Views from the Choir Loft

Hymn Tunes • What’s Up With Naming Them?

Jeff Ostrowski · August 11, 2016

ERE is an iPhone photograph of GIA’s Worship Hymnal. The metrical index doesn’t distinguish between Trochaic and Iambic—indeed, most hymnals do not. ¹ You may ask: “What’s the big deal?” Well, if you try to exchange the hymns according the GIA index, you’ll discover that they cannot be exchanged.

To illustrate this, I’ll choose two well-known hymns (although in real life I’d never recommend switching the text for PASSION CHORALE).

See how the wrong syllables end up being accented?

* * Mp3 Audio • A True Abomination

220 Trochaic Iambic

I’m currently working on a hymn project along with several people from the JP2 Institute. One problem we face is hymn melodies: they often have more than one name!

It’s a free country, so people can believe as they wish. Speaking for myself, however, I’m often bothered by hymn tune names. Everyone’s ear is different—and many will disagree—but here’s how I distinguish:

Unhelpful & Unspecific Names:

Lovely
Easter Hymn
Epiphany
Nature
National Hymn
Shepherds in the field
Veni Sancte Spiritus
This Joyful Eastertide
French Carol
Sunrise
Harvest
Italian Hymn
Gloria
Truth from Above
Psalm 6
Simple Chant

Weird Looking Names:

Praises
Bow Church
Duke Street
Farley Castle
Monkland
Strength and stay
Pilgrims
Metzler’s Redhead No. 66
Redhead No. 46

Unprepossessing or Inelegant Names:

Oswald’s Tree
Toplady
Marching
Knickerbocker
Geronimo
Little Cornard
Pike
Old Bath
Batty
My Dancing Day
Stars of Ice
Long is our Winter

Hard to Pronounce Names:

Hyfrydol
Khanta Zagun Guziek
Lux Eoi
Edgbaston
Gerrans
Wallet Will Ich
Wir Pflügen
Ins Feld Geh
St Aëlred
Trochrague
Cwm Rhondda

Perhaps my list proves I’m not very educated. Maestro David Hughes—surely one of the most respected church musicians working today—once told me many of these names are towns, cities, or even street names.

When Kevin Allen composed original hymn tunes for the Campion Hymn Book, he came up with the most gorgeous names, such as:

Edgewater
Bronzeville
St Peter Claver
Oakwood
Kenmore

NOTES FROM THIS ARTICLE:

1 Until recently, most Catholic hymnals didn’t even list the tune name! I’m told the 1950s book by Vincent J. Higginson was one of the first to do so.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Bugnini’s Statement (6 November 1966)

With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.

—Jeff Ostrowski

Luis Martínez Must Go!

Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]

—Jeff Ostrowski

Urgent! • We Desperately Need Funds!

A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!

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Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed