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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Legacy of Martin of Tours

Fr. David Friel · November 11, 2016

S OUR COUNTRY observes Veterans Day today, we, as a Church, celebrate the patron saint of soldiers, St. Martin of Tours. I have long felt a special connection to St. Martin.

As a child, I read a short book about Martin, and his story absolutely captivated me. Years later, I found myself praying to him (among other saints) during my training as a Navy chaplain.

The magnificent chapel of the college seminary in Philadelphia (pictured at right) is known as St. Martin’s Chapel. It was in this place that my life of prayer was formed and deepened. It was also in this chapel that I first sang in a choir and played the organ. It was ultimately in this chapel that I was ordained a deacon.

Whenever giving a tour of the seminary to a group of visitors, on entering the chapel, I would always point out the small, stained glass windows set inside the huge, wooden doors (pictured below). On the left door is a depiction of Martin as a soldier, and on the right door is an image of Martin as a bishop, representing the two major phases of his extraordinary life.

On reaching the sanctuary with the tour group, I would point out the paintings in the apse, which portray important scenes in Martin’s life. The left-most painting captures a remarkable story of his encounter with the Lord, and it seems like a story worth retelling today.

The story begins when Martin was a teenager, a catechumen, and a soldier in the Roman army. He came one day upon a beggar who was shivering from the cold. Moved with compassion for the fellow, he took off his cloak—part of his uniform—and cut it in two, giving half of it to the poor beggar.

I have often wondered why Martin did not give the beggar the whole cloak. That certainly would have been a nice thing to do and a great act of charity. But it also would have sent a very different message than what he actually did.

Had Martin given away his whole cloak, he would have sent the message that: “You’re needy, and I’m not. I can give you my cloak and go get another one for myself. I’m giving, and you’re taking.”

By tearing his cloak in half and sharing it, though, Martin sent a very different message. His message was: “We’re brothers. You’ll be a little bit cold, and so will I. Your problems are my problems. We’ll suffer together.” By doing what he did, Martin not only addressed the physical needs of the beggar, but, more importantly, established a real sense of fraternity with him.

The story about St. Martin goes on, because, some time later, he had a dream in which he had a vision of our Lord. In that dream, Jesus appeared to him wearing the half cloak he had given to the beggar. This was a very concrete symbol of Christ’s words, “Whatever you do to the least of My brethren, you do unto Me” (Matthew 25:40).

Even more than that, though, our Lord was sending the same message to Martin that Martin had sent to the beggar. Our Lord was saying, effectively: “We’re brothers. Your problems are My problems. We’ll suffer together.”

The message our Lord delivered to St. Martin of Tours is a message He shares, also, with us.

Martin’s cloak, thereafter, was treated as a most valuable relic, and pieces of it were frequently carried into battle. The relics were often cared for by priests, who came to be known as capellani. Eventually, all priests serving with the troops in battle came to be known by this name, from which the English word “chaplain” derives.

As we honor our veterans today, let us pray for the intercession of St. Martin of Tours upon all those in military service. In serving their country, may they serve, also, the Lord!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“I never cared a tinker’s cuss what the Congregation may have decided about the order in which the acolyte should put out the candles after Vespers.”

— Dr. Adrian Fortescue (24 Nov. 1919)

Recent Posts

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  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?

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