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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Celebrating Parish Weddings

Fr. David Friel · February 9, 2014

OR ALMOST TEN YEARS, I have belonged to a local group called the Association of Church Musicians in Philadelphia (ACMP). This group offers many wonderful things throughout the year: skills sessions, annual pastor/musician banquet, member directory, quarterly newsletter, networking opportunities, scholarships for high schools students involved with parish music programs, and an end-of-year Vespers and awards ceremony. The ACMP has been a terrific blessing to our archdiocese.

The Association also offers an annual winter workshop, which I attended yesterday. Last year’s topic was “Celebrating Parish Funerals,” while this year’s focus was “Celebrating Parish Weddings.” The keynote speaker was Msgr. Richard Hilgartner, executive director of the USCCB Secretariat for Divine Worship. Among the many topics discussed were the present Rite of Marriage, the forthcoming second edition of the Order of Christian Matrimony, and best practices for providing music during nuptial Masses.

One of the issues that received a lot of attention during the question & answer sessions was the Gloria. The rubrics of the third edition of the Roman Missal introduced a change that continues to confuse many parish musicians and priests. Because of the evident confusion among the workshop attendees, I thought it would be worthwhile to address the topic here.

Under the new rubrics, the nuptial Mass is treated like a Feast, which means that the Gloria is to be sung. The matter is treated in an article appearing in the NewsLetter of the Secretariat (Volume XVLIII, January 2012):

3. What are the new rubrics in the Missal regarding the Gloria? In the Roman Missal, Third Edition, the rubrics call for the Gloria more frequently than before. Nine out of the ten Ritual Masses prescribe the Gloria, the only exception being the Mass for the Institution of Lectors and Acolytes. These Masses are all treated as if they were Feasts, and the Gloria is used for them even when celebrated during Advent or Lent. Thus, for example, Masses for Confirmation, Holy Orders, or Marriage would include the Gloria even when they occur during Advent or Lent. (It should be noted, though, that Ritual Masses are prohibited on Sundays of Advent and Lent.)

So, in summary, the Gloria is to be sung at every nuptial Mass, regardless of the season, but it is never used at a wedding ceremony outside of Mass.

Additionally, the rubrics now make clear that the Act of Penitence is omitted. This creates what can seem a rather awkward progression: entrance chant, Sign of the Cross, greeting, Gloria, collect. It doesn’t seem to be the natural flow of our Catholic ritual. Msgr. Hilgartner explained, however, that the forthcoming second edition will include an introductory passage to be read after the greeting, which will ease the transition a bit. He read the draft of the introduction to us, and it impressed me as a beautiful and understandable précis on the theology of Holy Matrimony.

Incidentally, if you are responsible for providing wedding music regularly and you are looking for solid options, check out this complete package resource and these Responsorial Psalms.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Nuptial Mass, Roman Missal Third Edition, USCCB Secretariat of Divine Worship Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“For me, religious music ceased with the sixteenth century. The fresh, childlike souls of that time alone expressed their vehement, untainted fervor in music free from worldliness. Since then we have had pious musical improvisations more or less made for show. That wonderful man Johann Sebastian Bach only escaped because of his natural genius. He built harmonic edifices as a devout architect and not as an apostle.”

— Claude Debussy (1862-1918)

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