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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · May 5, 2023

PDF Download • “Vespers Accompaniment Booklet” (Fifth Sunday after Easter) — 20 pages

To recruit, teach, inspire, and retain volunteer choir members is no easy task!

Jeff Ostrowski · May 4, 2023

Six (6) Pernicious Hymn Pairings

The current situation is heartbreaking.

Jeff Ostrowski · May 2, 2023

Should Chant Be Accompanied On The Organ?

As late as 1924, Dom Mocquereau mentioned Dom Desrocquettes “whose beautiful and discreet accompaniments I hear every day at Solesmes.”

Follow the Discussion on Facebook

Jeff Ostrowski · April 30, 2023

My Student Singing Byrd Will Make You Weep!

Today we release polyphony by two composers: William Byrd and William Fritz.

Keven Smith · April 29, 2023

Conducting Tip: Use the Whole Body

Are you aware of your legs? And do you know why that matters for a choir conductor?

Follow the Discussion on Facebook

Jeff Ostrowski · April 29, 2023

Photograph • Pope Saint Paul VI Distributes Holy Communion (Kneeling, On The Tongue)

How dare we—who are so sinful—how dare we receive our Lord?

Jeff Ostrowski · April 29, 2023

Introit • “Jubiláte Déo” (3rd Sunday after Easter)

Sung according to the official rhythm of the Catholic Church.

Jeff Ostrowski · April 27, 2023

PDF Download • “English Hymns for Three Voices” (SSA), edited by Dr. Theodore Marier—182 pages

My choir will definitely be using these settings. They’re something many have begged for!

Jeff Ostrowski · April 26, 2023

“1950s Catholicism” • Do We Want It Back?

“I have found, to my astonishment, that Catholics…in their principal churches, do not to this day possess even one Mass setting even tolerably good, or which is not actually distasteful and operatic.” —Felix Mendelssohn (1835)

Daniel Tucker · April 23, 2023

Five Ways to Celebrate the Octave of Pentecost

For most Novus Ordo-going Catholics, myself included, the Octave of Pentecost is no longer officially part of the Church’s liturgical calendar, but here are five fitting ideas for extending the joy of Pentecost throughout the week.

Jeff Ostrowski · April 22, 2023

PDF Download • Draft Copy — “2023 Symposium Booklet” (320 Pages)

I will never forget standing in that green room, waiting to go on stage.

Jeff Ostrowski · April 17, 2023

“I Came From Somewhere” • (So Did You!)

Including a haunting hymn by Flor Peeters for Eastertide.

Jeff Ostrowski · April 14, 2023

“Quasi Modo” • Introit for this coming Sunday.

I’m desperately in need of this book!

Guest Author · April 13, 2023

Gregorian Rhythm Wars • “The Hidden Dactyl”

“Perhaps surprisingly, not one word of three syllables in the ancient Easter sequence ‘Laudes Salvatori voce’ is sung to the rhythm of a dactyl.” —Alasdair Codona

Jeff Ostrowski · April 12, 2023

“Regína Caéli Laetáre” • 18 organ accompaniments

Plainsong sung poorly—in a sluggish, lifeless manner—can leave a bad taste in people’s mouths.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“It is profitable for me that shame hath covered my face so I may seek consolation in Thee rather than in men.” (From the Imitation of Christ by Father Thomas à Kempis)

— Cardinal Merry del Val’s Prayer-Book

Recent Posts

  • Fulton J. Sheen Played The Pipe Organ!
  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”
  • Every Diocesan Music Commission Should Do This
  • Exclusive Interview • “Púeri Cantóres” President

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