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Views from the Choir Loft

Articles

Jeff Ostrowski · May 20, 2013

Poterack Vs. Tucker — Uh, Sort Of . . .

The Sacred Congregation of Rites and the Consilium issued a joint statement on December 29,1966 prohibiting profane music in church. When Consilium spokesman Monsignor Annibale Bugnini was asked at a press conference what was meant by “profane” music, he said that this referred to such things as “jazz” Masses and instruments such as the guitar.

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Fr. David Friel · May 19, 2013

Renewed By the Spirit

The New Evangelization & Pentecost

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Veronica Brandt · May 18, 2013

Sharing sacred music online

Putting books and booklets together by cut and paste.

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Richard J. Clark · May 17, 2013

What Is a “Performance” in Liturgy?

Seminarian Ryan G. Duns, writes, “…it’s not about me putting on a show, about making something happen. My Jesuit training and my musical training converge: I think I’ll be my best when I am noticed least, when I can get out of the way so that those who approach the Lord’s Table are treated, not to a dose of Duns, but to an encounter with the Risen One…”

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Dr. Peter Kwasniewski · May 16, 2013

The Distracting Prayer of the Faithful

Looking at the structure and flow of the liturgical action, the Prayer of the Faithful marks a most awkward caesura in the liturgical action. We would be better off without them.

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Andrew R. Motyka · May 15, 2013

An FYI on EP in the OF – Introduction

Celebrating Vespers well in your local parish.

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Jeff Ostrowski · May 14, 2013

Why The Vatican II Hymnal Is The Best Hymn Book Ever Of All Time!

This hymn almost brought me to tears. I was shaking as I played it. It’s really beautiful and even haunting. But I was worried about the ending until I realized it was like the “smile” on the Mona Lisa.

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Fr. David Friel · May 14, 2013

Judas Iscariot

Unrepeatable & Irreplaceable

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Cynthia Ostrowski · May 14, 2013

Catholic Line Art, Black and White • Installment #17

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

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Corpus Christi Watershed · May 14, 2013

04 • Lalemant Interviews: Fr. David Friel

Fr. David Friel speaks about the Mass Propers, bringing many insights, including how Eastern Catholics would view the current practice of the West.

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Jeff Ostrowski · May 13, 2013

Fr. Rumble Of “Radio Replies” Comments On Folksinging At Mass

“We have had pressreports of eccentric behaviour at Mass and of the introduction of singing more appropriate to music-halls than to the atmosphere of reverence that should prevail in a church. These reports have come mainly from America, and they refer only to isolated instances.” — Fr. Leslie Rumble of Radio Replies, writing in the early 1970s.

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Guest Author · May 13, 2013

New Collection Of Ancient Books About The Mass . . . Free!

Incarnation Catholic Church in Tampa, has begun an initiative to build an E-Library dedicated to building a library of out-of-print books about the Traditional Latin Mass.

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Fr. David Friel · May 12, 2013

Round Yon Virgin

Mother & Child

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Corpus Christi Watershed · May 11, 2013

Questions, Errors, and/or Problems with Watershed Website

Here is a place where you can get your questions answered!

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Corpus Christi Watershed · May 11, 2013

Comments About The Work Of Watershed

“How can I let Corpus Christi Watershed know I value the work they do?” Answer: “Post here!” This is our testimonials section.

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Corpus Christi Watershed

President’s Corner

    Rare Plainsong Accompaniments
    Our contributor, Veronica Brandt, went deep into Australia to take photographs of organ accompaniments for Gregorian Chant. Some consider these peculiar PLAINSONG ACCOMPANIMENTS—with 3-part harmonies by Barcelona Cathedral organist, Father Josep Muset i Ferrer—to be the rarest in the world. Click here to learn more. Thanks Veronica! 😊
    —Jeff Ostrowski
    “Hidden Chant” • For the Ordinary Form

    Not even the magnificent “GregoBase”—which is incredibly comprehensive—realizes music for this antiphon was published by the Vatican in the 1930s.

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    —Jeff Ostrowski
    “Citation Needed” • Dom Foote of ICEL
    Father Basil Foote, OSB, was organist at WESTMINSTER ABBEY MISSION (British Columbia, Canada). In 1984 he published an article called “Chanting in the Vernacular.” Twenty years later, it was republished by ADOREMUS—and that’s how it came to my attention. In that article, Dom Foote makes a claim I consider somewhat outlandish. At the very least, his statement with regard to the Latin accent needs some sort of citation. He has served on the Music Sub-Committee of the International Commission on English in the Liturgy (ICEL).
    —Jeff Ostrowski

Quick Thoughts

    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski

Random Quote

He stood firm against nepotism, rebuking his predecessor Pope Pius IV to his face when he wanted to make a 13-year-old member of his family a cardinal and subsidize a nephew from the papal treasury.

— Re: Pope Saint Pius V (d. 1572)

Recent Posts

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  • PDF Download • 23 Harmonizations for “Daily, daily, sing to Mary” (The Famous Hymn)

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