Views from the Choir Loft

Archives for March 2016

Richard J. Clark · March 18, 2016

As the Tension Grows

As Holy Week approaches, the tension is palpable.

Andrew Leung · March 17, 2016

Holy Week — A Week of Love

How can we practice charity during Holy Week?

Jeff Ostrowski · March 16, 2016

Printable Passion Booklets (PDF)

These might be helpful to some!

Jeff Ostrowski · March 16, 2016

Sean McDermott’s “Virgo Dei Genitrix”

Do you agree this “live” recording is sung with excellence?

Dr. Lucas Tappan · March 15, 2016

St. Paul’s Choir School

I would like to share with you an incredible place where such a musician had a great vision, informed by the mind and heart of the Church.

Jeff Ostrowski · March 15, 2016

Brand New • “Saint Paul Hymnal”

Msgr. Andrew R. Wadsworth served on the advisory committee for this hymn book!

Jeff Ostrowski · March 14, 2016

“Liturgy Shaming”

They’re doing the very thing they say they deplore!

Fr. David Friel · March 13, 2016

The Rite of Marriage, Second Edition

The release date has been set. What will be new in the new Rite of Marriage?

Jeff Ostrowski · March 13, 2016

Can You Find The Error Here?

The problem with trying to revise liturgical books too quickly…

Jeff Ostrowski · March 12, 2016

Suzanne Toolan • Missing Verse From “I Am The Bread Of Life” Hymn

Is this for real?

Jeff Ostrowski · March 12, 2016

PDF Download • Spanish Cathedral Music (1961)

“On Holy Saturday in 1545, while the pope and several cardinals were present, two of the oldest choir members flew at each other during the blessing of the new oils…”

Richard J. Clark · March 11, 2016

When the Liturgy Astounds • The Fire of Divine Love

I found these words to be jaw dropping—utterly astounding.

Dr. Alfred Calabrese · March 10, 2016

Has The Church Rejected Her Inheritance?

The richness of liturgy and music should never be abandoned.

Andrew Leung · March 10, 2016

Yes or No? • Accompanying Chant with the Organ

One of the hottest topics in the field: should chanting be accompanied by the organ?

Dr. Lucas Tappan · March 8, 2016

They Lied To Me In Grad School

No matter what anyone else thinks, strive for greatness and never look back!

Simplest “Agnus Dei” Ever Published

Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.

—Jeff Ostrowski

14th Sunday in Ordinary Time (Year C)

Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.

—Jeff Ostrowski

Bugnini’s Statement (6 November 1966)

With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed