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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

Being Careful With Hymns

Jeff Ostrowski · August 8, 2016

RECENTLY PUBLISHED some reflections on Gregorian hymnody and the Latin accent. I would like to repeat that, in the final analysis, hymn construction is an art form not a science. Each individual “ear” must decide what is acceptable.

For myself, the musical emphasis on “THE” shown here is bothersome:

226 The


At the same time, I realize that once we start down this road we might end up eliminating an excessive amount of hymn pairings! By the way, that page is from a book produced at Westminster, which you can download by clicking on the “Hymnal” tab at the top of the page. The relevant information is as follows:

1948 • DAILY HYMN BOOK (Westminster & Desclée) —360pg

The various entities involved in producing that book are all quite respectable.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Quick Thoughts

    Vespers Booklet, 3rd Sunday of Lent
    The organ accompaniment I created for the 3rd Sunday of Lent (“Extraordinary Form”) may now be downloaded, if anyone is interested in this.
    —Jeff Ostrowski
    Weeping For Joy! (We Hope!)
    Listening to this Easter Alleluia—an SATB arrangement I made twenty years ago based on the work of Monsignor Jules Van Nuffel—one of our readers left this comment: “I get tears in my eyes each time I sing to this hymn.” I hope this person is weeping for joy!
    —Jeff Ostrowski
    “The Times” mentions CCW
    We were mentioned in article in an article by “The Times” (United Kingdom), as you can see here.
    —Jeff Ostrowski

Random Quote

“As liturgical art, church music is obliged to conform to ecclesiastical law. But to construct artificial polarities here, between legalistic order and a dynamic church music, demanded by the alleged needs of the day, would be to forsake the foundation of a music rooted in liturgical experience. What is in fact the pastoral value of the shoddy, the profane, the third-rate?”

— Dr. Robert Skeris (1996)

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