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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Archives for November 2016

Richard J. Clark · November 18, 2016

A Dad’s Dilemma • I pray and God determines.

Working for the Church is wholly at odds with having a family and being present for them.

Dr. Lucas Tappan · November 15, 2016

Seven Tips for the Organist

I also want to say “thank you” to all of you who play the organ during the sacred liturgy. We owe you a great song of gratitude!

Jeff Ostrowski · November 15, 2016

Did Pope Francis Denigrate “Rigid” Young Catholics?

If 500 people attend Mass and one acts as lector, there are still 499 people “not participating” by that flawed logic…

Jeff Ostrowski · November 14, 2016

Gorgeous Picture • “The Visitation”

Quite interesting, containing additional mysteries for those who look carefully…

Fr. David Friel · November 13, 2016

A Triptych on Mercy • Reflection II

The Need for Mercy

Veronica Brandt · November 12, 2016

Gregorian chant is not all the same

Have you ever been asked to sing some Gregorian chant? How do you choose a representative piece?

Fr. David Friel · November 11, 2016

The Legacy of Martin of Tours

A Tribute to a Soldier-Saint on Veterans Day

Jeff Ostrowski · November 10, 2016

Musical Resources • 13 November (1962 Missal)

He said, “Make room there; for the girl is not dead, but sleepeth.” And they laughed Him to scorn.

Andrew Leung · November 10, 2016

CMAA Winter Sacred Music 2017

Early Registration is still available for Winter Sacred Music 2017 (Birmingham, AL).

Jeff Ostrowski · November 9, 2016

Complete “Ite Missa Est” for Parish Organist

Accompaniments by Achille P. Bragers (1887-1955).

Corpus Christi Watershed · November 9, 2016

Sonnen: “I’ve never seen such a fine work of art.”

Spot an ancient chasuble or rare picture of St. Wojtyła? Odds are it came from John Paul Sonnen.

Jeff Ostrowski · November 8, 2016

Do You Recognize This Hymn Tune? 1

The Brébeuf hymnal will include texts by contemporary Roman Catholic poets.

Jeff Ostrowski · November 8, 2016

Hysteria Over CDW Appointments?

Including two myths: one about the EF, and one about the OF.

Jeff Ostrowski · November 8, 2016

Do You Recognize This Hymn Tune?

The Brébeuf hymnal will include texts by contemporary Roman Catholic poets.

Guest Author · November 7, 2016

Catholic Liturgy in Secular Sweden

How does a tiny Catholic community in a secularized country celebrate Mass with the Pope?

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Ordained a diocesan priest on 7 October 1827, Guéranger was quickly named a canon (a member of the cathedral chapter of Tours). Around 1830, he demonstrated his interest in the liturgy when he began to use the Roman Missal and texts for the Divine Office, unlike many of his colleagues, who still made use of the diocesan editions commonly in use in pre-Revolutionary France.”

— Source unknown

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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