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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Hymns Replacing Propers

Jeff Ostrowski · February 2, 2015

Elvis Presley, Offertory Processions, & “Alius Cantus”

Offertory processions in the 1940s? Really?

Fr. David Friel · January 4, 2015

Preparing Funeral Liturgies

Who Should Pick the Readings?

Fr. David Friel · December 7, 2014

Sound the Bell of Holy Freedom

Hymn for the World Meeting of Families 2015

Fr. David Friel · October 12, 2014

The Society for Catholic Liturgy

Two Contributions from CCW Bloggers

Jeff Ostrowski · August 12, 2014

Some Thoughts On “Englishing” Gregorian Chant

But why bring up this subject at all, when probably 95% of Catholic priests have no familiarity with Gregorian chant? • concerning the challenges of composing Gregorian chant in English+

Jeff Ostrowski · August 11, 2014

Mass Propers In English

Roosevelt was President while paralyzed. Churchill gave speeches but couldn’t pronounce “S” correctly. Surely, then, we can implement the Mass Propers with these 11 collections! • the Graduale Romanum has been set in English by many composers; here are some collections with audio samples+

Jeff Ostrowski · July 29, 2014

Are Priests Permitted To Add More Scripture To The Ordinary Form? Yes!

Vatican II wanted more Scripture in the Mass, but somehow the reformers missed that memo.

Jeff Ostrowski · July 19, 2014

Diary of Cardinal Antonelli (1964): “How Exactly Should The Vatican II Mass Look?”

If Pope Pius V or Gregory the Great were to come back, they ought to see that the Mass after Vatican II has substantially remained the same.” — Secretary of the Consilium

Fr. David Friel · July 6, 2014

Colloquium Update IV

The Glories of A Single Proper

Jeff Ostrowski · June 12, 2014

Antiphons in the Gradual don’t match the Roman Missal, 3rd edition?

Why aren’t the Propers from the Roman Gradual identical to the Mass Propers printed in the Roman Missal? • “Recent research … has made it clear that the antiphons of the Order of Mass were never intended to be sung.” — Bishop Donald Trautman (2007)+

Corpus Christi Watershed · June 1, 2014

The Vatican II Hymnal • Old Website

The Vatican II Hymnal Website will continue to house free online hymns.

Andrew R. Motyka · May 28, 2014

Laudate Dominum Communion Antiphons

A full set of free English settings of the Communion antiphons for cantor, organ, and congregation.

Jeff Ostrowski · May 25, 2014

The Mystery of Missal vs. Gradual has been solved!

Are there concrete reasons to prefer the ancient texts from the Roman Gradual? Short answer: Yes!

Corpus Christi Watershed · May 21, 2014

SAMPLE PAGES • Jogues Illuminated Missal

These Mass texts are “3L” : Large, Lovely, Legible … silly sounding, but true!

Jeff Ostrowski · May 19, 2014

PDF Download: Extremely Rare Book Of Propers (1962)

A book which Bugnini called the “precursor” to the Simple Gradual is now online!

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“…I started down the road of the liturgy, and this became a continuous process of growth into a grand reality transcending all particular individuals and generations, a reality that became an occasion for me of ever-new amazement and discovery. The incredible reality of the Catholic liturgy has accompanied me through all phases of life, and so I shall have to speak of it time and again.”

— Joseph Cardinal Ratzinger

Recent Posts

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  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall

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