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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

President's Corner

Jeff Ostrowski · July 26, 2024

“Simplified” Accomp. (3,400 downloads)

Saint Georg’s Windsor is often paired with “Songs Of Thankfulness And Praise” by Christopher Wordsworth.

Jeff Ostrowski · July 24, 2024

MONTH OF JULY • “Reminder”

Each day, I speak on the phone with Catholics who’ve supported Corpus Christi Watershed for years—yet many don’t subscribe to our free email newsletter! Please sign up! Simply scroll to the bottom of any blog article and enter your email address. (We have no endowment, no major donors, run no advertisements, and have no savings. Therefore, our […]

Jeff Ostrowski · July 23, 2024

“Entrance Chant” • This coming Sunday!

This Sunday (28 July 2024) is the 17th Sunday in Ordinary Time. Here is the PDF file of the ENTRANCE ANTIPHON—in Gregorian notation on five lines—which we’ll be singing. You can also download the organ accompaniment that corresponds to that file. If you are someone who enjoys rehearsal videos, you can listen to my recording […]

Jeff Ostrowski · July 20, 2024

21 July 2024 • “Musical Plan” (English)

Some of our readers expressed interest in what I’m doing for the 16th Sunday in Ordinary Time, Year B. You are welcome to download my musical outline for tomorrow, which is Sunday (21 July 2024). I’ve only been at this job a few weeks—so I don’t have a choir yet. But that will come!

Jeff Ostrowski · July 16, 2024

“Soul of my Savior” arranged for 3 voices

Many readers watched this video, which was a iPhone recording from last Sunday of three young women singing “Soul of my Savior” arranged for three equal voices by Miss Helen Drost. People have been asking where they can get the musical score. Please know it can be instantly downloaded by clicking here.

Jeff Ostrowski · July 13, 2024

Musical Plan (English) for 14 July 2024

I’m not sure whether anyone wants to peruse my musical outline for tomorrow—which is Sunday, 14 July 2024 (15th Sunday in Ordinary Time, Year B)—but if you would like to, you can download this PDF document (2 pages). I’ve only been at this job less than two weeks—after spending ten years in Los Angeles—so I […]

Jeff Ostrowski · July 11, 2024

Introit • “15th Sunday in Ordinary Time”

Mr. Ostrowski shares a ‘quick thought’ regarding the topic of the sacred liturgy.

Jeff Ostrowski · July 11, 2024

Reminder!

Sometimes men—usually not women—brag publicly about how much money they make. It’s important to remember that everything (everything) comes from God, and we’ll be held responsible for every cent. Anything we currently possess is only thanks to God, Who gave us our bodies, minds, health, energy … indeed, our very existence. Only a foolish and […]

Jeff Ostrowski · July 9, 2024

PDF • “Gregorian Missal” (712 Pages)

Several readers have requested the URL link to download the GREGORIAN MISSAL (Solesmes Abbey, 1989) in PDF format. All you have to do is click here. The book was professionally scanned and made available online by the Church Music Association of America on 21 January 2009.

Jeff Ostrowski · July 7, 2024

PDF Download • {English Mass} This Sunday

Those who wish to do so may download the Order of Music I’m using for the 14th Sunday in Ordinary Time, Year B (English Masses). Including plainsong in English, wonderful hymns, settings of the Ordinary in both Latin & English, and even a motet by Kevin Allen.

Jeff Ostrowski · July 6, 2024

PDF • “14th Sunday in Ordinary Time”

This Sunday I begin service at my new church in Michigan. If you’re curious about the musical lineup for the Spanish Mass, feel free to download the Order of Music I created for the 14th Sunday in Ordinary Time, Year B. I tried to be sensitive to what the parish was doing before my arrival […]

Jeff Ostrowski · June 4, 2024

“People’s Mass Book” • Omer Westendorf

On page 226 of the “People’s Mass Book” (1964), you’ll discover the “TOULON” melody used several times in the Brébeuf Catholic Hymnal, whose editorial team made it clear they had zero interest in “ginning up” a brand new hymnody tradition. Many of the melodies in the Brébeuf Hymnal were used by hundreds of Catholic hymn […]

Jeff Ostrowski · May 28, 2024

“Holy God, We Praise Thy Name” (Simplified)

A simplified keyboard accompaniment for pianists struggling to be organists.

Jeff Ostrowski · May 25, 2024

25 May 2024 • FEEDBACK

We get tons of messages from readers; perhaps we should do a better job sharing them. In 2010, composer Dan Schutte published “Mass of Christ the Savior,” based upon the theme song from the My Little Pony television cartoon. Earlier today, someone under the moniker “Praying Girl” wrote as follows: “I wonder how many people […]

Jeff Ostrowski · May 22, 2024

Take the “Hymn Quiz!”

How well do you know hymnody? A few days ago, we recorded this really beautiful hymn as part of a Roman Catholic Spanish hymnal project we’re helping with. Can you name that tune? (We’re looking for the correct name of the melody.) If you give up—or if you want to verify your answer—click here for […]

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.

— Paul Hume (1956)

Recent Posts

  • New Bulletin Article • “21 September 2025”
  • How do you pronounce this word in Latin?
  • Cheap! Cheap! Cheap!
  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies

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