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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

President's Corner

Jeff Ostrowski · February 13, 2023

“Sexagesima Vespers” • Organist Booklet

I’m currently in the process of creating a website where all the organ accompaniment booklets for Vespers are posted for download. At the moment, you can download the 25-page booklet I used yesterday, to accompany vespers for Sexagesima Sunday.

Jeff Ostrowski · February 9, 2023

PDF Download • “Gorgeous Image!”

Saint John Mary Vianney (d. 1859) is one of my favorite saints. Our readers will want to download this gorgeous stained glass window which depicts Father Vianney, the holy Curé d’Ars.

Jeff Ostrowski · February 5, 2023

Hymn by Cardinal Newman

During the season of Septuagesima, we will be using this hymn by Cardinal Newman, which employs both Latin and English. (Readers probably know that Cardinal Newman was one of the world’s experts when it comes to Lingua Latina.) The final verse contains a beautiful soprano descant. You can hear this brief excerpt taken during our […]

Jeff Ostrowski · February 4, 2023

Introit • Candlemas (2 February)

“Candlemas” • Our choir sang on February 2nd, and here’s a live recording of the beautiful INTROIT: Suscépimus Deus. We had very little time to rehearse, but I think it has some very nice moments. I promise that by the 8th Sunday after Pentecost it will be perfect! (That Introit is repeated on the 8th […]

Jeff Ostrowski · February 3, 2023

Simplified Antiphons • “Candlemas”

Anyone who desires simplified antiphons (“psalm tone versions”) for 2 February, the Feast of the Purification—which is also known as “Candlemas” or the Feast of the Presentation—may freely download them. The texts of the antiphons are quite beautiful. From “Lumen Ad Revelatiónem Géntium” you can hear a live excerpt (Mp3). I’m not a fan of […]

Jeff Ostrowski · January 31, 2023

Tempo?? • 𝘏𝘰𝘭𝘺 𝘎𝘰𝘥, 𝘞𝘦 𝘗𝘳𝘢𝘪𝘴𝘦 𝘛𝘩𝘺 𝘕𝘢𝘮𝘦

Once, after Mass, my pastor said he really loved the hymn we did. I said: “Father, that’s Holy God, We Praise Thy Name—you never heard it before?” He replied: “But the way you did it was terrific. For once, it didn’t sound like a funeral dirge!” Last Sunday, our volunteer choir sang that hymn. I […]

Jeff Ostrowski · January 29, 2023

Don’t You Agree About These?

If you want to make Jeff Ostrowski really happy, send him an email with effusive praise about the individual voice recordings for hymn #296. [Soprano, Alto, Tenor, Bass] They came out dazzlingly sensational, don’t you agree?

Jeff Ostrowski · January 29, 2023

Choral Vowels? Yes? No?

Here’s a live recording of one of the choral “warm-up” exercises my choir enjoys. It was taken during our rehearsal on 27 January 2023. It’s good to make sure each chord is perfectly in tune and balanced before moving to the next one. That only happens when each singer has the correct vowel. If you […]

Jeff Ostrowski · January 26, 2023

26 January 2023 • FEEDBACK

“Jeff, I wanted to personally thank you for your spiritual witness at the Symposium & often blogs that you write too. Praying that prayer in the mornings My God, my Father and my all (by Cardinal Merry Del Val), mentioning saints’ stories of Brébeuf, Jogues, John Vianney, monks who fought in WWII, their hard work […]

Jeff Ostrowski · January 26, 2023

Symposium Draft Schedule Released!

Those who head over to the Symposium Website will notice the tentative schedule for 2023 has been released. This is all very exciting! Very soon, we will begin accepting applications, so please make sure you have subscribed to our mailing list. If you are subscribed, that means you’ll hear announcements before anyone else. (It’s incredibly […]

Jeff Ostrowski · January 25, 2023

Good Friday Polyphony by L. Senfl

The editor of the Sacred Music Magazine recently made available to the public this splendid article by our own Charles Weaver. It includes an edition of polyphony for the GOOD FRIDAY “Reproaches.” Renaissance composers often set the various offices of Holy Week; e.g. readers will probably be familiar with the beautiful TENEBRAE setting by Father […]

Jeff Ostrowski · January 21, 2023

Coming Soon! • Symposium 2023

A few weeks ago, dates were announced for Sacred Music Symposium 2023. The rehearsal videos are beginning to appear! For example, the KYRIE ELEYSON contains sections by Lassus, Victoria, and Palestrina. You can see and hear Part 1 at this link. Much more information about this wonderful conference will be released soon!

Jeff Ostrowski · January 21, 2023

“Have We Gone Mainstream?”

A choir member alerted my wife to this video by Scott Hahn. You perhaps recognize a piece that’s been highly promoted by Corpus Christi Watershed: viz. Father Guerrero’s “Sanctus” from Missa Iste Sanctus. I would be interested to learn which choir made the recording (which heavily abbreviates the piece) and whether they used our rehearsal […]

Jeff Ostrowski · January 16, 2023

Desperate! • Needing help after robbery

A few years ago, I had valuable books stolen. Recovery efforts with law enforcement have failed, so I’m reaching out to our readers. Can somebody help me obtain VOLUME II and VOLUME VIII of the Nova organi harmonia published in the 1940s and 1950s by the LEMMENSINSTITUUT? As far as I can tell, these volumes can’t […]

Jeff Ostrowski · January 3, 2023

FEEDBACK … from New Hampshire

Jeff, thanks for the rare Gregorian accompaniments. I just love all the work you do! About 2 years ago, my parish made the decision to ditch all the contemporary Mass settings (Marty Haugen, and so forth) and to only use the Latin! We currently use the [name redacted of a disposable missal] … some of their accompaniments […]

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Corpus Christi Watershed

President’s Corner

    “Chants” • 18th Sunday in Ordinary Time
    All the chants for 3 August 2025—which is the 18th Sunday in Ordinary Time (Year C)—have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (from the book of Wisdom) is stunning. That feast website has been called “the best kept secret of Church music.”
    —Jeff Ostrowski
    “Corn” From Heaven?
    The Westminster Version of the Sacred Scriptures was produced by Roman Catholics in England and bears a 15 March 1958 IMPRIMATUR from the Archbishop of Westminster. Its IMPRIMI POTEST was given by the director of the Pontifical Biblical Institute in Rome. Sometimes words chosen by translators sound funny to American ears. For instance, one of our Responsorial Psalms has as its refrain: “The Lord gave them bread from heaven.” But the British version has “The Lord gave them corn from heaven.” Feel free to examine this with your own eyes. (It comes from Psalm 77.)
    —Jeff Ostrowski
    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“These liturgists protest that the choir must be encouraged, but in the same breath we are told its purpose is to lead the congregation in the singing of hymns and other unison music. These directions from non-musicians who have never created a musical sound—let alone direct a choir—are the cause of consternation among practicing musicians, both instrumentalists and singers.”

— Monsignor Richard J. Schuler (30 November 1967)

Recent Posts

  • “Chants” • 18th Sunday in Ordinary Time
  • “Corn” From Heaven?
  • Gospel Acclamation Verses … Nowhere Assigned?
  • False! • “Youthful” Music Attracts the Young
  • “I Don’t Care Anymore!” • Lead by Loving Example

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