in a row?

Jeff Ostrowski · April 29, 2018

Yesterday’s Solemn Mass Was An Inflection Point

Consider three (3) clerics who took part in this Solemn Mass at the National Shrine

Andrew Leung · April 26, 2018

This Saturday! • Solemn Pontifcal Mass in D.C.

Archbishop Sample will be offering a Solemn Pontifical Mass at the National Shrine in DC.

Jeff Ostrowski · April 24, 2018

Directing A Choir: Are You Tough Enough?

Your sense of humor says it all…

Corpus Christi Watershed · April 23, 2018

Opportunity to study Polyphony in San Francisco

Dr. Michael Alan Anderson is a superb director.

Fr. David Friel · April 22, 2018

Spanish Missal Chants Now Available

A collection of fine resources are available from the Domenico Zipoli Institute

Richard J. Clark · April 20, 2018

Listening and Mission

All that matters is God’s call of service—God’s agenda. This mission of service is primary. Service is a form of love.

Dr. Lucas Tappan · April 17, 2018

Teaching Gregorian Chant to Boys with Changed Voices

The boys encountered the same learning curves the adult men had previously, but their facility in solfege speed up the learning process.

Guest Author · April 16, 2018

What does Cicero have to do with the Breviary?

A proposal for “mutual enrichment”

Andrew Leung · April 12, 2018

Photos • Two Recent Solemn Masses in Hong Kong

This wasn’t my first time serving as a subdeacon, but it was a trembling experience.

Dr. Lucas Tappan · April 10, 2018

Tone Quality and Your Singers

Ultimately it doesn’t matter if your choir resonates well and sings beautiful vowels but can’t communicate via the music…

Fr. David Friel · April 8, 2018

The Turns at Benediction

To the Right or to the Left?

Jeff Ostrowski · April 5, 2018

“ Dissonance? ” • Gregorian Accompaniment

Nothing could be further from the truth!

Fr. David Friel · April 3, 2018

Ratzinger’s 1987 Letter to a Former Catechism Student

The Pope Emeritus presents church music as something central to life.

Simplest “Agnus Dei” Ever Published

Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.

—Jeff Ostrowski

14th Sunday in Ordinary Time (Year C)

Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.

—Jeff Ostrowski

Bugnini’s Statement (6 November 1966)

With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

“Church officials frequently asked Tomás Luis de Victoria for his opinion on cathedral appointments because of his fame and knowledge. He was faithful to his position as convent organist even after his professional debut as an organist, and never accepted any extra pay for being a chapelmaster. Held in great esteem, his contract allowed him frequent travel away from the convent, and he attended Palestrina’s funeral (in Rome) in 1594.”

— ‘Dr. Robert Stevenson, 1961 (mod.)’