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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Hymns Replacing Propers

Fr. David Friel · January 31, 2016

Too Many Options

Allowing Adolescents to Choose Their Faith & the Wide-Open Permissions of the GIRM

Veronica Brandt · May 9, 2015

The difference between Anything and Everything.

Where free choice can lead to chaos or paralysis.

Jeff Ostrowski · April 29, 2015

Liturgical Silence—But Not What You Think!

When I was young, I would have tried to argue.

Fr. David Friel · April 26, 2015

A Criticism & Good News

Another Look at Fr. Weber’s “The Proper of the Mass”

Fr. David Friel · April 19, 2015

“Proper Of The Mass” (Ignatius Press) • Part 4 of 7

The Next Big Thing Is Here

Jeff Ostrowski · April 13, 2015

Nixon, Watergate, & Singing The Mass Propers

Ehrlichman, Haldeman, Dean, Nixon, and others made tons of money writing and speaking about Watergate.

Jeff Ostrowski · March 16, 2015

Hillary Clinton’s Emails & Mass Propers

Are you confused yet? You ought to be!

Jeff Ostrowski · March 10, 2015

Six Things To Know About USCCB Hymn Approval

It’s no secret. Anyone who’s been in Church music realizes what happens in 99% of Catholic parishes.

Aurelio Porfiri · March 3, 2015

Permission Needed to Replace the Propers?—(7 of 7)

We should be more and more convinced that the Propers are “healthier” than alternative songs…

Cynthia Ostrowski · March 1, 2015

Permission Needed to Replace the Propers?—(6 of 7)

The wife of a Church musician weighs in…

Dr. Lucas Tappan · February 24, 2015

Permission Needed to Replace the Propers?—(4 of 7)

This year one, a seminarian from our parish is being ordained. He requested that we sing the Propers for his first Mass.

Veronica Brandt · February 21, 2015

Permission Needed to Replace the Propers?—(2 of 7)

How modernism effects music and babies. And how UNICEF is like the Catholic Church.

Andrew Leung · February 21, 2015

Permission Needed to Replace the Propers?—(3 of 7)

When the GIRM says “four options”, they really mean four preferences…

Jeff Ostrowski · February 16, 2015

Bishops Care When Their Names Are “Tacitly” Used

The current GIRM never mentions “tacit” approval.

Guest Author · February 9, 2015

“No Approval Needed for Substitute Songs” says USCCB • Exclusive Documentation

“After six months and 70+ letters, I received a letter from the chairman of Bishops’ Committee on the Liturgy.” —Dan Craig

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Corpus Christi Watershed

President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

Friedman met Egon Wellesz in Altaussee on one of the walks, and Egon started to speak about atonal music—and Ignaz replied: “No, no, no. Melody for me.”

— From the Life of Ignazy Friedman

Recent Posts

  • 2-Voice Arr. • “Creator of the Starry Height”
  • PDF Download • Christmas Piece (SATB) — “Angels We Have Heard on High” with Text in Latin
  • “Equal Voices” Choir Pieces
  • A Practical Method of Projecting Solfege for Chant
  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs

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