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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for August 2016

Richard J. Clark · August 19, 2016

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

New Resource from the Archdiocese of Boston for First Communion and Confirmation

The most important element of this document is not the list of hymns and chants, but the vital coupling of faith formation and sacred music.

Jeff Ostrowski · August 18, 2016

“Polyphony For Dummies”

A new video presentation with excellent audio samples.

Dr. Lucas Tappan · August 16, 2016

Strive for Excellence

Let’s face facts—the English cathedral system of forming church musicians works.

Jeff Ostrowski · August 16, 2016

Breathtaking Images from Poland

A liturgical workshop took place in Licheń, Poland from 4-11 August 2016.

Jeff Ostrowski · August 15, 2016

Hymn for St. Thomas More & St. John Fisher

Fascinating verses by Msgr. Ronald Knox

Cynthia Ostrowski · August 15, 2016

Catholic Bulletin Art • Installment #71

If you’re confused about what’s happening, search google for “Dormition of Mary.”

Fr. David Friel · August 14, 2016

World Youth Day Krakow: Music Recordings

Seventeen (17) Tracks Now Available on iTunes

Jeff Ostrowski · August 12, 2016

Musical Resources • 14th Sunday after Pentecost

“May Thy Sacraments, O Lord, ever purify and fortify us…”

Richard J. Clark · August 12, 2016

The Difficulty of Cultivating a Prayerful Focus for Musicians

Quiet prayer for church musicians is very difficult to come by. Here are nine things one may find helpful.

Jeff Ostrowski · August 12, 2016

Major Media Outlet Re: “Ad Orientem”

Corpus Christi Watershed is mentioned and cited!

Jeff Ostrowski · August 11, 2016

Hymn Tunes • What’s Up With Naming Them?

Until recently, most Catholic hymnals didn’t have a metrical index!

Jeff Ostrowski · August 10, 2016

Worst Typo Of All Time?

This one got by the editor’s eye!

Jeff Ostrowski · August 9, 2016

Too Many Sopranos? Try This Canon!

A compositional miracle by Rev’d Tomás Luis de Victoria (d. 1611).

Jeff Ostrowski · August 8, 2016

Being Careful With Hymns

Each individual “ear” must decide what is acceptable.

Fr. David Friel · August 7, 2016

A Different Kind of World Youth Day

Sacred Music Helped to Transform Tauron Arena Kraków into a House of Prayer

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

Friedman met Egon Wellesz in Altaussee on one of the walks, and Egon started to speak about atonal music—and Ignaz replied: “No, no, no. Melody for me.”

— From the Life of Ignazy Friedman

Recent Posts

  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Goofy 1974 Hymn • “A Man Can Kill With a Gun, a Bomb, or a Lance”
  • They did a terrible thing
  • What surprised me about regularly singing the Gloria in Latin

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