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Views from the Choir Loft

Art of the Beautiful Lecture Series 2017-2018

Fr. David Friel · September 10, 2017

HERE EXISTS in New York City an organization devoted to supporting the vocation of artists. Formed in response to Pope Benedict XVI’s 2009 address to a Meeting of Artists, the Catholic Artists Society strives to support artists by encouraging their ongoing spiritual and artistic development. The society addresses the fraternal, spiritual, and intellectual needs of its members.

One of the ways in which the group promotes intellectual development is through an annual lecture series. This year’s lineup of speakers and topics looks excellent.

The 2017-2018 Art of the Beautiful Lecture Series will include:

September 23, 2017 • Mother Dolores Hart, OSB • Dean of Education at the Abbey of Regina Laudis

October 28, 2017 • Jem Sullivan, Ph.D. • Pontifical Faculty of the Immaculate Conception (Dominican House of Studies, Washington, DC)

December 2, 2017 • Ross Douthat • Op-Ed Columnist, The New York Times

February 24, 2018 • Duncan Stroik • Architect, Professor at the University of Notre Dame

March 24, 2018 • Rev. George W. Rutler, STD • Author, Pastor of the Church of St. Michael, NYC

April 28, 2018 • Rev. Innocent Smith, OP • Author, Vicar for Formation at the Church of St. Vincent Ferrer, NYC

The series is hosted at the Catholic Center at NYU (238 Thompson Street, just south of Washington Square Park). Lectures begin at 7:30 PM and are followed by a reception and the celebration of Compline. Admission is free for members of the society, while a donation is requested of non-members.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pope Saint John Paul IIs Letter to Artists Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Using the shoddiest, sleaziest material we have for the purpose of glorifying God is not very sound theology or even very good common sense. […] (In general, when you see a diminished seventh chord in a hymn, run.) And these chords are usually used in bad hymns in precisely the same order in which they occur in “Sweet Adeline.”

— Paul Hume (1956)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

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President’s Message (dated 30 May 2025)

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