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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for September 2017

Jeff Ostrowski · September 15, 2017

“O Sanctissima” • SATB Contemporary Setting!

I bet you haven’t heard this arrangement!

Jeff Ostrowski · September 14, 2017

15th Sunday after Pentecost (3rd in September)

…and they glorified God, saying, “A great prophet is risen up amongst us and God hath visited His people.”

Fr. David Friel · September 14, 2017

Origins of the Exaltation of the Holy Cross

A summary of the complex history of a unique sanctoral feast

Jeff Ostrowski · September 13, 2017

Does Watershed Make A Difference?

“A huge success! My pastor was blown away at the beauty of the Mass setting by Guerrero. The people in attendance were just floored…”

Corpus Christi Watershed · September 11, 2017

Seven Observations About The Latin Mass

“Celebrating ten years of Summorum Pontificum”

Fr. David Friel · September 10, 2017

Art of the Beautiful Lecture Series 2017-2018

Six upcoming presentations in New York City

Veronica Brandt · September 9, 2017

The Place of Pews in the Church

Are chairs or pews a hindrance or a help?

Corpus Christi Watershed · September 8, 2017

Theodore Marier • “Good Hymns for Worship” (1957)

Fascinating transcripts dealing with polyphony (“old and new”) and many other topics.

Richard J. Clark · September 8, 2017

Saint Paul’s Choir School • New CD with AimHigher Recordings/Sony Classical

“When I introduce young minds to the beautiful heritage of Church music, it’s always amazing to see just how much they love the great music we have been given.” — John Robinson

Jeff Ostrowski · September 7, 2017

14th Sunday after Pentecost (2nd in September)

“Grant us, we beseech Thee, O Lord, that this saving Victim may become both the cleansing of our sins, and the propitiation of Thy might.”

Andrew Leung · September 7, 2017

Report • Hong Kong Summer Choral Workshops

Two choral workshops for church choirs were held in Hong Kong over the summer.

Fr. David Friel · September 6, 2017

Sacred Music Workshop • Allentown, NJ

The workshop presenter will be Peter Carter, a graduate of Westminster Choir College in organ performance.

Corpus Christi Watershed · September 5, 2017

Video • Rehearsal Excerpt with Kevin Allen

Filmed at the 2017 Sacred Music Symposium

Fr. David Friel · September 4, 2017

Arbeit Macht Frei, or Ora et Labora

Lessons from a Trappist Monastery

Richard J. Clark · September 1, 2017

Implement Vatican II • Pope Francis Invokes “Magisterial Authority”

The liturgical battle over celebrating Mass “ad orientem” is insignificant at this time. Far more important is reverent liturgy and the proper implementation of Vatican II.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“It is also customary in many lands that a brief but meaningful hymn be sung between the Gospel and the sermon. (I note in passing that this custom also preserves the original and primary function of the medieval congregational hymn, which was to frame the sermon.)”

— Professor László Dobszay (2003)

Recent Posts

  • False! • “Youthful” Music Attracts the Young
  • “I Don’t Care Anymore!” • Lead by Loving Example
  • Installment #2 • “Serious Problems with the Lectionary Translation”
  • PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
  • “Music List” • 17th in Ordinary Time (Year C)

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