Views from the Choir Loft

This Saturday! • Solemn Pontifcal Mass in D.C.

Andrew Leung · April 26, 2018 ·

WAS INFORMED THAT a Solemn Pontifical Mass will be offered in the Basilica of the National Shrine of the Immaculate Conception this coming Saturday, April 28, at 1pm.

The Most Reverend Alexander K. Sample, Archbishop of Portland, Oregon, will be celebrating the Mass in the Extraordinary Form; and he will be assisted by famous clergy from the Priestly Fraternity of St. Peter. The Mass is being celebrated in honor of the 10th anniversary of Summorum Pontificum.

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If you are living near Washington DC, this is something you do not want to miss! The music—including Victoria’s Missa Salve Regina and other Renaissance motets—will be provided by the Basilica Choir; and the Propers will be sung by the schola of St. Mary Mother of God Parish at the nearby Chinatown.

The Mass will be broadcast by EWTN.

AM ALSO AWARE OF another Solemn High Mass that happened about two weeks ago on Low Sunday (Sunday within the Octave of Easter or Divine Mercy Sunday). The Mass was held at the National Shrine of St. Alphonsus of Liguori in Baltimore, MD, which was recently entrusted to the Fraternity. The historic Shrine was founded in 1845 and exists within the Diocese of Baltimore, the oldest Catholic Diocese in the United States.

Pictures of the Mass can be found on An American Photographer. The Mass was celebrated by Fr. Joel Kiefer, FSSP, the pastor of the Shrine. Fr. Kiefer was the associate pastor at St. Francis de Sales Catholic Church in Atlanta, GA, prior his current assignment. I had the privilege to meet him when I was the director of music at St. Pius X Catholic Church in Conyers, GA. I would sing with the schola at St. Francis de Sales occasionally on special feast days during weekdays.

About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers and music director at Our Lady of China Church. He is also an artist and vocal coach at the Paul Phoenix Academy.

Could Pope St. Pius X Sing?

“On 12 March 1908, the complete publication of the Roman Gradual was issued by the Vatican Press. On that very day, Dom Pothier solemnly presented the first copy to the Holy Father. A witness of the audience says that Pius X wished to be the first to see the new book; he opened it at random, at page 128 of the supplement pro aliquibus locis—it was the Introit of the new Feast of Our Lady of Lourdes. The Pope sang it with perfect taste to the last note.” (Catholic Choirmaster, February 1915)

—Jeff Ostrowski

Julius Bas Accompaniment

A very prolific harmonizer of Gregorian chant in the early 20th century was Mr. Julius Bas. He often uses a very strange technique, wherein he employs rests to eliminate the Alto, Tenor, and Bass voices. Consider what he did with “Lumen ad revelationem” here:

* JPEG • Lumen ad revelationem

It seems quite lazy, and I’ve never seen anyone else use such a technique, although Dr. Peter Wagner often switched to parallel octaves when he ran out of ideas… (Yuck!)

—Jeff Ostrowski

Hitting wrong notes

Fr. Valentine Young, OFM, used to say: “The organist can play 1,000 correct notes and one wrong note—and the only thing people will care about is the wrong note.” Last Sunday I hit some wrong notes, and felt bad. Then I remembered a story about Rudolf Serkin and started to chuckle. Charles Rosen (or was it Leon Fleisher?) told the story of Serkin playing a Beethoven Sonata in front of a large audience. The theme is all in octaves; but Serkin hit some wrong notes, and played parallel 7ths instead. This so unnerved him that every time the theme returned, he played the entire thing in parallel 7ths! We must remember that even the greatest hit wrong notes. Alfred Cortot, Vladimir Horowitz, Wilhelm Backhaus, Edwin Fischer, Sviatoslav Richter, Egon Petri—they all hit wrong notes, which we can hear on recordings. (Josef Hofmann was an exception, but he was super-human so he doesn’t count!)

—Jeff Ostrowski