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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

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Guest Article by Mæstro Jerome Cole • Organist, Composer, and Choirmaster

Corpus Christi Watershed · October 19, 2023

“My mantra is that music at Mass should help reveal the face of God to us, so that we might contemplate Jesus Christ truly present in the Eucharist.” —Jerome Cole

Filed Under: Articles Tagged With: Dr Susan Treacy Catholic, Dr Timothy McDonnell Conductor, Indiana, St Joseph Parish Mishawaka Last Updated: April 26, 2025

“Best & Worst Responses” • This Survey Was Responded To By 300+ Church Musicians

Jeff Ostrowski · June 6, 2023

You’re probably thinking: “Jeff, if you think Father Rossini’s narrow-mindedness was bad, get ready for a rude awakening when you see what we’re up against in 2023.”

Filed Under: Articles, Featured, PDF Download Tagged With: Common Hymn Melodies, Inter pastoralis officii Pius X, Monsignor Francis P Schmitt, Motu Proprio Col Nostro Pius X, Pange Lingua Thomas Aquinas, Saint Thomas Aquinas, Thesaurus musicae sacrae Last Updated: July 13, 2023

Beauty Ever Ancient, Ever New

Dr. Charles Weaver · March 7, 2023

Every Gregorian melody is a precious gift, and every time we meet a melody again, we have a chance to consider some new aspect.

Filed Under: Articles Tagged With: Gregorian Chant Last Updated: March 7, 2023

“Gregorian Chant Rhythm Wars” • Ostrowski Vs. Williams

Jeff Ostrowski · November 1, 2022

My colleague, Patrick Williams has agreed to enter into a “colloquy” with me vis-à-vis Gregorian rhythm.

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Filed Under: Articles, Featured Tagged With: Gregorian Rhythm Wars, Gregorian Semiology, litterae significative, Notker, Pothier De Caetero 1906, Romanian Letters, Sémiologie grégorienne Last Updated: December 6, 2022

(Installment #7) “Catholic Hymnals” • Richard J. Clark

Richard J. Clark · September 8, 2020

“Hymns, Psalms, and Spiritual Canticles”—the most influential post-conciliar hymnal—was never distributed by any large publisher!

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Filed Under: Articles Tagged With: Traditional Catholic Hymnals Last Updated: June 27, 2023

Draft Document • “Church Music Manifesto” (2020)

Jeff Ostrowski · June 30, 2020

We’re living in darkness—but, like the phoenix, authentic Church music can rise from the ashes!

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Filed Under: Articles Tagged With: Church Music Manifesto, Guild of Church Musicians Last Updated: June 30, 2020

“Comparison” • 15 Traditional Catholic Hymnals

Guest Author · June 7, 2020

Covid-19 has forced many parishes to remove all hymnals from their pews: A perfect opportunity for change!

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Filed Under: Articles Tagged With: Affordable Hymnal for Catholic Parishes, Dr Theodore Marier, GIA Worship IV Hymnal, Helen Hull Hitchcock Adoremus, Hymns Psalms Spiritual Canticles, Jean de Brebeuf Hymnal, The Catholic Hymnal, Traditional Catholic Hymnals, Traditional Latin Mass Last Updated: March 15, 2022

Broadcasting Holy Mass During Covidtide

Dr. Lucas Tappan · May 26, 2020

The most problematic genre for use in broadcasting is the English setting of the Mass Ordinary since all of the major settings are currently under copyright.

Filed Under: Articles Last Updated: May 27, 2020

Repeating Repertoire? • Dr. Tappan

Dr. Lucas Tappan · March 26, 2020

“The tunes and ditties of the radio will be meaningless in the magnitude of one’s final moments; only the psalms can bear the weight of the moment.” —Barry Rose

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Filed Under: Articles Tagged With: Repeating Repertoire Last Updated: March 30, 2020

St. Jean de Lalande Library of Rare Books

“The judicious searcher in this remarkable online collection will certainly reap great rewards for his effort.” — Fr. Robert A. Skeris, Benjamin T. Rome School of Music

Extremely Rare! • 1908 Solesmes Graduale (PDF Download)

Jeff Ostrowski · January 23, 2020

I’ve been searching for this book for twenty years! • For the first time in history, the Graduale Romanum from 1908 (with Solesmes rhythmic markings) has been scanned and uploaded • Includes copious and detailed information about the rhythm of the Editio Vaticana (“Vatican Edition”) you won’t find anywhere else+

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Filed Under: Articles, Featured Tagged With: Dom Eugène Cardine, Gregorian Semiology, melismatic morae vocis, Sémiologie grégorienne Last Updated: January 25, 2023

JMO Copy (inviolable) St. Jean de Lalande Library of Rare Books

Jeff Ostrowski · January 7, 2020

JMO Copy (inviolable) St. Jean de Lalande Library of Rare Books “The judicious searcher in this remarkable online collection will certainly reap great rewards for his effort.” — Fr. Robert A. Skeris, Benjamin T. Rome School of Music (CUA) HE SAINT Jean de Lalande Library is derived primarily from Jeff Ostrowski’s personal collection of rare […]

Filed Under: Articles Last Updated: January 7, 2024

The 1961 Code of Rubrics • Pope St. John XXIII

Jeff Ostrowski · September 3, 2019

I would not argue with someone who called this document curious, or even bizarre; it was only in effect for a few years • Also: “Should the Sanctus and Benedictus be split in the Traditional Latin Mass?” • This “Extraordinary Form” question is treated meticulously with full documentation going back 150 years+

Filed Under: Articles, Featured Tagged With: De Ritibus Servandis, Sanctus Benedictus Split Broken Divided Last Updated: May 30, 2023

“Church Music Manifesto” (2019)

Jeff Ostrowski · January 14, 2019

Mass should be a peaceful experience for the congregation, not an opportunity to be harassed.

Filed Under: Articles, Featured Tagged With: Church Music Manifesto, Guild of Church Musicians Last Updated: December 22, 2020

Choosing Choral Repertoire

Dr. Lucas Tappan · April 30, 2018

Is it okay for choirmasters to program the same piece several Sundays in a row?

Filed Under: Articles Last Updated: January 1, 2020

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Corpus Christi Watershed

President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

It’s good that you are in the USA, otherwise who is going to—in the best sense—make music?

— Ignaz Friedman writing to Josef Hofmann (4 January 1940)

Recent Posts

  • From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass
  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)

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