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Views from the Choir Loft

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Jeff Ostrowski · August 20, 2026

Preface of Saint Joseph (added by the pope)

You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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Jeff Ostrowski · August 20, 2026

PDF Download • “Our Father” (1 page)

This might be excellent for a children’s choir.

Jeff Ostrowski · August 15, 2026

PDF • “Organ Interlude” (Manuals Only)

If you play the pipe organ, I encourage you to try out this organ interlude for manuals only.

Jeff Ostrowski · August 13, 2026

PDF Download • Roman Catholic Hymnal (1953) with Lyrics in Dutch! — 71 pages

Also Included: a Conversation about famous hymns in Duple or Triple rhythm.

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Jeff Ostrowski · August 11, 2026

(Simplified Keyboard Accompaniment) • “Now Thank We All Our God”

(Part 2) • Should congregational hymnals include SATB parts?

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Jeff Ostrowski · August 10, 2026

Test Your Gregorian Chant Knowledge!

This melody was found in a Carthusian plainsong book (published hundreds of years ago).

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Jeff Ostrowski · August 7, 2026

Eucharistic Prayer No. 2 on Sundays?

Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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Corpus Christi Watershed · August 6, 2026

“Panis Angelicus” • Organ Accompaniment (7 Pages)

“Those two options are as good as any (and better than most).” —Jeff Ostrowski

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Jeff Ostrowski · August 6, 2026

1,187 Pages • “Dripping With Color, Craft, and Splendor” (Missale Romanum, 1933)

That such a richly-illustrated missal could have been created—much less mass produced—in the 1930s is beyond belief.

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Jeff Ostrowski · August 3, 2026

Proportionalist Plainchant • (Documented)

This document shows a “mensuralist” approach to Gregorian Chant.

Jeff Ostrowski · July 31, 2026

“Predictable Rhymes?” • A Follow Up

We received considerable correspondence regarding my article: “Two Ways to Defile a Hymn.”

Jeff Ostrowski · July 29, 2026

Absolutely ‘Perfect’ Voice-Leading?

This brief passage seems (in my humble opinion) to be a delightful specimen.

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Jeff Ostrowski · July 28, 2026

“Progress Report” (With Samples) • Forthcoming Roman Catholic Hymnal In Spanish

It’s coming along nicely!

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Jeff Ostrowski · July 26, 2026

PDF Download • “Roman Catholic Music in England from 1850–1962” — Lengthy Dissertation (402 pages)

This includes 1914-1962 (years which were excluded from Muir’s book).

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Jeff Ostrowski · July 23, 2026

Calling Dr. Weaver!

A remarkable exposition of the “mora vocis” (published in 1953 in the Netherlands) which doesn’t shy away from a certain item!

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Our Father” (1 page)
    Dutch organist, teacher, and conductor HERMAN STRATEGIER (d. 1988) studied under Hendrik Andriessen. He composed this unison setting with organ accompaniment for the LORD’S PRAYER (“Our Father”) which a children’s choir would find both within reach and worthy of the effort. The whole thing fits neatly on a single page. Strategier eventually became organist of Saint Catherine’s Cathedral in Utrecht. He also taught at the “Dutch Institute for Catholic Church Music” (Nederlands Instituut voor Katholieke Kerkmuziek).
    —Jeff Ostrowski
    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski
    Eucharistic Prayer No. 2 on Sundays?
    May the SECOND EUCHARISTIC PRAYER be used on Sundays? Highlighted in yellow (on this single-page PDF file) is documentation concerning whether it may be chosen on Sundays. In the late 1960s, Eucharistic Prayer No. 2 was assembled based on a text believed (by some) to be an early form of the Canon. The priest who created Eucharistic Prayer No. 2—hastily assembling it while sitting in an Italian restaurant—came to regret his role in the liturgical reforms. His name was FATHER LOUIS BOUYER (a close personal friend of Pope Saint Paul VI), and he later admitted his team had little chance of success because their goal was to “recast from top to bottom—and in a few months!—an entire liturgy that had required twenty centuries to develop.” No bishop who participated in Vatican II thought the ROMAN CANON would ever be prayed in the vernacular (much less eliminated), which we have documented a zillion times on this blog. Someday, all this must be set right! ✠
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)
    It is not possible to claim that the MISSALE ROMANUM has not been changed since the Council of Trent. Obviously, many feasts were added. In 1919, several PREFACES were added. What did that look like in actual practice? A sheet of paper had to be inserted into the missal, which looks like this. At the bottom of the page, there’s a decree in Latin. Translated into English: Our Most Holy Lord Pope Benedict XV, upon the advice of the Sacred Congregation of Rites, and also out of his own devotion toward Saint Joseph, Spouse of the Blessed Virgin Mary and Patron of the Catholic Church, has approved the above-written proper Preface, to be used henceforth everywhere in Masses of the same Saint Joseph, and has ordered that it be duly inserted in future editions of the Roman Missal (9 April 1919). The heading “URBIS ET ORBIS” is the formal classification of a decree binding on Rome and on the whole Latin Church, as opposed to decrees for a particular diocese or religious order.
    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

On 12 March 1908, Feast of St. Gregory the Great, the complete publication of the “Graduale” was issued by the Vatican Press. That very day, Dom Pothier solemnly presented the first copy to the Holy Father. Pius X wished to be the first to see the new book; he opened it at random, at page 128 of the supplement “pro aliquibus locis”—the Introit of the new Feast of Our lady of Lourdes. The Pope sang it with perfect taste to the last note.

— A witness of the papal audience writing circa 1915

Recent Posts

  • Preface of Saint Joseph (added by the pope)
  • PDF Download • “Our Father” (1 page)
  • Composer Isabella Quintana: “Christ my teacher, Christ my healer, Christ my Savior.” • (Guest Article)
  • PDF • “Organ Interlude” (Manuals Only)
  • PDF Download • Roman Catholic Hymnal (1953) with Lyrics in Dutch! — 71 pages

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