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Corpus Christi Watershed

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Views from the Choir Loft

Beauty

Fr. David Friel · August 28, 2016

On the Spirit of Conservation

A Reflection on the National Parks, Sacred Architecture, and “Laudato Si”

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Fr. David Friel · August 21, 2016

Essence, Form, Experience

Fourth Annual Art of the Beautiful Lecture Series

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Fr. David Friel · August 7, 2016

A Different Kind of World Youth Day

Sacred Music Helped to Transform Tauron Arena Kraków into a House of Prayer

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Fr. David Friel · October 25, 2015

Catholic Artists Society 1

The Art of the Beautiful Lecture Series 2015-2016

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Fr. David Friel · July 27, 2015

The Church of Our Savior

And the Case of the Vanishing Icons

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Richard J. Clark · June 5, 2015

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

Dancing on the Edge with Truth and Beauty

“I encourage you to make music at the highest levels possible in your parishes. Our people deserve it and our God is worthy of the highest forms of praise.” — John Romeri

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Fr. David Friel · June 3, 2015

Sacra Liturgia 2015 — Update II

Fourteen (14) practical ideas for how a priest might transform his celebration of the Ordinary Form

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Veronica Brandt · April 11, 2015

How did your Holy Week go?

Singing for the Sacred Triduum and Easter ceremonies is an awesome privilege. Coming out the other side can be very sweet indeed, even when things didn’t always go quite as planned.

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Fr. David Friel · March 8, 2015

The Problem of Beauty

An Intriguing Argument for the Existence of God

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Fr. David Friel · March 1, 2015

Basking in Beauty’s Glow

Taking the Time to Ponder

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Fr. David Friel · January 18, 2015

Praise of God Demands Song

Impromptu Address of His Holiness Benedict XVI to the Members of the Pontifical “Sistine” Choir

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Fr. David Friel · November 30, 2014

Three Years Later

Blessings of the New Translation of the Roman Missal, Third Typical Edition

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Fr. David Friel · November 9, 2014

Sacred Architecture & the Dedication of the Lateran Basilica

When we come to church, there should be no question whether we are in a church or in a coffeehouse or in a multipurpose gym.

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Fr. David Friel · August 31, 2014

Liturgy vs. Social Justice

A Classic Case of the Catholic “Both/And”

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Fr. David Friel · June 22, 2014

Archbishop Sample’s Letter On Sacred Music (7 of 8)

May the Archbishop’s reflections & exhortations bear fruit in practical renewal!

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Corpus Christi Watershed

President’s Corner

    Music List • (29th Sund. Ordinary Time)
    Readers have expressed interest in seeing the ORDER OF MUSIC which I created for this coming Sunday, the 29th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. The INTROIT for this Sunday explains why this Sunday is called “Apple Sunday.” As we approach the end of the liturgical year, most of the INTROITS seem to be in Mode III or Mode IV, which are ‘haunting’ tones.
    —Jeff Ostrowski
    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

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    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“Victoria not only made his professional debut as church organist: he also continued active on the organ bench until the very eve of his death. Indeed, during his last seven years at Madrid (1604-1611) he occupied no other musical post but that of convent organist.”

— Dr. Robert Stevenson (1961)

Recent Posts

  • PDF Chart (33,344 words) • “Graduale Romanum”—Spanish, English: Multiple Approved Translations
  • Music List • (29th Sund. Ordinary Time)
  • Ordinary of the Mass (Spanish Settings) for Organ + Congregation • “We’ve Had Success With These”
  • PDF Download • “Hymns We Have Used” (306 Entries) – Including an 11-Page Chart
  • “All Saints Hymn” • Containing a Polyphonic Section

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