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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Corpus Christi Watershed · July 24, 2023

(Clip) • Fr. Mike Schmitz endorses “Ad Orientem”

Is celebration “versus populum” a good idea? Father Mike’s answer might raise some eyebrows…

Patrick Williams · July 24, 2023

Gregorian Rhythm Wars • “Patrick’s Fifth Reply to Jeff” (24 July 2023)

“Now all you have to do is connect the dots for yourself.” —Patrick Williams

Corpus Christi Watershed · July 22, 2023

Our Editorial Policy

Over the years, we’ve received beautiful messages of encouragement.

Jeff Ostrowski · July 21, 2023

Why Is Catholic Music So Embarrassing? • Four “Levels” To Fix The Problem!

In 1994, the most powerful mainstream Catholic music organization published a song about the “enlightenment of Buddha.”

Dr. Charles Weaver · July 20, 2023

Stomping Feet, Clattering Hooves, and Other Chant-Related Matters

Did you know that St. Augustine described the sound of one hand clapping?

Jeff Ostrowski · July 19, 2023

Gregorian Rhythm Wars • “Jeff’s Fourth Response to Patrick” (19 July 2023)

Twenty years ago, I had the opportunity to conduct a week-long interview with Dom Cardine’s former boss.

Corpus Christi Watershed · July 18, 2023

Corrinne May on EWTN (July 2023)

Platinum singer-songwriter Corrinne May, our contributor, recently appeared on EWTN.

Jeff Ostrowski · July 18, 2023

Rude Priests, Rude Deacons, Rude Ushers, Rude Parishioners, Rude Choristers, Etc.

Unless I’m mistaken, this charming piece can be played on organ manuals alone.

Patrick Williams · July 16, 2023

Gregorian Rhythm Wars • “Tradition, Beauty, and Musicality” (16 July 2023)

“How delightful it would be to hear chants sung beautifully in a style that hasn’t been recorded hundreds of times already!” —Patrick Williams

Keven Smith · July 15, 2023

Finding Realistic Inspiration for Organ Improvisation

Here’s where to find improvisation recordings you can actually emulate.

Follow the Discussion on Facebook

Dr. Charles Weaver · July 14, 2023

Gregorian Rhythm Wars • “Weaver Responds to Williams”

“Nothing so arouses the soul, gives it wing, sets it free from the earth, releases it from the prison of the body, teaches it to love wisdom, and to condemn all the things of this life, as concordant melody and sacred song composed in rhythm.” —St. John Chrysostom

Jeff Ostrowski · July 13, 2023

PDF Download • 3-Voice “Agnus Dei” + Suggestions to Improve Music at Ordinary Form Masses

Should music at the Ordinary Form be identical to music at the Extraordinary Form?

Patrick Williams · July 12, 2023

Gregorian Rhythm Wars • “Williams Responds to Weaver” (12 July 2023)

“What is to be gained from outdated scholarship and an anachronistic aesthetic that cannot be better accomplished by a return to the oldest sources?” —Patrick Williams

Dr. Charles Weaver · July 8, 2023

In Praise of Adaptability

A proposal: if we are going to study something as important and mysterious as Gregorian chant, we ought to be able to perform it convincingly in several different ways.

William J. Fritz · July 7, 2023

EWTN Broadcast • Sacred Music by MacMillan + Eight Emerging Composers

This coming Saturday (8 July) at 7:00pm, EWTN will be broadcasting …

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski

Random Quote

“This chapter hereby extends the prohibition of 13 June 1561 against loaning singers or instrumentalists on any account whatsoever to include even the humblest choirboy.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (10 June 1562)

Recent Posts

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