Choir Members Can’t Get Enough of This Piece
An English translation of “Veni Creator Spiritus.”
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
This version by Father Adrian Fortescue is fascinating!
How dare I broach such a subject?
In 1957, the Abbey of Solesmes publicly claimed copyright over “the rhythmic signs 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗿𝗵𝘆𝘁𝗵𝗺 𝘁𝗵𝗲𝘆 𝗿𝗲𝗽𝗿𝗲𝘀𝗲𝗻𝘁.”
Is it fair to forever bind Dom Guéranger to what he wrote about “barbarous archaisms” in 1855?
Including several hymns eminently suitable for the feast of Christ the King.
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Will anyone step forward to defend this?
Feel free to examine every single page if you doubt what I’m saying!
My husband tells me this edition (by Dom Pothier’s student) is of monumental importance. I take him at his word.
He screamed into the telephone: “There’s no such thing as Gregorian Chant!”
Dr. Weaver kindly made me aware of something stupendous. Created by Abbat Pothier’s assistant and approved by his successor (about ten years after his death), it’s a KYRIALE, GRADUALE, and VESPERALE: 2,000 pages long! It’s in Gregorian notation on five staves and marks each mora vocis. Here’s a photograph of the “Puer Natus” INTROIT taken with my […]
Twenty years ago, I had the opportunity to conduct a week-long interview with Dom Cardine’s former boss.
Father Ralph March wrote: “If any single man could deserve the title father of the renewed chant it would be Dom Joseph Pothier.”
My humble attempt at singing the Introit for the 3rd Sunday of Advent in accordance with the official rhythm.
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