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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Communion Antiphon” by Father Edgard de Laet — For Any Mass!

Veronica Moreno · September 17, 2024

OW MANY OF US can recite PSALM 33 from memory? The 3rd edition of the CAMPION MISSAL discusses ancient psalms added to each Communion antiphon at Mass. In several places, it cites Dr. Peter Wagner—a member of the Vatican Commission on Gregorian Chant under Pope Saint Pius X—talking about PSALM 33, which he calls “the unvarying Communion-chant which in all Masses accompanied the administration of the Holy Eucharist” in the early Church. Both the 1974 GRADUALE ROMANUM and the 1969 GRADUALE SIMPLEX explicitly say PSALM 33 may replace the proper Communion antiphon at any Mass.

Obstacles To Overcome • I like the idea of singing PSALM 33 during Communion—a psalm every Catholic should know by heart—but there’s a problem. If one follows the advice of the GRADUALE, the proper Communion antiphons get annihilated in the process. With the help of a few musical friends, I believe we may have solved the problem! The following arrangement includes those antiphons as optional psalm verses.1 My daughter and I recorded the treble voices for the rehearsal videos. I sang ALTO and my daughter sang SOPRANO:

*  PDF Download • “PSALM 33” (6 pages)
—By Father Edgard de Laet (d. 1973) • This Communion Antiphon can be used at any time.

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

Alphabet • In Hebrew, PSALM 33 is an alphabetical acrostic. Monsignor Ronald Knox calls it “an Alphabet of Right-doing” as you can see:

(1 of 2) His Erudition • Monsignor Knox was asked by the bishops of England and Wales to translate the entire Bible into English. Only someone of his erudition could have completed such a task! Notice how Knox preserves the alphabetical acrostic in English.

(2 of 2) His Erudition • Knox does the same thing for PSALM 24, which he calls “An Alphabet of Trust.” He does the same thing for PSALM 36, which he calls “An Alphabet of Patience.” He does the same thing for PSALM 110 and PSALM 111, which he simply calls “Two Alphabets.” Incredibly, Monsignor Knox also preserves the acrostic in the enormously lengthy PSALM 118, which he calls “An Alphabet of Loyalty.” He does the same thing for PSALM 144, which he calls “An Alphabet of Gratitude.” (Needless to say, it’s possible those titles were added by the editor, not Knox himself.)

1 Over the next few weeks, many of the Communion antiphons come from PSALM 118. Experts on the sacred liturgy hold conflicting theories as to why this is the case.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Graduale Romanum, Graduale Simplex, Psalm 33 Communion Antiphon Last Updated: September 17, 2024

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Today the Church has made a big mistake, turning the clock back 500 years with guitars and popular songs. I don’t like it at all. Gregorian Chant is a vital and important tradition of the Church and to waste this—by having guys mix religious words with profane, Western songs—is hugely grave, hugely grave.”

— Maestro Ennio Morricone (10 Sept 2009)

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