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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Archives for March 2016

Jeff Ostrowski · March 31, 2016

Mother Angelica • “60 Minutes” (1984)

This video shows Mother Angelica playing the drums at Mass! (Not kidding!)

Andrew Leung · March 31, 2016

Promoting a Good Choral Culture at Your Parish

Nothing is impossible with God, everyone can promote a good choral culture at their parish.

Jeff Ostrowski · March 31, 2016

Bishop Doerfler’s Stunning Church Music Letter

“All parishes and schools are to have implemented the following directives by December 31, 2020.” —Bishop Doerfler.

Richard J. Clark · March 31, 2016

Sequence During the Octave of Easter

Singing the sequence, “Victimae Paschali Laudes” is truly appropriate every day this week.

Jeff Ostrowski · March 30, 2016

“Hail, Holy Queen Enthroned Above” • Nine Organ Accompaniments

Why do we love descants so much?

Jeff Ostrowski · March 29, 2016

Mother Angelica, How Bad Was It?

“To preside, a person must live from the rich ambiguity of symbolic reality.”

Jeff Ostrowski · March 28, 2016

PDF Download • Monsignor Ronald A. Knox “The Trials Of A Translator” (1949)

Your Easter present has arrived!

Jeff Ostrowski · March 27, 2016

True Meaning Of Easter?

After all the work we musicians do to make Holy Week special…

Andrew Leung · March 25, 2016

Funeral March for Jesus

Annual Good Friday Funeral March in Macau.

Jeff Ostrowski · March 24, 2016

Musical Resources • Holy Thursday (1962 Missal)

“By this shall all men know that ye are My disciples: if you have love one for another.”

Andrew Leung · March 24, 2016

Tantum Ergo by a French Composer

A setting of Tantum Ergo by Déodat de Sévérac.

Jeff Ostrowski · March 21, 2016

A Church Music Issue Nobody Will Touch

Numerous articles have been written about Cardinal Sarah’s “foot washing” communique.

Fr. David Friel · March 20, 2016

Baptisms in the Extraordinary Form

Reflections on a Recent Experience

Jeff Ostrowski · March 19, 2016

Footage From 1968 • Pope Paul VI Giving Out Palms

The Cardinals don’t need to wear red—they have it on already!

Jeff Ostrowski · March 19, 2016

PDF Download • “Chants Abrégés des Graduels, des Alleluias, et des Traits”

Simplified according to ancient psalm tones.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“I have, on the other hand, retained several more or less traditional tunes, absolutely valueless and without merit from a musical point of view, but which seem to have become a necessity if a book is to appeal—as I hope this one will—to the varied needs of various churches.”

— A. Edmonds Tozer (1905)

Recent Posts

  • A Gentleman (Whom I Don’t Know) Approached Me After Mass Yesterday And Said…
  • “For me, Gregorian chant at the Mass was much more consonant with what the Mass truly is…” —Bp. Earl Fernandes
  • “Lindisfarne Gospels” • Created circa 705 A.D.
  • “Music List” • 5th Sunday of Easter (Year C)
  • Communion Chant (5th Sunday of Easter)

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