Views from the Choir Loft

Archives for March 2016

Jeff Ostrowski · March 31, 2016

Mother Angelica • “60 Minutes” (1984)

This video shows Mother Angelica playing the drums at Mass! (Not kidding!)

Andrew Leung · March 31, 2016

Promoting a Good Choral Culture at Your Parish

Nothing is impossible with God, everyone can promote a good choral culture at their parish.

Jeff Ostrowski · March 31, 2016

Bishop Doerfler’s Stunning Church Music Letter

“All parishes and schools are to have implemented the following directives by December 31, 2020.” —Bishop Doerfler.

Richard J. Clark · March 31, 2016

Sequence During the Octave of Easter

Singing the sequence, “Victimae Paschali Laudes” is truly appropriate every day this week.

Jeff Ostrowski · March 30, 2016

“Hail, Holy Queen Enthroned Above” • Nine Organ Accompaniments

Why do we love descants so much?

Jeff Ostrowski · March 29, 2016

Mother Angelica, How Bad Was It?

“To preside, a person must live from the rich ambiguity of symbolic reality.”

Jeff Ostrowski · March 28, 2016

PDF Download • Monsignor Ronald A. Knox “The Trials Of A Translator” (1949)

Your Easter present has arrived!

Jeff Ostrowski · March 27, 2016

True Meaning Of Easter?

After all the work we musicians do to make Holy Week special…

Andrew Leung · March 25, 2016

Funeral March for Jesus

Annual Good Friday Funeral March in Macau.

Jeff Ostrowski · March 24, 2016

Musical Resources • Holy Thursday (1962 Missal)

“By this shall all men know that ye are My disciples: if you have love one for another.”

Andrew Leung · March 24, 2016

Tantum Ergo by a French Composer

A setting of Tantum Ergo by Déodat de Sévérac.

Jeff Ostrowski · March 21, 2016

A Church Music Issue Nobody Will Touch

Numerous articles have been written about Cardinal Sarah’s “foot washing” communique.

Fr. David Friel · March 20, 2016

Baptisms in the Extraordinary Form

Reflections on a Recent Experience

Jeff Ostrowski · March 19, 2016

Footage From 1968 • Pope Paul VI Giving Out Palms

The Cardinals don’t need to wear red—they have it on already!

Jeff Ostrowski · March 19, 2016

PDF Download • “Chants Abrégés des Graduels, des Alleluias, et des Traits”

Simplified according to ancient psalm tones.

“What Martin Luther Said…”

My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.

—Jeff Ostrowski

“Music List” • 15th in Ordinary Time (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.

—Jeff Ostrowski

15th Sunday in Ordinary Time (Year C)

This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed