Views from the Choir Loft

“Hail, Holy Queen Enthroned Above” • Nine Organ Accompaniments

Jeff Ostrowski · March 30, 2016

HAT IS IT ABOUT DESCANTS that we love so very much? I believe I know the answer. Our minds already know the tune—and love it—but the added embellishment is refreshing and awesome. I believe this is the same reason we love polyphony so much, with its heavy use of imitation and canons.

Here’s a Descant Setting by Jacques de Nouë, taken from a Canadian collection: ¹

* * PDF Download • “Hail, Holy Queen Enthroned Above” w/ Descant

I recorded the voice parts, to demonstrate how it sounds. The descant begins at the 0:46 marker:

Below are several other organ harmonizations for “Hail, Holy Queen Enthroned Above” you might find useful:

* * PDF Download • Campion Hymnal (organist)

* * PDF Download • New Saint Basil (1958)

* * PDF Download • Fr. Carlo Rossini (Latin)

* * PDF Download • Pius X Hymnal (1953)

* * PDF Download • Fr. Carlo Rossini (1936)

* * PDF Download • Standard Catholic Hymnal (1921)

* * PDF Download • Lawrence Gagnier (1962)

* * PDF Download • J. Vincent Higginson Hymnal (1955)

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REHEARSAL VIDEOS :

EQUAL VOICES : YouTube • Mp3 Audio

SOPRANO : YouTube • Audio

ALTO : YouTube • Audio

TENOR : YouTube • Audio

BASS : YouTube • Audio

NOTES FROM THIS ARTICLE:

1 This small collection lacks a date of publication, but most likely appeared circa 1945. Many music journals & scores published in the war years lack such information. I have never been able to ascertain, for example, when the NOH first appeared.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

6 May 2021 • FEEDBACK

A reader from St. Louis, Missouri, wrote to us: “The work you and your team do is quite possibly the most valuable resource I have come across as a younger Sacred music director and organist. The Brébeuf Hymnal is my most used and referenced resource. Although my church has not adopted it yet (I will continue to work on that), it is my most prized liturgical resource … truly a work of sacred art and beauty! I have spent the last year consuming articles and purchasing some of the printed resources you put out. Any help for a young music director is fully and warmly welcomed. I believe that building young choirs and inspiring the youth toward sacred music might just be one of the most important tasks set before us.” [Read more feedback.]

—Jeff Ostrowski

22 April 2021 • SATB Plainsong?

In an emergency, we pull out random hymns from the Brébeuf hymnal. The Brébeuf choral supplement has every single verse—every single verse—written out, which makes reading SATB a breeze. Last Sunday, we pulled out an Easter hymn which is a mix between plainsong and metrical hymnody…and I think this live recording came out nicely! Please see whether you agree.

—Jeff Ostrowski

22 April 2021 • ICTUS ALERT

My friends, for the record, this coming Sunday has something which is pretty rare. It is an example of Abbey of Saint-Pierre de Solesmes adding an ictus marking to their previous (1908) version of the Graduale Romanum. You can examine before and after. Do I feel better, having pointing this out? I absolutely do…

—Jeff Ostrowski

Pope Gelasius in his 9th Letter to the Bishops of Lucania condemned the evil practice which had been introduced of women serving the priest at the celebration of Mass. Since this abuse had spread to the Greeks, Innocent IV strictly forbade it in his letter to the Bishop of Tusculum: “Women should not dare to serve at the altar; they should be altogether refused this ministry.” We too have forbidden this practice in the same words in Our oft-repeated constitution “Etsi Pastoralis” (§6, #21)

— Pope Benedict XIV • Encyclical “Allatae Sunt” (26 July 1755)