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Views from the Choir Loft

How Many Syllables Does The Word “Catholic” Have?

Jeff Ostrowski · March 4, 2014

756 Hep HE ENGLISH LANGUAGE is pronounced differently in the various English-speaking countries: Ireland, South Africa, Singapore, New Zealand, and so forth. I have been receiving emails from my friends in England. They are unhappy with the way I set the word CATHOLIC.

I was taught by professors of Choral Methods a dictum similar to Franz Xavier Haberl’s famous one: Sing as you speak.

For example, when you sing ANGEL, don’t sing “ain-JELL.” Sing it how you say it: “AIN-juhll.”

I recently composed this setting of the Creed:

      * *  St. Felix Musical Creed — An easy setting for Choir & Congregation

To my ear, words like EVERY are only two syllables ( EV- ‘RY ) not three. The same holds true for “Catholic,” as you can see here:

WHILE WE’RE ON THIS SUBJECT, certain words in English cause problems when they come at the end of a Psalm tone because they have an accented syllable followed by three (or even four!) unaccented syllables. Here are some examples:

TABERNACLE

IMPERISHABLE

PERSECUTORS

TESTIMONIES

SANCTUARY

COVETOUSNESS

FIGURATIVELY

YOUR FLOCK SETTLED IN IT

WONDERFULLY

PERSECUTING

SACRIFICES

CIRCUMSTANCES

If you have a word like GLORIOUSLY you can “cheat” by making it three syllables instead of four. The same can be done with HEAVEN — it can be two syllables or one.

ADDENDUM:

I heard a professional group sing “See – lebrity” for Celebrity. Frightful!

I heard a professional singers sing “Cruella Dee – vill” for Cruella de Vil. Terrible!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Musical Setting of the Creed, Roman Missal Third Edition Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“If we continue to tolerate sad examples of liturgical abnormalities, experimentation, abuse, and simply poor-quality liturgies, why should we single out those connected to the ancient rites of the Church for special vigilance? It just doesn’t seem right.”

— An Example of a response (sent to Pope Francis) Re: the TLM

Recent Posts

  • Simplest “Agnus Dei” Ever Published
  • Bishop François Charrière Vs. Hannibal Bugnini
  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”

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