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Views from the Choir Loft

Articles

Richard J. Clark · December 6, 2013

Chris Mueller’s Unique Voice in the Propers

Chris Mueller has a very unique collection of Offertory Propers in English. He refers to them as “miniatures”, but each is unique revealing a depth of character that gives them lasting power.

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Dr. Peter Kwasniewski · December 5, 2013

Recovering the Greatness of the Roman Rite

Why did we suppress the most precious, most beautiful gift the Lord had given to us? What were we thinking? A child’s perspective brings out the importance of the solemn sung liturgy.

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Jeff Ostrowski · December 4, 2013

Dom Gajard on Vernacular Adaptations & Pius XII Psalter

“We request His Eminence the Cardinal Prefect of the Sacred Congregation of Rites the permission to point out the manifest danger of adopting either of these solutions.” — Dom Joseph Gajard, OSB

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Andrew R. Motyka · December 4, 2013

Text matters

Everyone should be forced to type the words of the pieces they use.

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Jeff Ostrowski · December 4, 2013

1934 “Antiphonale Monasticum” (Solesmes Abbey) • Free PDF Download!

Feel free to download all 1,296 pages!

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Corpus Christi Watershed · December 4, 2013

Francis on Benedict’s “Enlightened Conscience”

The Pope Emeritus “prays, reads, listens to music, dedicates himself to his correspondence, which is a lot, and receives visitors. Every day we walk together in the woods behind the monastery, reciting the rosary.” — Archbishop Ganswein (10/22/13)

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Cynthia Ostrowski · December 3, 2013

Catholic Line Art, Black and White • Installment #44

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

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Jeff Ostrowski · December 3, 2013

The G.I.R.M. Mentions “Hymnus” Only Once …

Ironically, that’s the spot you’re least likely to hear a hymn at Mass!

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Jeff Ostrowski · December 2, 2013

How “Catholic” Is Congregational Singing?

John Paul II asked your forgiveness in 1980 … did you forgive him?

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Gwyneth Holston · December 2, 2013

Enough is Enough!

Why are our Catholic bookstores full of bad art?

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Fr. David Friel · December 1, 2013

Chant Behind Bars

Might Chant Scholas Flourish in Prisons?

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Jeff Ostrowski · November 30, 2013

Uh Oh … How do you spell “Ressurection” ?

The new Gregorian Missal (Solesmes, 2012) is a marvelous book.

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Veronica Brandt · November 30, 2013

Trimmings on Advent

Cards, gifts, wreaths, trees and candles. How do you keep Advent?

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Richard J. Clark · November 29, 2013

A Challenge for the “Big Three” — Is there a Market for the Propers?

I have a challenge to the “Big Three” publishers. The propers are the new frontier of liturgical composition. I propose that they get ahead of the curve now.

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Fr. David Friel · November 28, 2013

Deo Gratias

The Liturgical Model of Gratitude

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Singers’ Booklet”

    The Communion antiphon this week is the powerful “Parable of the Ten Bridesmaids.”

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    —Jeff Ostrowski
    Feast of All Saints (Nov. 1st)

    The formatting of this booklet is ‘messy’—but it’s only ever seen by the singers (not the congregation).

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    —Jeff Ostrowski
    Twenty-Two (22) English Translations
    We gathered every English translation of “Creátor Alme Síderum” ever made by Catholic poets, priests, bishops, cardinals, and saints (22 in all). Click this link to see them displayed, placed directly alongside the original Latin. Some are strikingly beautiful (e.g. “Great Maker of the glitt’ring stars”) and together they trace the hymn back to the ancient “Cónditor Alme Síderum,” which POPE URBAN VIII reworked in 1632AD.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

Re: Low Mass: “It is desirable that in read Masses on Sundays and feast-days, the Gospel and Epistle be read by a lector in the vernacular for the convenience of the faithful.”

— 1958 document, issued under Pope Pius XII

Recent Posts

  • 70% Moonshine? • Jeff Responds to a Dissertation-Length Article on Gregorian Chant
  • Hymn: “Lux Alma Jesu Méntium” • 16 English Translations by Priests, Cardinals, & Bishops
  • PDF Download • “Singers’ Booklet”
  • “Rare Photograph” • Dom Anthony Gregory Murray
  • PDF Download • Sanctus XIII — “Excellent for Congregations” (Harmonies by Jeff Ostrowski)

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