Views from the Choir Loft

Celebrating the Golden Jubilee of ICEL in Rome

Corpus Christi Watershed · October 17, 2013

Reminder: As many have documented over the last five decades, the early history of ICEL was lamentable. However, a while back, the Holy See reformed the entire organization. This reform helped precipitate the promulgation of the current (more accurate) Mass translation by ICEL.

The following was posted by Fr. Zuhlsdorf:

HE INTERNATIONAL COMMISSION on English in the Liturgy was founded in St Peter’s Basilica fifty years ago today. The occasion will be marked by a Solemn Mass at the Altar of the Chair at 5pm, concelebrated by the Bishops of the Commission and their collaborators (Principal Celebrant and Homilist – Archbishop Arthur Roche, Secretary of the Congregation for Divine Worship and the Discipline of the Sacraments).

The Mass will include English Gregorian Chant from the Roman Missal and the Graduale Parvum together with some hymns. The Master of Ceremonies of the Mass will be Mgr Jean-Pierre Kwambamba Masi, one of the papal ceremonieri. The deacons will be from the Pontifical Scots College and the Pontifical Beda College. Seminarians from the Pontifical North American College will serve and the schola will be formed of seminarians of the Venerable English College and the Pontifical Beda College. The organist will be Charles Cole, Assistant Director of Music of the London Oratory. The lector will be Peter Finn, Associate Director of ICEL. The offertory gifts will be brought forward by the staff of the ICEL Secretariat from Washington DC. In addition to concelebrating bishops and priests, Cardinals Pell and Burke will assist in Choir.

The Mass will be followed by a reception at the Venerable English College, venue of the first ever meeting of ICEL. Tomorrow, Friday October 18th, Feast of St Luke, The Holy Father will receive the Bishops of the Commission and the ICEL Editorial Committee and their principal collaborators in an audience in the Sala Clementina of the Apostolic Palace.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Simplest “Agnus Dei” Ever Published

Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.

—Jeff Ostrowski

14th Sunday in Ordinary Time (Year C)

Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.

—Jeff Ostrowski

Bugnini’s Statement (6 November 1966)

With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed