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Corpus Christi Watershed

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Views from the Choir Loft

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Jeff Ostrowski · March 6, 2025

Watch David Poon Defeat Jeff in His Own “Hymn Challenge” — Re: The English Method

Bonus! Six (6) of my favorite Lenten hymns.

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Jeff Ostrowski · March 5, 2025

“You who dwell in the shelter of the Lord…”

I’m not sure I know another feast like the 1st Sunday of Lent.

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Jeff Ostrowski · March 4, 2025

“Entrance Chant” • 1st Sunday of Lent

This English adaptation uses mode 8, as does the authentic Gregorian Chant version.

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Jeff Ostrowski · March 1, 2025

“Music List” • 8th Sunday (Ord. Time)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

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Jeff Ostrowski · February 28, 2025

Communion • 8th Sunday Ord. Time

This communion is particularly beautiful.

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William J. Fritz · February 28, 2025

From Inspiration to Implementation • “Lenten Choral Extensions” (And a Free Gift!)

I decided to try something different for Lent…

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Jeff Ostrowski · February 26, 2025

“Entrance Chant” • 8th Sunday (Ord. Time)

This English adaptation uses mode 1, as does the authentic Gregorian Chant version.

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Jeff Ostrowski · February 20, 2025

PDF Download • “Music List” for the 7th Sunday in Ordinary Time (Year C)

“One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past.” —Pope Saint Paul VI

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Richard J. Clark · February 19, 2025

PDF Download • “Communion Antiphons” (Complete) for Ordinary Time — 238 pages!

Free Communion Antiphons for Ordinary Time: composed & harmonized by Richard J. Clark.

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Jeff Ostrowski · February 18, 2025

PDF Download • “Chabanel Tones”

This PDF file contains the various tones—including organ accompaniment—used for the Chabanel Psalter.

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Jeff Ostrowski · February 17, 2025

PDF Download • Common Texts for the Gospel Acclamation (“Alleluia”)

For many years, this situation embarrassed me.

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Jeff Ostrowski · February 13, 2025

“Entrance Chant” • 7th Sunday (Ord. Time)

This English adaptation uses mode 5, as does the authentic Gregorian Chant version.

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Jeff Ostrowski · February 12, 2025

“Register Today!” • Sacred Music Symposium 2025

A generous benefactor has agreed to cover 50% of the tuition for those who register before a certain date.

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Corpus Christi Watershed · February 7, 2025

“Win or Lose, a Fight Worth Fighting!” • (Email Received from a Priest)

We owe a tremendous debt of gratitude to Jeffrey Tucker, who prevented a non-Christian company from securing a monopoly on the (mandatory) English psalm translation!

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Jeff Ostrowski · February 7, 2025

“Music List” • 5th Sunday (Ord. Time)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

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Corpus Christi Watershed

President’s Corner

    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

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    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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    —Jeff Ostrowski
    A Mystery! — Re: the “Liber Usualis”
    When it comes to the Latin language, accent marks aren’t placed on 2-syllable words, because doing so would be excessive. In other words, if a Latin word has two (2) syllables, the first syllable always gets the accent—so there’s no need to mark it. Nevertheless, as the years went on, the ABBEY OF SOLESMES began placing accents on 2-syllable words throughout their publications. Yet, they made exceptions for certain words, and nobody can explain why. For example, they never put an accent on the word simul in Latin, as far as I can tell. Download this PDF file if you wish to see with your own eyes. It seems they omit the accent mark about 20% of the time, which eliminates the possibility of oversight.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

Nothing should be allowed that is unworthy of divine worship, nothing that is obviously profane or unfit to express the inner, sacred power of prayer. Nothing odd or unusual is allowable, since such things, far from fostering devotion in the praying community, rather shock and upset it—and impede the proper and rightful cultivation of a devotion faithful to tradition.

— Pope Paul VI • 10/13/1966

Recent Posts

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  • “The Priest in Your Breviary” • Who Was Father Joseph Connelly? (Mysterious Liturgical Scholar)

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