Views from the Choir Loft

Roman Missal Third Edition

Jeff Ostrowski · March 4, 2014

How Many Syllables Does The Word “Catholic” Have?

Do you sing “ain-juhl” or “ain-jell” for the word “ANGEL” ? Do you sing “hevv-ihn” or “heav’n” for the word “HEAVEN” ?

Fr. David Friel · February 9, 2014

Celebrating Parish Weddings

New Rubrics for Use of the Gloria

Fr. David Friel · January 26, 2014

Comparing Canons

Does Using Eucharistic Prayer II Really “Save Time”?

Fr. David Friel · January 5, 2014

Ministry vs. Edification

Do the People “Minister” to their Priests?

Jeff Ostrowski · January 2, 2014

When Is The Sequence Sung? Before The Alleluia?

In 2000, there was an effort made at restoring the Sequence to its proper place.

Fr. David Friel · January 1, 2014

Fruitful Virginity

Flaming, Yet Unconsumed

Jeff Ostrowski · November 6, 2013

“For the kingdom, the power and the glory are yours”

A mystery! The 1970s ICEL seems not to have included these words, even though they were in the official Latin …

Jeff Ostrowski · October 25, 2013

How Bad Was It?

Someday, my children might ask: “Do you remember the first ICEL translation of the Roman Missal?”

Fr. David Friel · October 20, 2013

What to Do with the Prayer of the Faithful

A Critique

Corpus Christi Watershed · October 17, 2013

Celebrating the Golden Jubilee of ICEL in Rome

Maestro Charles Cole strikes again!

Jeff Ostrowski · June 26, 2013

Gregorian Missal With The New Translation!

Can anyone help me understand this sentence in the Foreword?

“Music List” • 19th in Ordinary Time (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.

—Jeff Ostrowski

This Sunday’s Communion Antiphon

This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.

—Jeff Ostrowski

Using “Ye” Vs. “You” Correctly

Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed