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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Search Results for: simple english propers

“Gregorian Chant Rhythm Wars” • Ostrowski Vs. Williams

Jeff Ostrowski · November 1, 2022

My colleague, Patrick Williams has agreed to enter into a “colloquy” with me vis-à-vis Gregorian rhythm.

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Filed Under: Articles, Featured Tagged With: Gregorian Rhythm Wars, Gregorian Semiology, litterae significative, Notker, Pothier De Caetero 1906, Romanian Letters, Sémiologie grégorienne Last Updated: December 6, 2022

(Installment #7) “Catholic Hymnals” • Richard J. Clark

Richard J. Clark · September 8, 2020

“Hymns, Psalms, and Spiritual Canticles”—the most influential post-conciliar hymnal—was never distributed by any large publisher!

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Filed Under: Articles Tagged With: Traditional Catholic Hymnals Last Updated: June 27, 2023

Draft Document • “Church Music Manifesto” (2020)

Jeff Ostrowski · June 30, 2020

We’re living in darkness—but, like the phoenix, authentic Church music can rise from the ashes!

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Filed Under: Articles Tagged With: Church Music Manifesto, Guild of Church Musicians Last Updated: June 30, 2020

“Comparison” • 15 Traditional Catholic Hymnals

Guest Author · June 7, 2020

Covid-19 has forced many parishes to remove all hymnals from their pews: A perfect opportunity for change!

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Filed Under: Articles Tagged With: Affordable Hymnal for Catholic Parishes, Dr Theodore Marier, GIA Worship IV Hymnal, Helen Hull Hitchcock Adoremus, Hymns Psalms Spiritual Canticles, Jean de Brebeuf Hymnal, The Catholic Hymnal, Traditional Catholic Hymnals, Traditional Latin Mass Last Updated: March 15, 2022

Broadcasting Holy Mass During Covidtide

Dr. Lucas Tappan · May 26, 2020

The most problematic genre for use in broadcasting is the English setting of the Mass Ordinary since all of the major settings are currently under copyright.

Filed Under: Articles Last Updated: May 27, 2020

Repeating Repertoire? • Dr. Tappan

Dr. Lucas Tappan · March 26, 2020

“The tunes and ditties of the radio will be meaningless in the magnitude of one’s final moments; only the psalms can bear the weight of the moment.” —Barry Rose

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Filed Under: Articles Tagged With: Repeating Repertoire Last Updated: March 30, 2020

St. Jean de Lalande Library of Rare Books

“The judicious searcher in this remarkable online collection will certainly reap great rewards for his effort.” — Fr. Robert A. Skeris, Benjamin T. Rome School of Music

Extremely Rare! • 1908 Solesmes Graduale (PDF Download)

Jeff Ostrowski · January 23, 2020

I’ve been searching for this book for twenty years! • For the first time in history, the Graduale Romanum from 1908 (with Solesmes rhythmic markings) has been scanned and uploaded • Includes copious and detailed information about the rhythm of the Editio Vaticana (“Vatican Edition”) you won’t find anywhere else+

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Filed Under: Articles, Featured Tagged With: Dom Eugène Cardine, Gregorian Semiology, melismatic morae vocis, Sémiologie grégorienne Last Updated: January 25, 2023

JMO Copy (inviolable) St. Jean de Lalande Library of Rare Books

Jeff Ostrowski · January 7, 2020

JMO Copy (inviolable) St. Jean de Lalande Library of Rare Books “The judicious searcher in this remarkable online collection will certainly reap great rewards for his effort.” — Fr. Robert A. Skeris, Benjamin T. Rome School of Music (CUA) HE SAINT Jean de Lalande Library is derived primarily from Jeff Ostrowski’s personal collection of rare […]

Filed Under: Articles Last Updated: January 7, 2024

The 1961 Code of Rubrics • Pope St. John XXIII

Jeff Ostrowski · September 3, 2019

I would not argue with someone who called this document curious, or even bizarre; it was only in effect for a few years • Also: “Should the Sanctus and Benedictus be split in the Traditional Latin Mass?” • This “Extraordinary Form” question is treated meticulously with full documentation going back 150 years+

Filed Under: Articles, Featured Tagged With: De Ritibus Servandis, Sanctus Benedictus Split Broken Divided Last Updated: May 30, 2023

“Church Music Manifesto” (2019)

Jeff Ostrowski · January 14, 2019

Mass should be a peaceful experience for the congregation, not an opportunity to be harassed.

Filed Under: Articles, Featured Tagged With: Church Music Manifesto, Guild of Church Musicians Last Updated: December 22, 2020

Choosing Choral Repertoire

Dr. Lucas Tappan · April 30, 2018

Is it okay for choirmasters to program the same piece several Sundays in a row?

Filed Under: Articles Last Updated: January 1, 2020

Three Entrance Antiphons for the Celebration of Marriage

Richard J. Clark · October 6, 2017

Free Download: Three Entrance Antiphons For the Celebration of Marriage

Filed Under: Articles Last Updated: January 1, 2020

Nine Questions About The Latin Mass You Were Too Embarrassed To Ask

Jeff Ostrowski · April 21, 2017

When I first attended the Traditional Mass, I hated it.

Filed Under: Articles Last Updated: January 1, 2020

Fr. Magiera Reviews The Campion Hymnal

Corpus Christi Watershed · January 12, 2017

“These renderings are accompanied by beautiful photos so even the novice should be able to follow the Mass rather easily.”

Filed Under: Articles Last Updated: January 1, 2020

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Corpus Christi Watershed

President’s Corner

    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski
    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The main place should be given, all things being equal, to gregorian chant, as being proper to the roman Liturgy. Other kinds of sacred music, in particular polyphony, are in no way excluded, provided that they correspond to the spirit of the liturgical action and that they foster the participation of all the faithful.”

— ‘2011 GIRM, §41 (Roman Missal, 3rd Edition)’

Recent Posts

  • Communion Chant (5th Sunday of Easter)
  • PDF Download • “Entrance Chant” for the Fifth Sunday of Easter
  • “Sanctus XVIII” • Peculiar-Yet-Haunting Accompaniment (Sent To Us)
  • Chants That Crowds Roar With Burning Hearts
  • “Music List” • 4th Sunday of Easter (Year C)

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