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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

President's Corner

Jeff Ostrowski · May 6, 2020

What is the “Ordinary” of the Mass?

A few years ago—during the Sacred Music Symposium—I suggested to the audience that the “Our Father” and the “Alleluia” should be considered part of the Ordinary of the Mass (for the Ordinary Form). In my own settings, such as Mass of the English Martyrs, I treated the “Our Father” accordingly—and here in Los Angeles, we […]

Jeff Ostrowski · May 2, 2020

Being Too Hard On Priests?

I’m usually a stickler when it comes to making sure priests sing their chants correctly, especially when priests often substitute a Perfect Fourth for the Minor Third in the famous Triple Alleluia on Holy Saturday. But I just found out the 1575AD Missale Romanum has a skip of a Perfect Fifth! So perhaps I need to […]

Jeff Ostrowski · April 22, 2020

Dealing With Calumny

All of us have probably been the victim of calumny. Calumny can be especially painful if the person telling lies is someone you helped. Next time this happens in your life, try an experiment: Write the person’s name on an Index card, place it on your shoulder, and flick it to the ground—meaning you will […]

Jeff Ostrowski · April 20, 2020

From “Vexilla Christus Inclyta”

Non ille regna cládibus, | Non vi metúque súbdidit: | Alto levátus stípite, | Amóre traxit ómnia.—“It is not by combat or force or fear that Christ subdues nations but lifted up upon the tree, he draws all things to himself by love.” Servat fides connúbia, | Juvénta pubet íntegra, | Pudíca florent límina | […]

Jeff Ostrowski · April 6, 2020

“Daily I sat in the temple, close to you…”

Fulton J. Sheen always said the “very best translation” of Sacred Scripture was the version by Monsignor Ronald Knox, and here’s what Knox had for the Passion read today (Pre-1955 Palm Sunday): “And Jesus said to the multitude at that hour, You have come out to my arrest with swords and clubs, as if I […]

Jeff Ostrowski · March 31, 2020

Sacred Music Symposium • “What We Avoid”

I wish we had to time to discuss artwork at the Sacred Music Symposium, but there’s just not enough time. At this year’s conference in June, we will sing an absolutely incredible Magnificat setting by Father Francisco Guerrero (d. 1599). If you examine the part books, you will notice a marvelous aesthetic desire to avoid […]

Jeff Ostrowski · March 29, 2020

“Abraham” • Guerrero Imitates His Teacher

Father Francisco Guerrero (d. 1599) studied music with Father Cristóbal de Morales circa 1545. He taught himself the organ. On 3 April 1542 he was engaged as a contralto by Seville Cathedral at an annual salary of 12,000 maravedís. He remained there until 1546, when, at the age of only 17, he was invited—on the […]

Jeff Ostrowski · March 26, 2020

Too much music!

Choosing music for the Sacred Music Symposium requires careful consideration.  We make sure (always) to have great variety. Because the schedule is so full, there’s never sufficient time to discuss the music fully—indeed, we could easily do a month-long seminar on each piece!  For example, last year Dr. Calabrese conducted a setting of the Magnificat […]

Jeff Ostrowski · March 20, 2020

“Sharing Is Caring”

I would like to share a message from a highly respected scholar.  (His articles appear in distinguished journals such as Études grégoriennes and Oxford’s Early Music.) He wrote as follows: The Brébeuf Hymnal is very tastefully done. Your team has exquisite literary and musical taste. I see from my copy of the hymnal that you […]

Jeff Ostrowski · March 20, 2020

What Frightens Me

The world’s experts have been releasing contradictory statements Re: Covid-19. I am neither a doctor nor a scientist, so I won’t comment; but I have something to say about the spine-tingling predictions made by certain politicians. When I was growing up, they told us “within ten years” we would starve due to overpopulation. The next […]

Jeff Ostrowski · March 18, 2020

Official Statement on Coronavirus

The 2020 Sacred Music Symposium “Official Statement” on Coronavirus has been posted; I encourage everyone to read it. I would like to share some advice: (1) avoid excessive amounts of “cable news” reporting on the pandemic, similar to how we diligently avoid immoral magazines and pornography; (2) let us pray for God’s mercy, and let […]

Jeff Ostrowski · March 17, 2020

The Ability To Say “I Don’t Know”

Father Valentine Young, OFM, always spoke about people incapable of saying “I don’t know.”  Such people have an answer for everything—as if saying “I don’t know” would cause them physical pain.  That’s how I acted growing up, but I stopped when I reached maturity.  Another thing I did as a kid was insist that I […]

Jeff Ostrowski · March 17, 2020

Disturbing Trend

Have you noticed how many people these days don’t know what an analogy is?  If I say to John Doe, “that’s the pot calling the kettle black,” frequently John Doe will go around telling everybody I called him an ugly pot.  It’s quite disturbing.  I’ve also noticed that many Americans believe the definition of “possible” […]

Jeff Ostrowski · March 13, 2020

Internet Bullies

Any Christian who tries to make a difference in the sacred music world must expect to face opposition and scorn. Today, the attacks will frequently come from “internet cowards” who hide behind false names, fake biographies, anonymous blogs, and so forth. Falsehoods and calumnies from anonymous sources are impossible to debunk—because recognition is what they […]

Jeff Ostrowski · March 6, 2020

Singing in the Papal Choir during the 16th century…

“Juan Sánchez, first admitted in June, 1529, was the most flamboyant member of the generally hot-tempered Spanish section of the choir. In January, 1540, not wishing to sing the part allotted him by the director, he hit him “in the presence of the Sacrament,” thus creating a “very great scandal.” He was imprisoned, but the […]

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Corpus Christi Watershed

President’s Corner

    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski
    Beginning a Men’s Schola
    I mentioned that we recently began a men’s Schola Cantorum. Last Sunday, they sang the COMMUNION ANTIPHON for the 3rd Sunday of Easter, Year C. If you’re so inclined, feel free to listen to this live recording of them. I feel like we have a great start, and we’ll get better and better as time goes on. The musical score for that COMMUNION ANTIPHON can be downloaded (completely free of charge) from the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Catholics in America have been the heirs of a sentimental and subjective hymn tradition that, for some reason or other, has taken a deep and fast hold on the fancy of the average person.”

— Fr. Francis Brunner (1953)

Recent Posts

  • Cardinal Prevost (Pope Leo XIV) “Privately Offered the TLM in His Private Chapel”
  • “Entrance Chant” • 4th Sunday of Easter
  • Reader Feedback • Mendelssohn’s “Wedding March” at a Nuptial Mass?
  • Music List • “Repertoire for Weddings”
  • We (Will) Have A Pope!

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