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Views from the Choir Loft

15th Sunday after Pentecost (3rd in September)

Jeff Ostrowski · September 14, 2017

These musical programs are for FSSP.la, the new FSSP Apostolate in Los Angeles. Bring your family to the High Mass (SAINT VICTOR, 8634 Holloway Dr, West Hollywood, CA 90069) at 7:00pm every Sunday.


PROCESSIONAL

We will sing #4687 “O Esca Viatorum.”


ASPERGES

PDF Score (Singer)   •   Practice Audio (Singer)   •   Organist

We also add a polyphonic section, which is #4550.


INTROIT   •   Ladies sing on 2nd & 4th Sunday of the month, men on all others.

PDF Score (Singer)   •   Practice Audio (Singer)

Ladies should begin practicing the Introit for the 16th Sunday after Pentecost, which can be found at St. René Goupil.


KYRIE ELEISON

We are singing #5294 (KYRIE “Iste Sanctus” by Guerrero)

Parts 1 + 2 are here with Solfège added. We hope to add Part 3 this Sunday.


GLORIA IN EXCELSIS

Plainsong Gloria IX from the Campion Hymnals, accompanied by the organist score.

Begin learning #5612.


GRADUAL & ALLELUIA

We are currently using Mode IV for these:
15th Sunday after Pentecost

Eventually, we might learn this version—but that decision will come later.


CREDO IV   •   Alternatim

We may sing #5984 by Machaut.

We also sometimes sing this version: #3445.   But sometimes we sing in unison.


OFFERTORY ANTIPHON

PDF Score (Singer)


OFFERTORY OTHER

Organist will play.


SANCTUS & HOSANNA

We will sing #3496 paired with #2999.

Sometimes we sing Sanctus from Mass XIII. The complete “Kyriale” (Ordinarium Missae) can be found at St. Antoine Daniel.


AGNUS DEI

We will sing #7554.

Before long we will begin work on a setting by Giovanni Gabrieli.


COMMUNION ANTIPHON

This will be sung by chosen soloists.


COMMUNION ORGAN

Organist.


RECESSIONAL HYMN   •   #936 Alleluia, Sing To Jesus

From the Campion Hymnal.


CHOIR PRAYER (from CAMPION HYMNAL) happens after attendance is taken:

Third Station: Jesus falls the first time beneath the Cross.

Bl. John Henry Cardinal Newman

V. Adoramus te, Christe, et benedicimus tibi.

R. Quia per sanctam Crucem tuam redemisti mundum.

Jesus, bowed down under the weight and the length of the unwieldy Cross, which trailed after Him, slowly sets forth on His way, amid the mockeries and insults of the crowd. His agony in the Garden itself was sufficient to exhaust Him; but it was only the first of a multitude of sufferings. He sets off with His whole heart, but His limbs fail Him, and He falls.

Yes, it is as I feared. Jesus, the strong and mighty Lord, has found for the moment our sins stronger than Himself. He falls—yet He bore the load for a while; He tottered, but He bore up and walked onwards. What, then, made Him give way? I say, I repeat, it is an intimation and a memory to thee, O my soul, of thy falling back into mortal sin. I repented of the sins of my youth, and went on well for a time; but at length a new temptation came, when I was off my guard, and I suddenly fell away. Then all my good habits seemed to go at once; they were like a garment which is stripped off, so quickly and utterly did grace depart from me. And at that moment I looked at my Lord, and lo! He had fallen down, and I covered my face with my hands, and remained in a state of great confusion.


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Quick Thoughts

    William Byrd • Simple “Agnus Dei” Canon
    Time flies! Back in July, I posted a PDF setting of a perfect canon by William Byrd (d. 1623) arranged as an AGNUS DEI for three voices. Last Sunday, we sang that arrangement with our volunteer choir. To hear a ‘live’ recording of it, click here (Mp3). In my humble opinion, this would be a perfect piece for a choir just beginning to experiment with polyphony.
    —Jeff Ostrowski
    “Glory To God” • (For Choir + Congregation)
    I wish to thank everyone for the nice comments I received vis-à-vis my Glory To God setting for Choir & Congregation. A gentleman with a musical doctorate from Indiana University wrote: “Love this setting so much. And I will pray, as you asked, for your return to composition more fully. You are very very good.” A female choir director wrote: “I love your harmonizations, your musicality, and the wonderful interplay you have with dissonance and consonance in your music. So fun to listen to, and great for intellect, heart, and soul!” A young woman from California wrote: “Thank you for releasing your new Glory To God in honor of Saint Noel Chabanel. I'm enjoying reading through the various parts and listening to your recordings.”
    —Jeff Ostrowski
    William Byrd • “Mass for Five Voices”
    Our volunteer choir is learning the “Sanctus” from William Byrd’s Mass for Five Voices. You can hear a short excerpt (recorded last Sunday) but please ignore the sound of babies crying: Mp3 recording. We still have work to do—but we’re on the right track. Once we have some of the tuning issues fixed, I desire to use it as an example proving volunteers can sing complicated polyphony. — One of our volunteer choirs also sang that SANCTUS on 24 September 2023, and you can listen to how that came out.
    —Jeff Ostrowski

Random Quote

“Custom preserves many things in liturgy after their first reason has ceased.”

— Father Adrian Fortescue (writing in 1916)

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