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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Daniel Tucker · January 15, 2023

Introducing The Saint Hildegard Project

Comprised of men and women who share a fervent devotion to the music itself, The Saint Hildegard Project strives to teach with integrity and perform with excellence for the edification of souls and the glory of God.

Jeff Ostrowski · January 14, 2023

Video • “Counting Gregorian Chant” … according to Dom Mocquereau’s Method

The example chosen is the strenuous offertory (“Jubiláte Déo”) for the 2nd Sunday after Epiphany.

Andrea Leal · January 13, 2023

New Lectionary for the USA • Coming in 2028?

“Work hasn’t even begun on the next Lectionary, and there’s nothing definite about 2028 as a date.” — Father Andrew V. Menke, director of the USCCB liturgical committee

Jeff Ostrowski · January 13, 2023

Hymn Experiment • “Does This Work?”

If memory serves, his exact words were: “Gee, I never thought about that before.” Astonishing!

Jeff Ostrowski · January 11, 2023

PDF Download • Max Springer’s Gradual in Modern Notation (870 pages) — Extravagantly Rare!

In addition to this rare book by Max Springer (870 pages), I release the draft copy of a new Gregorian project (157 pages).

Jeff Ostrowski · January 8, 2023

Which Hymnal Did Archbishop Fulton J. Sheen Endorse?

Musicians can have a stronger voice than even the legendary Fulton J. Sheen!

Jeff Ostrowski · January 6, 2023

What Exactly Is Dr. Peter Wagner Talking About?

“These manuscripts had to be sought out in the public or capitular libraries, whose conservators were often hardly supportive of—if not outright hostile to—the reproduction of their treasures.”

Jeff Ostrowski · January 5, 2023

“Solesmes Method” • Where was it developed?

Father Ralph March wrote: “If any single man could deserve the title father of the renewed chant it would be Dom Joseph Pothier.”

Jeff Ostrowski · January 4, 2023

PDF Download • The Official Funeral Booklet for Pope Benedict XVI (37 pages)

We strive to emphasize the positive on this blog, but I have to admit…

Jeff Ostrowski · January 4, 2023

PDF Download • “Corde Natus Ex Parentis” w/ Modern Harmonies (4 pages)

She said: “Jeff, you should record these harmonies with human voices, to illustrate what you mean.”

Corpus Christi Watershed · January 3, 2023

Document restricting the Latin Mass “broke Pope Benedict’s heart” says Archbishop Gänswein

The motu proprio 𝑇𝑟𝑎𝑑𝑖𝑡𝑖𝑜𝑛𝑖𝑠 𝐶𝑢𝑠𝑡𝑜𝑑𝑒𝑠 “hit him pretty hard” says the private secretary to the Pope Emeritus.

Veronica Moreno · January 2, 2023

“Sacred Time” Framed on our Wall

According to Cardinal Ratzinger “man is woven into the fabric of the universe. Time is first of all a cosmic phenomenon. Man lives with the stars.”

Patrick Williams · January 2, 2023

Gregorian Rhythm Wars • “Chorale and Chant Carefully Considered” (2 Jan 2023)

“The equalist plainchant of the High Middle Ages is as far removed from the rhythmic chant of the Early Middle Ages as the isometric chorales are from their rhythmic predecessors.” —Patrick Williams

Jeff Ostrowski · January 1, 2023

PDF Download • “Graduale Romanum” Organ Accompaniments by Dr. Peter Wagner (513 pages)

Dr. Peter Wagner, a famous musicologist, founded the “Gregorian Academy” in Freiburg (Switzerland).

Corpus Christi Watershed · January 1, 2023

Revealed! • Ratzinger wrote to FSSP after “Traditionis Custodes”

From his place of retirement, he sent a private letter following “Traditionis Custodes” (a document which attempted to strangle the Traditional Mass).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.

— Paul Hume (1956)

Recent Posts

  • Fulton J. Sheen Played The Pipe Organ!
  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”
  • Every Diocesan Music Commission Should Do This
  • Exclusive Interview • “Púeri Cantóres” President

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