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The internet is a very strange thing. I have spent hundreds of hours on certain articles—usually about hymn voice leading—and they get virtually no attention. But last night at 3:30AM I posted an image from WW2 from 9 April 1944 (showing a priest saying Mass with soldiers) and it was viewed 10,000 times on the […]
Some erroneously attack the Extraordinary Form by claiming that before Vatican II “priests rushed through Low Mass in less than 20 minutes.” Well, during the pandemic, we have had Mass without the reception of Communion by the Faithful—and it makes duration of Mass surprisingly shorter. On feasts with no GLORIA, no CREED, and no HOMILY, […]
Pope Saint John Paul II said in June of 1980: “To the extent that the new sacred music is to serve the liturgical celebrations of the various churches, it can and must draw from earlier forms—especially from Gregorian chant—a higher inspiration, a uniquely sacred quality, a genuine sense of what is religious.”
The index for the Brébeuf hymnal has beautiful capital letters, and I had previously believed our creation to be unique. However, it seems Fr. Adrian Fortescue beat us. (Deep sigh.) You can see that the index for his book, Ceremonies of the Roman Rite Described, is quite beautiful, and uses the capital letters I spoke […]
From the 1958 Instruction published under Pope Pius XII: “If the faithful are to communicate, the singing of the Communion antiphon is to begin when the priest distributes Holy Communion. If this Communion antiphon has been taken from some psalm, the other verses of the same psalm may be sung, in which case the antiphon […]
The Sacred Congregation for Rites issued De musica sacra et sacra liturgia (“Instruction on Sacred Music and Sacred Liturgy”) on 3 September 1958. An excerpt: Finally, perfect active participation is achieved when there is also sacramental participation, by which “the faithful who are present communicate not only with spiritual affection, but also in reception of […]
Where do the Latin acclamations come from, which replace the “Alleluia” during Lent? The traditional Divine Office replaces Alleluia with “Laus tibi Domine Rex aeternae gloriae.” Here’s a piece of paper that has all possible Ordinary Form “Lenten acclamations” in Latin.
A reader wrote to us: “I just wanted to send you a message and let you know I REALLY like the compositions on your website. You have a very rich harmonic language in your choral writing. The work you do is so appreciated and important!”
A reader wrote to us: “I must confess to taking oodles of inspiration from the work that you do. When I first found your website it was a revelation. I’ve been a monthly donor ever since. I think the work that you do is absolutely VITAL. There are so many things I’d have never been […]
K.S. in Rochester, New York, wrote to us: “Your website is outstanding. It is a rich mine for information and liturgical music. Glad I found it. I’m a retired former orchestra conductor and church music director and organist. While I’m no longer an active church music director and organist (after 45 years with a variety […]
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To you and your colleagues who helped produce the Brébeuf hymnal, I wanted to drop a line to say “bravo.” I just got a copy and immediately ordered the choral supplement (I ought to have just gotten it in the first place). What an achievement this book is! This is the sort of hymnal one […]
(#1) “Thank you for all the great work you do to provide music and rehearsal videos for all of us to use! It has been invaluable to those music and choir directors who’ve had to build a Gregorian chant schola from scratch! May God continue to bless all you do to promote sacred music for […]
Someone who made a generous donation wrote as follows: While I sometimes strongly disagree with the content or tone of the blog article authors, I, as a parish music director, have used CCWatershed’s resources countless times and have always found the site to be an excellent source of high-quality Sacred Music, which is very hard […]
Wolfgang Amadeus Mozart wrote seventeen Church Sonatas between 1772 and 1780. These are short pieces intended to be played between the Epistle and the Gospel (during Mass). Shortly after Mozart left Salzburg, the Archbishop mandated that an appropriate choral motet or congregational hymn be sung at that point in the liturgy, with the result that […]