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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

Photos • Two Recent Solemn Masses in Hong Kong

Andrew Leung · April 12, 2018

HE PAST FEW WEEKS was the peak of the Catholic liturgical year and I am sure that it was also the time of the year with the heaviest “workload” for church musicians and clergy. It was a pretty busy few weeks for me, but also a very fruitful time.

On Passion Sunday, the Tridentine Liturgy Community in Hong Kong was visited by a priest and a deacon from the Priestly Fraternity of St. Peter. I was asked to serve as the subdeacon for the Solemn High Mass. Upon the request of our guests, we wore the folded-chasubles and broad stole for the Mass. Here are a few pictures of the Mass:

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Photos: Michael Chan

T WASN’T my first time serving as a subdeacon (the last time I did it was two years ago), but it was a trembling experience. The sacred ministers of the Traditional Latin Mass have to attend to many details of the liturgy; and these rich symbols really create a sense of sacredness, beauty and mystery. The most touching moment was definitely during the elevation. As I look up to the elevated host from the foot of the altar, it really felt like I was gazing upon our crucified Lord on Calvary.

N EASTER SUNDAY, His Eminence Joseph Cardinal Zen was invited to celebrate the Mass for the community. Fr. Lanfranco Fedrigotti, SDB, the rector of the Salesian China Province of Mary Help of Christians who also celebrated Masses in the Extraordinary Form for us during the Sacred Triduum, assisted as the deacon. I was, once again, blessed to be invited to serve as the subdeacon for the Pontifical Mass at the faldstool. To be able to assist in the liturgy next to two holy priests was an unforgettable and joyful experience. Here are a few shots from the Pontifical Mass!

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Photos: Shirlis Oong and Carl Perito

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“We must acknowledge that We have been somewhat disturbed and saddened by these requests. One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past.” [Paul VI responding to requests from monks asking permission to remove Latin from the Divine Office.]

— Pope Saint Paul VI (15 August 1966)

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