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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Carmen Gregorianum

Dr. Charles Weaver · May 4, 2024

A Couple of Recent Podcast Appearances

I’ve participated in some recent conversations about chant that might be of interest to our readers.

Jeff Ostrowski · April 25, 2024

Update (25 April) • “Forthcoming Spanish Hymnal”

“When our people have the courage to break resolutely with a bad tradition, there are unworked mines of religious poetry in the old hymns that we can use in translations.” —Father Adrian Fortescue

Jeff Ostrowski · March 15, 2024

Jeff Ostrowski Attempts to Sing the Easter Introit

I opted for the Church’s official rhythm.

Jeff Ostrowski · March 9, 2024

The Day My Life Changed Forever

Do we believe sacred music exists?

Jeff Ostrowski · February 10, 2024

Must We “Love” All Gregorian Chant?

Where “Parce Dómine” (the famous song for Lent) came from.

Jeff Ostrowski · February 6, 2024

“Mass in the Vernacular?” • Seven (7) Considerations

Should Mass be in Latin or English? Or should it be a mixture?

Jeff Ostrowski · February 2, 2024

Abbat Bourigaud Challenges Dr. Charles Weaver!

Father De Santi opined that “Solesmes had rid themselves of Pothier by giving him an abbey”—to which Pope Pius X responded that it amounted to “a small compensation.”

Jeff Ostrowski · January 29, 2024

PDF Score • “Mass Setting I Wrote For Corrinne”

I demonstrate how the “Kyrie Eleison” can be adapted for use in the Extraordinary Form.

Jeff Ostrowski · January 23, 2024

Response to Mike’s Letter • “Six Concrete Examples”

“I would dismiss it as the second text writer being lazy and stealing someone else’s music…” —Michael H.

Follow the Discussion on Facebook

Jeff Ostrowski · January 18, 2024

Gregorian Chant … with a drone?

It’s possible to sing Carmen Gregorianum with a drone note (a.k.a. “ison”) but is this always a good idea? I’ve heard it done very poorly. We tried singing GLORIA IX with an ison last Sunday. Feel free to listen to this excerpt (Mp3) and let me know your thoughts.

Jeff Ostrowski · January 8, 2024

PDF Download • Msgr. Hellriegel’s “Hand-Written” Hymnal (Organ Accompaniment) — 102 pages

A major announcement on 8 January 2024!

Jeff Ostrowski · December 18, 2023

“Liber Usualis” • Jeff’s Proposed Modifications

In 1957, the Abbey of Solesmes publicly claimed copyright over “the rhythmic signs 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗿𝗵𝘆𝘁𝗵𝗺 𝘁𝗵𝗲𝘆 𝗿𝗲𝗽𝗿𝗲𝘀𝗲𝗻𝘁.”

Jeff Ostrowski · December 12, 2023

PDF Download • “Münster Hymnal” (Harmony Edition) — 123 pages!

“As the organ plays, so does the congregation sing!” —From the Foreword

Jeff Ostrowski · December 6, 2023

(Advent, 2nd Sunday) • Introit “Pópulus Sion” Sung According to the Official Rhythm

We can hardly do better than to join in the same melodies sung by Catholic saints throughout history.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“In 1848, Franz Liszt attended a performance of Schumann’s 1st Piano Trio, held in his honor in the Schumanns’ home. Liszt arrived two hours late with Wagner (who hadn’t been invited), derided the piece, and spoke ill of the recently deceased Mendelssohn. This upset the Schumanns, and Robert physically assaulted Liszt.”

— Janita Hall-Swadley

Recent Posts

  • A Gentleman (Whom I Don’t Know) Approached Me After Mass Yesterday And Said…
  • “For me, Gregorian chant at the Mass was much more consonant with what the Mass truly is…” —Bp. Earl Fernandes
  • “Lindisfarne Gospels” • Created circa 705 A.D.
  • “Music List” • 5th Sunday of Easter (Year C)
  • Communion Chant (5th Sunday of Easter)

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