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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Abbat Joseph Pothier

Jeff Ostrowski · August 30, 2023

“Momentous Release!” • Freakishly Rare Gradual & Vesperal Published by Pothier’s Protégé (1,638 pages!)

He screamed into the telephone: “There’s no such thing as Gregorian Chant!”

Jeff Ostrowski · July 23, 2023

What Charles Weaver Did (!)

Dr. Weaver kindly made me aware of something stupendous. Created by Abbat Pothier’s assistant and approved by his successor (about ten years after his death), it’s a KYRIALE, GRADUALE, and VESPERALE: 2,000 pages long! It’s in Gregorian notation on five staves and marks each mora vocis. Here’s a photograph of the “Puer Natus” INTROIT taken with my […]

Jeff Ostrowski · July 19, 2023

Gregorian Rhythm Wars • “Jeff’s Fourth Response to Patrick” (19 July 2023)

Twenty years ago, I had the opportunity to conduct a week-long interview with Dom Cardine’s former boss.

Jeff Ostrowski · January 5, 2023

“Solesmes Method” • Where was it developed?

Father Ralph March wrote: “If any single man could deserve the title father of the renewed chant it would be Dom Joseph Pothier.”

Jeff Ostrowski · December 11, 2022

“Introit” (3rd Sunday of Advent) • Sung According the Church’s Official Rhythm

My humble attempt at singing the Introit for the 3rd Sunday of Advent in accordance with the official rhythm.

Jeff Ostrowski · December 6, 2022

Gregorian Rhythm Wars • “Jeff’s Second Response to Patrick” (6 Dec 2022)

You look upon these thousands of manuscripts in much the same way that I view the plainsong editions of Guillaume-Gabriel Nivers.

Dr. Charles Weaver · November 26, 2022

Gregorian Rhythm Wars • “On the Nuance Theory of Plainchant”

A brief historical survey of free rhythm in plainchant, as practiced from the modern monastic foundation of Solesmes (1833) to the present.

Jeff Ostrowski · August 29, 2022

“Did The Pope Really Say That?” • Re: Solesmes Rhythm

My response to the recent article by Professor Charles Weaver.

Dr. Charles Weaver · July 23, 2022

Pothier Teaches Us to Sing an Antiphon

A look at Dom Pothier’s performance instructions for a communion antiphon reveals a great deal of complexity in this pre-Mocquereau interpretive approach.

Jeff Ostrowski · July 22, 2022

PDF Download • Professionally-Scanned “Graduale Romanum” (Schwann, 1908) • 1,129 pages!

This is the “pure” Vatican Edition—technically the only version of the rhythm allowed by Church documents!

Corpus Christi Watershed · July 6, 2022

“Chant Rhythm Wars” • Dueling Lectures!

Ostrowski Vs. Weaver: Solesmes Rhythm, Gregorian Semiology, Dom Mocquereau, Dom Pothier, Mensuralism, and more!

Follow the Discussion on Facebook

Jeff Ostrowski · June 28, 2022

Photograph • Dom André Mocquereau (d. 1930)

Dom Mocquereau, prior to becoming a monk, was a soldier in the Franco-Prussian War.

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The chants of the Proper of the Mass—that is, the Introit, Gradual, Offertory, Communion—in sung Masses may be chanted in the vernacular to melodies legitimately approved.”

— Statement (20 April 1964) by the Consilium, the group Paul VI put in charge of inventing the New Mass

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