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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Fr. David Friel · April 17, 2014

A Priest’s Litany of Thanksgiving

A Preparation for the Celebration of Holy Thursday

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Andrew R. Motyka · April 16, 2014

Be Good to Your Choir

Give your choir some acknowledgement for all their hard work.

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Jeff Ostrowski · April 15, 2014

PDF Download: The Fulton J. Sheen Sunday Missal (1961)

Archbishop Sheen did not produce this Missal alone: it was a joint effort by many, especially the Jesuit priests Rev. Philip Caraman and Rev. James Walsh.

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Jeff Ostrowski · April 15, 2014

Live Recording — Small Choir of Ninth Grade Singers (October, 2006)

What can one say about the “Art of the Fugue” by J. S. Bach? Marvelous. Simply marvelous.

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Gwyneth Holston · April 14, 2014

Mass for Artists on May 4th in NYC

It will be in the extraordinary form with a modern setting by Arvo Part

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Fr. David Friel · April 13, 2014

Who Should Proclaim the Passion?

The “Circular Letter Concerning the Preparation and Celebration of the Easter Feasts”

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Veronica Brandt · April 12, 2014

Working on a Compline booklet

A booklet for Compline, 95% finished, ready for Holy Week.

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Richard J. Clark · April 11, 2014

Mass of the Angels | Congregational Mass Setting in English

“My opinion is that this is one of the best congregational settings of the new texts.” — Adam Wood

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Dr. Peter Kwasniewski · April 10, 2014

Music Beautiful by Nature

The “beautiful” is largely distinguished by the degree to which the beautiful “thing” is in accord with nature.

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Andrew R. Motyka · April 9, 2014

Singing A Capella During the Easter Triduum

Following the tradition of singing a capella during the Easter Triduum, can lend it a solemnity that “punctuates the entire season.”

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Cynthia Ostrowski · April 8, 2014

Catholic Line Art, Black and White • Installment #52

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

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Gwyneth Holston · April 8, 2014

Summer Programs at the Thomas More College of Liberal Arts

Great opportunities for formation in drawing, painting, writing, reading, and leading

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Gwyneth Holston · April 7, 2014

“Crucifixion” by Pierre-Paul Prud’hon

A striking image that should be more well-known.

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Jeff Ostrowski · April 7, 2014

Preconciliar Missal Allowed Mass “Versus Populum”

These same exact rubrics have been found in Missals published in 1962, 1927, 1943, 1906, and 1886.

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Fr. David Friel · April 6, 2014

Lazarus, Come Out!

Slavery to Sin & Freedom in Christ

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Corpus Christi Watershed

President’s Corner

    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski
    Garnier Alleluias • “Have They Moved?”

    We received an email asking whether the “Garnier Gospel Acclamations website” has…

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    —Jeff Ostrowski
    Absolutely ‘Perfect’ Voice-Leading?

    This brief passage seems (in my humble opinion) to be a delightful specimen.

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    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

A hymn verse need not be a complete sentence, but it must have completed sense as a recognisable part of the complete sentence, and at each major pause there would be at least a “sense-pause.” Saint Ambrose and the early writers and centonists always kept to this rule. This indicates one of the differences between a poem and a hymn, and by this standard most of the modern hymns and the revisions of old hymns in the Breviary stand condemned.

— Fr. Joseph Connelly

Recent Posts

  • “Plainsong Propers” • Fascinating 1980s Recordings
  • Proportionalist Plainchant • (Documented)
  • “First Things First” • The Order We’ve Reversed: Seven (7) Points for Consideration
  • Garnier Alleluias • “Have They Moved?”
  • PDF Download • 1950s Hand Missal including “Priest Photographs” at Mass (944 pages)

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CONTACT • Corpus Christi Watershed

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Corpus Christi Watershed
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