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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for November 2015

Richard J. Clark · November 13, 2015

“Liturgy Wars” and Four Universal Principles

An important approach when utilizing multiple styles in one liturgy is to filter all music through the most important musical and liturgical principals.

Andrew Leung · November 12, 2015

Sistine Chapel Choir has made Great Improvement

The Sistine Chapel Choir is sounding like a British Boys’ Choir in their new CD

Dr. Alfred Calabrese · November 11, 2015

The Sacral Language of Liturgiam Authenticam as Applied to Choral Diction

The Church has its own language and its own culture. Are you a native speaker?

Jeff Ostrowski · November 11, 2015

Stunning New Collection Of English Propers

This book of organ accompaniments by John Ainslie covers every season, including ordinary time.

Dr. Lucas Tappan · November 10, 2015

Don’t Fall For It

“God has no grandchildren. Every generation must be a first generation follower of Christ.”

Jeff Ostrowski · November 9, 2015

The Only “Credential” That Matters

“They should have been more offended by the Romanian doctor…” —Fr. George Rutler

Fr. David Friel · November 8, 2015

Liturgical Happenings at Notre Dame

Divine Liturgy and a new pipe organ

Jeff Ostrowski · November 7, 2015

Simple 2-Part Canon For Men & Women

You will love what Henri Durieux has done with this hymn melody.

Guest Author · November 7, 2015

Sermon on Poor Souls • Based on Wisdom 2:23—3:9

A guest article by Fr. Valentine Young, OFM

Veronica Brandt · November 7, 2015

Chore wars and maintaining motivation

Setting up choir folders would have to rank 50XP and 30 gold pieces with a 50% chance of battling a carnivorous ring binder to gain a rare fragment of an illuminated manuscript.

Jeff Ostrowski · November 7, 2015

Musical Resources • 23rd Sunday after Pentecost (Extraordinary Form)

“Remit, we beseech Thee, O Lord, the sins of Thy people…”

Richard J. Clark · November 6, 2015

The People Deserve Better

Two documents that speak directly to the issue of liturgical experimentation and abuse.

Jeff Ostrowski · November 5, 2015

Liturgical Press Has An “Oops” Moment

“If we had known what the prayers really said, we would not have wanted to pray them any longer.” —Paul Inwood

Andrew Leung · November 5, 2015

Active Participation in the Traditional Latin Mass

2 Churches demonstrate active participation in the Tridentine Mass.

Fr. David Friel · November 3, 2015

Trination on All Souls: My Thoughts

Having invited reader input the other day, I offer now my own opinion.

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Corpus Christi Watershed

President’s Corner

    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“[Sacrosanctum Conclium’s implementation was] horrible, if we judge the debate on the liturgy as we have it today. Very few bishops would be proud to say they had a hand in it. Communion in the hand was never mentioned in the debate, neither was the word table (mensa) to take the place of altar—place of sacrifice… In my opinion the Debate on the Liturgy has been hijacked. The Council was…to reform, not to change completely.”

— Bishop Ignatius Doggett (who took part in Vatican II)

Recent Posts

  • Music List • (Easter Sunday, 2026)
  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”

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