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Corpus Christi Watershed

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Views from the Choir Loft

President's Corner

Jeff Ostrowski · March 18, 2024

“Simplified” Accomp. (1,700 downloads)

The last one I uploaded was downloaded more than 1,700 times in a matter of hours. Therefore, folks seem interested in such a project.

Corpus Christi Watershed · March 14, 2024

“Lenten Polyphony for Two Voices”

On 28 February 2024, we posted this article with two women singing at Mass. Specifically, they were singing a piece for Lent called “Open, O Hard and Sinful Heart.” Since that time, the video has garnered thousands of views on YouTube and reached more than 34,000 on Facebook. If you’d like to download a special […]

Jeff Ostrowski · March 5, 2024

Re: “Sacred Music Symposium” (2024)

Today, an announcement was sent out regarding the 2024 Sacred Music Symposium. If you’re not subscribed to our mailing list, you missed this announcement. I’ve tried everything I can think of to get folks to subscribe to our mailing list. Simply scroll to the bottom of any CCW article and enter your email address. It […]

Jeff Ostrowski · March 1, 2024

“Simplified” Keyboard Accompaniment

Are you an inexperienced organist? Were you formally a pianist? I invite you to download this simplified organ accompaniment for hymn #124 in the Saint Jean de Brébeuf Hymnal. I’m toying with the idea of creating a whole bunch of these, to benefit amateur organists. What is your opinion of such a project? Let me […]

Jeff Ostrowski · February 15, 2024

Offered in a Spirit of Dialogue

Pope Francis said famously: “To dialogue entails a cordial reception, not a prior condemnation.” The following brief utterances of mine are offered in that spirit. Pope Saint Pius X called the sacred liturgy “the primary and indispensable source of the true Christian spirit.” If the reformers had told the fathers of Vatican II they desired […]

Jeff Ostrowski · February 14, 2024

Polyphony For Three Voices!

Writing excellent music is easier in four voices than three. We often sing from MATRI DIVINAE GRATIAE, a 3-voice collection by Kevin Allen for Soprano, Alto, and Bass. Someone made a recording of my volunteer choir singing “Si Ambulávero” (from that collection). This “raw recording” starts toward the end of the psalm tone then launches […]

Jeff Ostrowski · February 10, 2024

PDF Download • “Chant Chart”

A thoughtful priest from another country wrote me a magnificent message praising a PDF comparison chart I recently posted. It deals with “staffless” CARMEN GREGORIANUM (Gregorian Chant). Download it for free by scrolling to the bottom of this article. Of course, I hope you will read the article instead of just scrolling past it.

Jeff Ostrowski · February 7, 2024

“Somber Song!” • Sexagesima Sunday

As we approach the holy season of Lent, the prayers and readings become more lengthy. When we arrive at Easter, the prayers and readings will become extremely brief. As we get closer to Lent, some of the music becomes quite somber. I can’t think of a more somber piece than the INTROIT for Sexagesima Sunday. […]

Jeff Ostrowski · January 27, 2024

“Saint Mark” • Hymn Tune

Regarding the hymn tune called “ST MARK”—have you ever heard or sung this? If you scroll towards the bottom of this recent article, you can hear my choir (which is made up 100% of volunteers) singing it. Some people say the ST MARK melody sounds a little ‘protestant.’ What do you think? I rather like […]

Jeff Ostrowski · January 24, 2024

“Seeking Employment” • Please help!

You can download my official résumé.

Jeff Ostrowski · January 18, 2024

Gregorian Chant … with a drone?

It’s possible to sing Carmen Gregorianum with a drone note (a.k.a. “ison”) but is this always a good idea? I’ve heard it done very poorly. We tried singing GLORIA IX with an ison last Sunday. Feel free to listen to this excerpt (Mp3) and let me know your thoughts.

Jeff Ostrowski · January 18, 2024

Abbat Pothier on Gregorian Chant

“There is, then, in the Church, in the Catholic liturgy, a music that, as we have just stated, is both a word and a song, a music rich and powerful, although simple and natural, a music that is not self-seeking, which does not attend to itself but comes forth as the spontaneous utterance of religious […]

Jeff Ostrowski · January 12, 2024

Organ Accompaniment Booklet (25 pages)

Those who celebrate VESPERS each week may wish to download my organ accompaniment booklet (25 pages) for the 2nd Sunday after Epiphany. This was originally released about a year ago (link), but minor improvements have been made.

Jeff Ostrowski · January 11, 2024

Know your hymns? How Well?

Several singers from my choir recently recorded this beautiful hymn (Mp3), using famous lyrics from the Brébeuf Hymnal. How well do you know your hymns? Can you name that tune? If so, please email us. If you correctly name that tune, I’ll declare: “You really know your hymns!”

Jeff Ostrowski · January 8, 2024

Organ? Or SATB unaccompanied?

Pipe organ (with voices) or unaccompanied SATB? Which do you prefer? Yesterday at Mass, my volunteer choir gave you an opportunity to compare “apples to apples.” Simply click here and compare the first verse with the second. For the record, that melody is called by various names: ALTONA, VOM HIMMEL HOCH, ERFURT, and so on.

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Corpus Christi Watershed

President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Saint Phillip Neri founded a religious congregation called the Oratory. Animuccia was involved from early on and remained “maestro di capella” of the Oratory until his death. The Oratory was able to attract many musicians who volunteered their services, including the famous singer Francesco Soto de Langa from the Capella Sistina, the composer Palestrina, and probably the composer Tomás Luis de Victoria who lived in the same house as St. Phillip Neri for five years.

— Source Unknown

Recent Posts

  • Simplest “Agnus Dei” Ever Published
  • Bishop François Charrière Vs. Hannibal Bugnini
  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”

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