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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Catholic Youth Choirs

Keven Smith · October 14, 2025

Children’s Repertoire • Three More Recommendations by Keven Smith

Don’t give up. Your work with young singers today will continue to bear fruit for decades after you die.

Mark Haas · August 7, 2025

Is this what the new “Youth Mass” looks like?

“We had 14 singers in the loft—nearly all of them teenagers.”

Richard J. Clark · November 22, 2022

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

Join Your Parish Choir! • Why We Sing as a Faith Community

As many parishes struggle, your presence, your voice, your witness to the love of Christ is that much more important!

Fr. David Friel · May 17, 2022

Summer Ward Method Courses • CUA 2022

Study the Ward Method this summer in Washington, DC.

Keven Smith · December 14, 2020

How to Help Children Match Pitch (part III)

Three more tips on what to do and how to act with your young music students. Learn the secret ingredient of success!

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Keven Smith · December 7, 2020

How to Help Children Match Pitch (part II)

Got your kids singing in head tone? Good. Next, try these two tips to eliminate obstacles to their success.

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Keven Smith · November 30, 2020

How to Help Children Match Pitch (part I)

It all starts with teaching your kids to sing in head tone. Here are some ideas on how to do it.

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Keven Smith · October 6, 2020

The Real Reason Why Some People Don’t Match Pitch

(Keven Smith) • I’ve come to realize that the vast majority of “tone-deaf” people aren’t really tone-deaf at all. They just haven’t been trained to coordinate their voices with their audiation+

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Keven Smith · June 29, 2020

Real Life in a Large Church Choir Program (Part IV of IV)

We come now to the final installment in my series on our music program at St. Stephen the First Martyr Catholic Church in Sacramento, California.

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Keven Smith · June 23, 2020

Real Life in a Large Church Choir Program (Part III)

Far from being a mere complement to our parish choir, our young Choristers are, quite frankly, its core.

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Keven Smith · June 15, 2020

Real Life in a Large Church Choir Program (Part II)

Yes, children as young as seven or eight will focus and listen as you’re teaching them solfege scales, rhythm patterns, beautiful Latin vowels, and more!

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Keven Smith · June 9, 2020

Real Life in a Large Church Choir Program (Part 1)

At St. Stephen the First Martyr Church in Sacramento, the road to the choir loft begins at age four and is paved with furry puppets.

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Richard J. Clark · July 12, 2019

Our children must at the very least be exposed to the great music of the Church.

Traditional hymnody is often easier to sing: simpler melodically and rhythmically, and generally more substantive in theology.

Fr. David Friel · March 26, 2019

Flash Mob • Franz Biebl’s “Ave Maria”

A special celebration of the Annunciation 2019

Fr. David Friel · February 23, 2019

New Resource! • Chant Videos for Treble Voices

A new website seeks to record the full Gregorian propers each week using a treble voice.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The modern human being, wearied by the noisy and hectic life, through an attentive listening can find in church a restful peace which is the springboard for true prayer.”

— Dr. Joseph Lennards (1966)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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