• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
  • Donate
Views from the Choir Loft

Directing A Choir: Are You Tough Enough?

Jeff Ostrowski · April 24, 2018

89388 laugh HE OTHER DAY, something struck me in a powerful way: by observing someone’s sense of humor, I can discern what type of person I’m dealing with. For example, when I stumble across the social media feed of an emotionally disturbed Catholic, I often discover an endless barrage of sarcasm and hatred. While I have no problem with a little sarcasm from time to time, someone who seemingly lives for nothing else is horrific to behold. Saint John Vianney spoke of people “who are never so happy as when they are spreading scandal and gossip”—and when we examine today’s social media accounts, we encounter far too many who cannot go five minutes without attacking someone else, always by means of “funny” sarcasm and hatred. Ha ha ha. 1

They say Don Bosco was hilarious to be around: always smiling and joking. Many other saints—Thomas More and Antoine Daniel, for example—were famous for their wit and jovial attitude. Those of us who have had the pleasure of meeting one of the church music giants, Fr. Robert Skeris, will have a difficult time calling to mind a more hilarious fellow, although his erudition is peerless (I realize that sounds contradictory). By the way, this “saintly” joviality has nothing to do with goofy inside jokes we come across on platforms such as Facebook. Moreover, the happiness I’m speaking of genuine, not fake. As Fr. Rutler reminds us:

The “jolly good guy” kind of pastor can be an irritant. […] Ministers of the Gospel are not used car salesmen whose heartiness is a mile wide and an inch deep. A bemused layman told me that a bishop joked with him, but turned away like a startled deer when asked an important question…

Fake happiness is harmful, but healthy humor can help choirmasters survive.

HOSE WHO WOULD SERVE as choirmasters must be prepared for trials, setbacks, and crosses. Sooner or later, you will have to deal with an immoral priest. Sooner or later, you will be yelled at by an irate parishioner. Sooner or later, you will run into jealous colleagues who don’t accept the teachings of the Church. Sooner or later, you will encounter choir members who promise you the world…but then lose interest and disappear. Indeed, sometimes the very people you’ve shown the most kindness will betray you and even spread lies about you or your choir. You will be tempted to “retreat” and stop showing people kindness, but you must never succumb to this temptation.

Never lower yourself by trying to “get even” or fight fire with fire. Be scrupulous in guarding your integrity. Most importantly, remember we are serving the LORD, who said: “Blessèd are the merciful: for they shall obtain mercy” (Mt 5:7). And our Savior also said: “If any man will come after me, let him deny himself, and take up his cross daily, and follow me” (Lk 9:23).

Father Paul Ragueneau describes the interior life of holy Noël Chabanel as follows:

When, in addition, God withdraws His visible graces and remains hidden, although a person sighs for Him alone, and when He leaves the soul a prey to sadness, disgust, and natural aversions—these are the trials which are greater than ordinary virtue can bear. The love of God has to be strong in the heart not to be snuffed out under such circumstances. Add to this the danger, present at every moment of the day, of being attacked by a savage enemy armed with fire and flames and unheard-of torments, who would more often force you to suffer a thousand deaths before you met death itself. One certainly had to have the strength of the sons of God not to lose courage in the midst of such desolation.

I would never compare the struggles of a choirmaster to what St. Noël Chabanel underwent—none but a fool would do so. However, those of us who struggle to restore authentic sacred music can relate to Fr. Ragueneau mentioning “the trials which are greater than ordinary virtue can bear.” That is why we must never fail to invoke the intercession of St. Noël Chabanel.

On a practical level, I recommend participating in something like the Sacred Music Symposium (which still has a few spots available) because you will become friends with people undergoing the same struggles you are.



NOTES FROM THIS ARTICLE:

1   The scariest thing is to come across someone who never (authentically) laughs. This is absolutely terrifying—and extremely perverse. But I will speak about that another day.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Is the USCCB trolling us?
    I realize I’m going to come across as a “Negative Nancy” … but I can’t help myself. This kind of stuff is beyond ridiculous. There are already way too many options in the MISSALE RECENS. Adding more will simply confuse the faithful even more. We seriously need to band together and start creating a “REFORM OF THE REFORM” Missale Romanum so it will be ready when the time comes.
    —Jeff Ostrowski
    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“To treat harmony and rhythm in this matter was a difficult matter. Facing numerous problems both large and small—that arose constantly—we understood that a flawless harmonization of Gregorian chant cannot be created by improvisation, no matter the competence and ability of the organist or harmonist.”

— ‘Mons. Jules Van Nuffel, NOH Preface’

Recent Posts

  • Is the USCCB trolling us?
  • What No Musicologist Can Explain!
  • “Common” Responsorial Psalm?
  • A Gentleman (Whom I Don’t Know) Approached Me After Mass Yesterday And Said…
  • “For me, Gregorian chant at the Mass was much more consonant with what the Mass truly is…” —Bp. Earl Fernandes

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.