Views from the Choir Loft

Archives for November 2016

Jeff Ostrowski · November 30, 2016

“Benedictus” • Palestrina Uses The “Dragnet” Theme!

Our Church is notoriously horrible at keeping up with cultural fads—because they’re so ephemeral.

Jeff Ostrowski · November 28, 2016

Unbelievable Track Recorded By One Voice!

I had the pleasure of meeting Mr. Pete Avendaño at the Sacred Music Symposium, held each year in Los Angeles.

Corpus Christi Watershed · November 28, 2016

Today Only! 40% off musical scores

Why not pick up a copy of Kevin Allen’s “Matri Divinae” collection?

Jeff Ostrowski · November 27, 2016

Musical Resources • 1st Sunday of Advent 1

“May we receive Thy mercy, O Lord, in the midst of Thy temple…”

Fr. David Friel · November 27, 2016

Update on Sacra Liturgia Milano 2017

Preliminary Speaker List and Background Information

Jeff Ostrowski · November 26, 2016

Meatless Fridays • Were We Taught Correctly?

“Ever wonder why McDonald’s decided in 1962 to put a piece of fish into a hamburger bun?” —Bishop Earl Boyea

Corpus Christi Watershed · November 24, 2016

Thanksgiving

Pope Francis has said: “Friar Junípero was one of the founding fathers of the United States.”

Andrew Leung · November 24, 2016

Free Download • Simple Choral Midnight Mass Introit

A simple setting of “Dominus Dixit ad Me” by Fr. Áureo Castro.

Corpus Christi Watershed · November 23, 2016

Cardinal Sarah Visits The Monastery of Solesmes

If you read French, you’ll understand these homilies.

Jeff Ostrowski · November 23, 2016

PDF Download • “Ordo Missæ” As We Use It

Do you provide something similar for your choirs?

Dr. Lucas Tappan · November 22, 2016

Pastors & Church Musicians: Are We Really Working Together?

Msgr. Marini recently spoke to a group of Italian musicians as part of a choral festival.

Jeff Ostrowski · November 22, 2016

Resplendent Christmas Piece for Two Voices!

This gem by Fr. Nicolas du Peron (d. 1963) incorporates Christmas carols in a most ingenious way.

Fr. David Friel · November 20, 2016

A Triptych on Mercy • Reflection III

The Beauty of Mercy

Jeff Ostrowski · November 19, 2016

Fr. James Fryar, FSSP, on EWTN (16 November 2016)

How Much Do You Know About The Latin Mass?

Veronica Brandt · November 19, 2016

Liturgy and Sensory Issues

Simplicity and predictability are important for being inclusive.

Bugnini’s Statement (6 November 1966)

With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.

—Jeff Ostrowski

Luis Martínez Must Go!

Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]

—Jeff Ostrowski

Urgent! • We Desperately Need Funds!

A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed