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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for November 2016

Richard J. Clark · November 18, 2016

A Dad’s Dilemma • I pray and God determines.

Working for the Church is wholly at odds with having a family and being present for them.

Dr. Lucas Tappan · November 15, 2016

Seven Tips for the Organist

I also want to say “thank you” to all of you who play the organ during the sacred liturgy. We owe you a great song of gratitude!

Jeff Ostrowski · November 15, 2016

Did Pope Francis Denigrate “Rigid” Young Catholics?

If 500 people attend Mass and one acts as lector, there are still 499 people “not participating” by that flawed logic…

Jeff Ostrowski · November 14, 2016

Gorgeous Picture • “The Visitation”

Quite interesting, containing additional mysteries for those who look carefully…

Fr. David Friel · November 13, 2016

A Triptych on Mercy • Reflection II

The Need for Mercy

Veronica Brandt · November 12, 2016

Gregorian chant is not all the same

Have you ever been asked to sing some Gregorian chant? How do you choose a representative piece?

Fr. David Friel · November 11, 2016

The Legacy of Martin of Tours

A Tribute to a Soldier-Saint on Veterans Day

Jeff Ostrowski · November 10, 2016

Musical Resources • 13 November (1962 Missal)

He said, “Make room there; for the girl is not dead, but sleepeth.” And they laughed Him to scorn.

Andrew Leung · November 10, 2016

CMAA Winter Sacred Music 2017

Early Registration is still available for Winter Sacred Music 2017 (Birmingham, AL).

Jeff Ostrowski · November 9, 2016

Complete “Ite Missa Est” for Parish Organist

Accompaniments by Achille P. Bragers (1887-1955).

Corpus Christi Watershed · November 9, 2016

Sonnen: “I’ve never seen such a fine work of art.”

Spot an ancient chasuble or rare picture of St. Wojtyła? Odds are it came from John Paul Sonnen.

Jeff Ostrowski · November 8, 2016

Do You Recognize This Hymn Tune? 1

The Brébeuf hymnal will include texts by contemporary Roman Catholic poets.

Jeff Ostrowski · November 8, 2016

Hysteria Over CDW Appointments?

Including two myths: one about the EF, and one about the OF.

Jeff Ostrowski · November 8, 2016

Do You Recognize This Hymn Tune?

The Brébeuf hymnal will include texts by contemporary Roman Catholic poets.

Guest Author · November 7, 2016

Catholic Liturgy in Secular Sweden

How does a tiny Catholic community in a secularized country celebrate Mass with the Pope?

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Corpus Christi Watershed

President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

At papal Masses, the regulations against tardiness were more stringent than at Masses celebrated by cardinals or bishops. Giovanni Maria Nanino records that any singer who is not in his place—and in his vestments—by the end of the repetition of the “Introit” will be fined eight vinti. At papal Vespers, the singer who is not present at the “Gloria Patri” of the first psalm pays a fine of fifty balocchi.

— Giovanni M. Nanino (d. 1607), Papal “Maestro di Cappella”

Recent Posts

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  • “Equal Voices” Choir Pieces
  • A Practical Method of Projecting Solfege for Chant
  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs

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