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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Carmen Gregorianum

Jeff Ostrowski · November 1, 2024

“All Saints” • Jeff Ostrowski Tries to Simultaneously Accompany His Voice on the Organ

Although it beggars belief, in his entire life Father Josef A. Jungmann never celebrated a sung Mass—not one!

Corpus Christi Watershed · October 31, 2024

Pop Quiz • “How Well Do You Know Plainchant?”

Re: the “Communion Antiphon” for the Feast of All Saints (November 1st).

Jeff Ostrowski · October 28, 2024

The Truth About Chant Modality

It’s distressing to observe (in certain in quarters) an immature understanding of modality.

Jeff Ostrowski · October 2, 2024

English Plainchant Revival • “Is It Real?”

Let Busoni’s statement serve as a reminder to Catholic music directors everywhere.

Jeff Ostrowski · September 24, 2024

PDF Download • “Entrance Chant” in English (26th Sunday in Ordinary Time, Year B)

Sometimes one hears the objection: “But Gregorian Chant was not originally accompanied on the organ…”

Jeff Ostrowski · July 23, 2024

PDF Download • “Entrance Chant” for the 17th Sunday in Ordinary Time (Years ABC)

Including ten (10) alternate versions!

Jeff Ostrowski · June 15, 2024

Excellent Choral Sound • “How Best Obtain This?”

Without rehearsal time, what can be done?

Jeff Ostrowski · May 15, 2024

Documentation • “In the Olden Days, Was Vernacular Sung During Liturgical Services?”

Including a splendid harmonization of “Holy God, We Praise Thy Name.”

Follow the Discussion on Facebook

Dr. Charles Weaver · May 4, 2024

A Couple of Recent Podcast Appearances

I’ve participated in some recent conversations about chant that might be of interest to our readers.

Jeff Ostrowski · April 25, 2024

Update (25 April) • “Forthcoming Spanish Hymnal”

“When our people have the courage to break resolutely with a bad tradition, there are unworked mines of religious poetry in the old hymns that we can use in translations.” —Father Adrian Fortescue

Jeff Ostrowski · March 15, 2024

Jeff Ostrowski Attempts to Sing the Easter Introit

I opted for the Church’s official rhythm.

Jeff Ostrowski · March 9, 2024

The Day My Life Changed Forever

Do we believe sacred music exists?

Jeff Ostrowski · February 10, 2024

Must We “Love” All Gregorian Chant?

Where “Parce Dómine” (the famous song for Lent) came from.

Jeff Ostrowski · February 6, 2024

“Mass in the Vernacular?” • Seven (7) Considerations

Should Mass be in Latin or English? Or should it be a mixture?

Jeff Ostrowski · February 2, 2024

Abbat Bourigaud Challenges Dr. Charles Weaver!

Father De Santi opined that “Solesmes had rid themselves of Pothier by giving him an abbey”—to which Pope Pius X responded that it amounted to “a small compensation.”

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

When a friend speaks of his accomplishments and triumphs, he stands at a distance from our heart. When he shares his weaknesses and failings, he’s very near.

— Archbishop Fulton J. Sheen

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